Paperback
Published by Createspace.
(0 reviews)
Published in 1918, What Not was hastily withdrawn due to a number of potentially libellous pages, and was reissued in 1919, but had lost its momentum. Now republished for the first time with the suppressed pages reinstated, What Not is a lost science fiction classic of feminist protest at social engineering, and rage at media manipulation.
Kitty Grammont and Nicholas Chester are in love. Kitty is certified as an A for breeding purposes, but politically ambitious Chester has been uncertificated, and may not marry. Kitty wields power as a senior civil servant in the Ministry of Brains, which makes these classifications, but does not have the freedom to marry who she wants. They ignore the restrictions, and carry on a discreet affair. But it isn’t discreet enough for the media: the popular press, determined to smash the brutal regime of the Ministry of Brains, has found out about Kitty and …
Published in 1918, What Not was hastily withdrawn due to a number of potentially libellous pages, and was reissued in 1919, but had lost its momentum. Now republished for the first time with the suppressed pages reinstated, What Not is a lost science fiction classic of feminist protest at social engineering, and rage at media manipulation.
Kitty Grammont and Nicholas Chester are in love. Kitty is certified as an A for breeding purposes, but politically ambitious Chester has been uncertificated, and may not marry. Kitty wields power as a senior civil servant in the Ministry of Brains, which makes these classifications, but does not have the freedom to marry who she wants. They ignore the restrictions, and carry on a discreet affair. But it isn’t discreet enough for the media: the popular press, determined to smash the brutal regime of the Ministry of Brains, has found out about Kitty and Chester, and scents an opportunity for a scandalous exposure.
Aldous Huxley was a frequent guest at Macaulay’s flat while she was writing What Not. His apparently ground-breaking novel Brave New World (1932) borrowed many of Macaulay’s ideas for Huxley’s own prophetic vision.
The introduction is by Sarah Lonsdale, senior lecturer in journalism at City University London.