"A surreal excursion into heartache and horror narrated by a man undone by grief . . . Along with allusions to Rod Serling and The Exorcist, there are shades of H. P. Lovecraft, Stephen King, zombie literature and, at least once, A Hitchhiker’s Guide to the Galaxy . . . You don't want to read this book right before bed." —Sarah Lyall, The New York Times Book Review
“This intense cosmic horror with a touch of Mexican American folklore is incredibly creepy and moving.” —Margaret Kingsbury, BuzzFeed
It was Vera’s idea to buy the Itza. The “world’s most advanced smart speaker!” didn’t interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered …
"A surreal excursion into heartache and horror narrated by a man undone by grief . . . Along with allusions to Rod Serling and The Exorcist, there are shades of H. P. Lovecraft, Stephen King, zombie literature and, at least once, A Hitchhiker’s Guide to the Galaxy . . . You don't want to read this book right before bed." —Sarah Lyall, The New York Times Book Review
“This intense cosmic horror with a touch of Mexican American folklore is incredibly creepy and moving.” —Margaret Kingsbury, BuzzFeed
It was Vera’s idea to buy the Itza. The “world’s most advanced smart speaker!” didn’t interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room.
It was funny and strange right up until Vera was killed, and Thiago’s world became unbearable. Pundits and politicians all looking to turn his wife’s death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room . . .
The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world.
A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.
I’m rounding up to 5 because FINALLY a horror book written by a dude I actually enjoyed! Bonus points for Kubrick references. Extra bonus points for what I think is commentary about generational trauma/violence but some of those points taken away for not really being clear and maybe not even being there? I’m not sure what was going on, and that’s kind of a problem. There’s a bit of a Stephen King issue happening there. Anyway, it was very fun, very creepy, and I think there’s potential for some interesting conversations to come out of reading it. That last thing alone is enough for me to add a star.
"No one understands, they keep talking about time. You need time, it'll take time. Like I'll get over her and everything will go back to normal. I don't want to get over anything. I want to sink as far as it'll take me."
Above all else, this book excelled at the portrayal of grief. It's that portrayal that really made me enjoy this. It felt so real and raw, and served as a backdrop for every decision the main character made.
This is the kind of story that is really enhanced by it's short length. This is not an exploration of grief. It's one man's personal experience with it.
As far as the paranormal aspect of the story goes, I liked how impending and incomprehensible it felt in the first 2/3rds of the book. I think I would have preferred the threat to remain paranormal rather than becoming a physical …
"No one understands, they keep talking about time. You need time, it'll take time. Like I'll get over her and everything will go back to normal. I don't want to get over anything. I want to sink as far as it'll take me."
Above all else, this book excelled at the portrayal of grief. It's that portrayal that really made me enjoy this. It felt so real and raw, and served as a backdrop for every decision the main character made.
This is the kind of story that is really enhanced by it's short length. This is not an exploration of grief. It's one man's personal experience with it.
As far as the paranormal aspect of the story goes, I liked how impending and incomprehensible it felt in the first 2/3rds of the book. I think I would have preferred the threat to remain paranormal rather than becoming a physical threat like we see with the dog and the veterinarian. I feel like mysterious nature of the horror was dispelled a bit when the main character was literally just chatting with the spirit through the vet, but I also acknowledge that the stakes needed to be raised somehow, and that it can only be so dangerous if the threat remains incorporeal.
I'm not sure what else to say about this. It was good. It was short. While it wasn't scary in the sense that I was afraid of it, or I experienced terror while reading it, it was certainly thought provoking, which is what really makes a book good in my opinion.
Grief is a common theme to explore in media, and I feel like it's even more present in the horror genre. At face value one might think, "do we really need another story about dealing with the loss of a loved one?" And at face value I might agree that the concept has been tackled just about every way already, but This Thing Between Us proved to me that there are still interesting ways to keep the topic fresh in a way I've never seen before.
The sales blurb for this book pitches it as a ~what if your Alexa was haunted~ kind of story, but there is so much more going on here. There is some truly sinister and malevolent shit happening to poor Thiago (who is one of the most interesting and likeable protagonists I've come across in a while) and there were at least two scenes that …
Grief is a common theme to explore in media, and I feel like it's even more present in the horror genre. At face value one might think, "do we really need another story about dealing with the loss of a loved one?" And at face value I might agree that the concept has been tackled just about every way already, but This Thing Between Us proved to me that there are still interesting ways to keep the topic fresh in a way I've never seen before.
The sales blurb for this book pitches it as a ~what if your Alexa was haunted~ kind of story, but there is so much more going on here. There is some truly sinister and malevolent shit happening to poor Thiago (who is one of the most interesting and likeable protagonists I've come across in a while) and there were at least two scenes that had me sitting upright and thinking "whatthefuckwhatthefuckwhatthefuck." There was also a Mexican folk twist on the story's events involving brujas and mentions of El Cucuy that made it feel distinct from generic cosmic horror.
I liked all the characters, specifically the relationship between Thiago and his mother-in-law and how that changes after his wife's death (this occurs before the story even begins, so it's not really a spoiler). Everyone's decisions and dialogue felt natural and logical, subthemes of gentrification and immigration were treated fairly and didn't come across as heavy-handed, and I got legitimately spooked at parts. This book is a quintessential example of what I think horror literature looks like at its best. This is an easy auto-recommendation.
