Fletch and the Man Who

I'm slowly nearing the end of the entire Fletch series, but they still manage to stay relevant and interesting. Fletch and the Man Who is certainly no exception. In fact, I might argue that it is not only still very relevant to modern culture, but that it has actually ripened with age.

Caxton's Technology Platform
The most interesting portions of the book were the prescience of the role of technology in modern life that were described within it. Mcdonald wrote this in 1983 long before the advent or ubiquitization of satellite communications, cellular phones, desktop computers, and even the internet. Yet somehow the discussion being pushed by the lead presidential candidate in the story feels very forward thinking and is highly relevant even today. Given the rise of Twitter and Facebook, it may actually be more interesting and relevant today than when the book was written in the early 1980s. Interestingly it feels like we have yet to figure out where technology is taking us. This book brings up a lot of philosophical ideas that we're still heavily grappling with and on even deeper levels. Some of the mentions of religion and politics are all still alive and well in the modern political scene (though Communism/Marxism have died and disappeared after this book was written) and are just as touchy in their relation to technology. The recent presidential campaign certainly highlighted some of these technology issues, particularly with relation to the effect on political communication via fake news and Facebook. Mcdonald takes aim at the idea of "truth" within a political campaign and having a well informed electorate.

Political Satire
There is some really great satire on politics in the book. Oddly, not much of it originates with Fletch or his views on life. While there are a handful of good zingers that Fletch delivers in his wry signature fashion, this book seemed like a major departure in that the supporting characters take on the typical Fletch role of smartasses. This felt interesting and almost natural from a storytelling point of view as Fletch himself actually throws off his typical rebel character mantle to "join the establishment" and run interference for the presidential candidate's press corps. Most interesting to me a lot of the mentions about politics still play as well today as they did 30+ years ago.

Other observations
We meet one of Fletch's old war buddies and learn a few new pieces of backstory that flesh out his character a bit more, which is something I didn't expect as much of at this point in the series.

There isn't as much sexual tension in this as in some of the past works, but Freddie Arbuthnot makes a reappearance and really forces Fletch to work overtime for her approval. This seemed more interesting to me than some of Fletch's past sexual exploits which seemed to come too easily for him. It's more interesting to see him have to work at creating a relationship, particularly with a woman who had previously thrown herself at him.

Of interest to me with regard to the plotting and the reveal at the end was that there were a nice number of potential suspects. Better, despite my decade+ affair with Law & Order and similar procedurals on television, there was just enough psychological subtlety and distance that the reveal of the killer was not only well motivated but also hidden enough to be entertaining right up to the end. (No spoilers here...)

One thing I did miss was the complete lack of phony characters invented by Fletch as cover stories. To my recollection there were none in this installment. I did however notice that a despicable character in the plot had the name Hanrahan which was (probably not coincidentally) one of the fictional names that popped up in a cover story Fletch spun in the film version of the first book:

Well now, you know that and I know that, but... somebody's bucking for a promotion. Probably that pederast Hanrahan. I don't know. All I know is if I don't go back with something, you and your son-in-law are going to be the scapegoats of the week.

This book would have been out and available well in advance of the May 31, 1985 release of the film.

There were a few tidbits that could have been better resolved at the end (what was Caxton really doing during those disappearances?), but overall, this was a very satisfying and interesting read. It's certainly made me think about politics and the philosophy of technology in a different way than I have been recently, and for that this may have been to me the most interesting book in the series so far. Some of the philosophy in particular deserves additional thought and study, and may motivate me to actually re-read this one.

The original version of this review appears on my blog at BoffoSocko.com, it also includes my quotes, highlights, and annotations from the book.