Epub, 256 pages
English language
Published July 15, 2011 by Pantheon Books.
When a dinner-party guest named Miles locks himself in an upstairs room and refuses to come out, he sets off a media frenzy. He also sets in motion a mesmerizing puzzle of a novel, one that harnesses acrobatic verbal playfulness to a truly affecting story.
Miles communicates only by cryptic notes slipped under the door. We see him through the eyes of four people who barely know him, ranging from a precocious child to a confused elderly woman. But while the characters’ wit and wordplay soar, their story remains profoundly grounded. As it probes our paradoxical need for both separation and true connection, There but for the balances cleverness with compassion, the surreal with the deeply, movingly real, in a way that only Ali Smith can. Source: www.penguinrandomhouse.com/books/168751/there-but-for-the-by-ali-smith/9780307379986
A short but convoluted book, just the way I like them, coiling back onto itself til you didn't know whether you were coming or going.
A dinner party in a posh home in Greenwich took a sudden turn when Miles, one of the guests, leaves the table mid meal and locks himself in an upstairs room. He refuses leave and the diverse group of neighbours tell their story of the events trying to make sense of Miles motivations. There But For The is told in four points of view: Anna, who is in her forties; Mark, a man in his sixties; May, a woman in her eighties and ten year old Brooke.
Genevieve Lee sets out to host an elaborate dinner in her elegant Greenwich home; her husband Eric has planned to serve scallops and chorizo. However these people are a little different to the people that normally run in the couple’s social circles. The story revolves around Miles Garth who is now an unwanted guest of the Lee’s, after he locked himself away in …
A dinner party in a posh home in Greenwich took a sudden turn when Miles, one of the guests, leaves the table mid meal and locks himself in an upstairs room. He refuses leave and the diverse group of neighbours tell their story of the events trying to make sense of Miles motivations. There But For The is told in four points of view: Anna, who is in her forties; Mark, a man in his sixties; May, a woman in her eighties and ten year old Brooke.
Genevieve Lee sets out to host an elaborate dinner in her elegant Greenwich home; her husband Eric has planned to serve scallops and chorizo. However these people are a little different to the people that normally run in the couple’s social circles. The story revolves around Miles Garth who is now an unwanted guest of the Lee’s, after he locked himself away in an upstairs bedroom. However the book really looks at the four narrators and their connection between everyone else.
There tells a story of Anna, a social worker, who knew Miles thirty years ago. Genevieve found her email address in Miles phone and invited her in the hope of persuading him to leave. But follows Mark who is a photo-researcher, who invited Miles to the dinner party. Mark is mourning his old love and, at times, his dead mother speaks to him in rhymes. For is set entirely in the mind of eighty year old May. She is suffering from dementia but also has regular contact with Miles. The revolves around ten year old Brooke, who is the daughter of two of the party guests and the only one that has made contact with Miles since he locked himself in the room.
Where this book shines is in the writing; it is full of what has been now considered Ali Smith’s trademark wit and puns. It is an exploration into humanity, centred on a whimsical yet devastating dinner party. The stand out for me is the way that Smith masterfully used identity shifts and language gaps to explore language in what is essentially a locked-room mystery. This writing style may cause issues for some people but I was just in awe of just how clever If For But The really was.
As this is the first Ali Smith novel that I have read, I am unsure what to say about her as a writer. If all books are anything like If For But The then I would have to call her a master at puns, wordplays, metaphors and pretty much linguistics in general. There is plenty of buzz around her latest book How to Be Both, so I will save my opinion until I have read at least that novel. I am very confident I will be a new fan of Ali Smith but as I say, I have to experience more of her writing.
This review originally appeared on my blog; www.knowledgelost.org/literature/book-reviews/genre/literary-fiction/there-but-for-the-by-ali-smith/
