I'm closing out tabs and wanted to rec this (again) before I clicked out of it. Jeanette Ng's 2021 article for Tor.com, The History and Politics of #Wuxia. Situates wuxia as a genre in its diaspora roots and historical context, I really recommend it. https://www.tor.com/2021/06/29/the-history-and-politics-of-wuxia/
#wuxia
See tagged statuses in the local BookWyrm community
笑死我了 (Singapore made a very dramatic wuxia themed video about reducing sugar levels in foods) 😂
#wuxia #cdrama
https://youtu.be/phgccmPBwd8
One truism in #wuxia dramas.
No inn is ever safe destruction 😆
"The History and Politics of Wuxia" by Jeanette Ng - a long and fascinating essay with tons of information I didn't know
https://www.tor.com/2023/08/02/the-history-and-politics-of-wuxia-2/
Rich in character and heart despite its brevity.
4 stars
I am a novice at Chinese cultural media and media culture but I’ve noticed, from Jin Yong’s Legend of Condor Heroes (late 1950s), through Crouching Tiger, Hidden Dragon (2000), to Sleuth of the Ming Dynasty (2020)—the steppe grassland and its horse nomads often feature in Chinese media.
My noob questions are. Is this just my sampling bias? Or is there a pattern of stories being set in the steppe?
Is it just a #wuxia thing?
Is it just a period drama thing (are modern stories less likely to feature this as a setting)?
Is it more of a political interest that inspires this in storytellers or do they tend to also appreciate the unique geography and climate of the steppe? Should I be surprised to see Kazakh or Mongolian settings, should I expect Chinese storytellers to prefer Xinjiang/Inner Mongolia?
Why is there not a similar interest in setting stories …
I am a novice at Chinese cultural media and media culture but I’ve noticed, from Jin Yong’s Legend of Condor Heroes (late 1950s), through Crouching Tiger, Hidden Dragon (2000), to Sleuth of the Ming Dynasty (2020)—the steppe grassland and its horse nomads often feature in Chinese media.
My noob questions are. Is this just my sampling bias? Or is there a pattern of stories being set in the steppe?
Is it just a #wuxia thing?
Is it just a period drama thing (are modern stories less likely to feature this as a setting)?
Is it more of a political interest that inspires this in storytellers or do they tend to also appreciate the unique geography and climate of the steppe? Should I be surprised to see Kazakh or Mongolian settings, should I expect Chinese storytellers to prefer Xinjiang/Inner Mongolia?
Why is there not a similar interest in setting stories in the Tibetan plateau?
Again, forgive my noob questions, though I am an appreciator of Chinese art and a reader of Chinese history, I am not even sure I’m asking the right questions when it comes to Chinese pop culture works.
#StrangeHorizons has published a #wuxia #xianxia special edition and I think it's wonderful. There's three stories, some poems and essays on the genre. All for free.
#sciencefiction #fantasy #sf #LGBTQIA
@bookstodon http://strangehorizons.com/issue/29-may-2023/