"Beloved possesses the heightened power and resonance of myth. An extraordinary novel."
--Michiko Kakutani, New York Times
Toni Morrison's magnificent Pulitzer Prize-winning novel--first published in 1987--brought the unimaginable experience of slavery into the literature of our time and into our comprehension. Set in post-Civil War Ohio, it is the story of Sethe, an escaped slave who has risked her life in order to wrench herself from a living death; who has lost a husband and buried a child; who has borne the unthinkable and not gone mad. Sethe, who now lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing apparition who calls herself Beloved.
Sethe works at "beating back the past," but it makes itself heard and felt incessantly: in her memory; in Denver's fear of the world outside the house; in the sadness that consumes Baby …
"Beloved possesses the heightened power and resonance of myth. An extraordinary novel."
--Michiko Kakutani, New York Times
Toni Morrison's magnificent Pulitzer Prize-winning novel--first published in 1987--brought the unimaginable experience of slavery into the literature of our time and into our comprehension. Set in post-Civil War Ohio, it is the story of Sethe, an escaped slave who has risked her life in order to wrench herself from a living death; who has lost a husband and buried a child; who has borne the unthinkable and not gone mad. Sethe, who now lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing apparition who calls herself Beloved.
Sethe works at "beating back the past," but it makes itself heard and felt incessantly: in her memory; in Denver's fear of the world outside the house; in the sadness that consumes Baby Suggs; in the arrival of Paul D, a fellow former slave; and, most powerfully, in Beloved, whose childhood belongs to the hideous logic of slavery and who has now come from the "place over there" to claim retribution for what she lost and for what was taken from her. Sethe's struggle to keep Beloved from gaining possession of her present--and to throw off the long-dark legacy of her past--is at the center of this spellbinding novel. But it also moves beyond its particulars, combining imagination and the vision of legend with the unassailable truths of history.
Upon the original publication pf Beloved, John Leonard wrote in the Los Angeles Times: "I can't imagine American literature without it." In fact, more than a decade later, it remains a preeminent novel of our time, speaking with timeless clarity and power to our experience as a nation with a past of both abominable and ennobling circumstance.
I really don't know what to make of this book. I finished it. I think I liked it, but... Yeah. Sure was a ride, and I'm going to have to go back and watch John Green's crash course video about this one to help me process, I think.
This book is beyond praise - it is like watching an elaborate setup of dominoes falling backward up a hill, to the door of 124, a country house that is bombarded with metaphors of history, culture and race: every sentence is loaded. Brilliant.
I read this book once, 10 years ago, and to be honest I dreaded having to reread it for a class. My first experience was frustrating. I felt confused and alienated to the story. Then again, I felt confused and alienated about most things: I was in my early twenties.
I'm so glad this book gave me another chance. After a decade of digital, this book was like vinyl. Funny how I couldn't connect to the story a decade ago, yet today, the raw and powerful feelings of emotional desperation coursing through these characters have resounded in me like an echo of some familiar, intimate history of my own - though, admittedly, a milder, bourgier one.
There are complicated scenes in this book. By that I mean, scenes that aren't meant to be passed through quickly, but can stay with you and resolve themselves through you as you live, if …
I read this book once, 10 years ago, and to be honest I dreaded having to reread it for a class. My first experience was frustrating. I felt confused and alienated to the story. Then again, I felt confused and alienated about most things: I was in my early twenties.
I'm so glad this book gave me another chance. After a decade of digital, this book was like vinyl. Funny how I couldn't connect to the story a decade ago, yet today, the raw and powerful feelings of emotional desperation coursing through these characters have resounded in me like an echo of some familiar, intimate history of my own - though, admittedly, a milder, bourgier one.
There are complicated scenes in this book. By that I mean, scenes that aren't meant to be passed through quickly, but can stay with you and resolve themselves through you as you live, if you're interested. I love these kinds of novels. They are the best kind. They are more like companions than stories, companions who start up long conversations with you and continue asking questions long after you've moved past them to other books and other places.