Revenant (Shadow of War #1) by Anthony J. Melchiorri
Release Date September 29, 2025
#ScienceFiction #SpaceOpera #MilitaryScienceFiction
#spaceopera
See tagged statuses in the local BookWyrm community
Splinter Faction (Backyard Starship #29) by J.N. Chaney, Terry Maggert
Release Date September 28, 2025
#ScienceFiction #SpaceOpera
π Leviathan Wakes by: James S. A. Corey
Jim Holden is an officer on an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew discover a derelict ship called the Scopuli, they suddenly find themselves in possession of a deadly secret. A secret that someone is willing to kill for, and...
https://bookblabla.com/book/leviathan-wakes
#books #reading #libraries #fiction #sciencefiction #generalfiction #spaceopera
Battle of Shadows (Battles of the Republic #3) by James Rosone, Brandon Ellis
Release Date September 25, 2025
#ScienceFiction #SpaceOpera
The Regent's Mate (House Adamant #4) by Glynn Stewart
Release Date September 25, 2025
#ScienceFiction #SpaceOpera
https://www.risingshadow.net/book/77999-the-regentand039s-mate
Is Flash Gordon Sword and Planet or just run if the mill Space Opera? Does it matter?
#FlashGordon #SwordAndPlanet #SpaceOpera #SciFi #comics #movies
Space Opera vs Sword & Planet: Flash Gordon
https://www.blackgate.com/2025/09/24/space-opera-vs-sword-planet-flash-gordon/
Into the Schism (Rise of the Republic #12) by James Rosone, Miranda Watson
Release Date September 23, 2025
#ScienceFiction #SpaceOpera
The Shattering Peace, and aliens who have consciousness as an augmentation
For people looking to dip their toe in the sci-fi literary genre, John Scalzi is often a good place to start. A lot of sci-fi literature assumes certain knowledge from the reader (such as what “burning at two gees” means). Scalzi’s fiction tends to only assume what you might pick up watching sci-fi TV shows or movies. And his introduction of concepts is usually fairly approachable.
His writing style also helps. Scalzi seems to take Elmore Leonard’s writing rules to heart, avoiding long descriptions, lengthy interior monologues, or other things that bog down the pacing, overall leaving out the parts that “readers tend to skip”. To read Scalzi is to experience story at a snappy pace with minimal effort. He often tells a story in three hundred pages where many contemporary authors seem to need five hundred. With the humor β¦
The Shattering Peace, and aliens who have consciousness as an augmentation
For people looking to dip their toe in the sci-fi literary genre, John Scalzi is often a good place to start. A lot of sci-fi literature assumes certain knowledge from the reader (such as what “burning at two gees” means). Scalzi’s fiction tends to only assume what you might pick up watching sci-fi TV shows or movies. And his introduction of concepts is usually fairly approachable.
His writing style also helps. Scalzi seems to take Elmore Leonard’s writing rules to heart, avoiding long descriptions, lengthy interior monologues, or other things that bog down the pacing, overall leaving out the parts that “readers tend to skip”. To read Scalzi is to experience story at a snappy pace with minimal effort. He often tells a story in three hundred pages where many contemporary authors seem to need five hundred. With the humor he usually laces in, it makes him a bestselling author.
I can’t say I like everything about his writing. Keeping things approachable means he doesn’t always follow the full implications of the ideas he raise, his endings can feel unearned, and some of his more recent books have gotten a bit too silly for my tastes.
But The Shattering Peace is a return to the Old Man’s War universe, his initial breakout space opera series. The first book in the series channels the spirit of Robert Heinlein’s Starship Troopers, but with the recruits being elderly and discovering their service involves having their minds transferred into new combat bodies. The implications of this get explored in the first few books of the series.
In the early books, the universe is portrayed as dog eat dog, with humanity having to hold its own against numerous alien species in unending competition for planets to colonize. As the series progresses (and I suspect as Scalzi’s own views evolve), we learn that things are not as they initially seem.
One thing I was happy to see acknowledged in this new book is that people would want the mind copying technology for civilian purposes, such as avoiding old age. Mind transfer happens in the military, apparently for decades, without having any apparent effects on the rest of the Colonial Union society, which has long felt dubious to me. The rationale presented is that most people didn’t know about it until recent changes, although with lots of ex-soldiers running around, and many others in government aware of the technology, that also seems dubious.
Anyway, by the beginning of this story, there’s been an uneasy peace agreement for several years, with a moratorium on new colonies by the stakeholders. However, in an effort to see if the various species can work together, a secret colony is established, called “Unity”, with a population of humans and several other species. When the colony disappears, Gretchen Trujillo finds herself volunteered for a mission to investigate. Before she leaves, she’s warned that the Consu, an advanced alien race, advanced far beyond everyone else, had been observed taking an interest in the solar system the colony was in.
She receives this warning from the Obin, who she has a special relationship with. The Obin are a species that were uplifted by the Consu. However, the Consu purposefully gave them intelligence without consciousness, apparently just as an experiment. Throughout their history, the Obin existed without consciousness. Then a Colonial Union scientist invented a wearable device that can provide a consciousness for them. Each of them can choose when to have their device on or off. Consciousness is a new thing for the Obin, and they are still learning how to cope with it, often turning it off when they need maximum alertness or productivity.
“Consciousness” here seems to imply a capacity for emotional feelings. With their device off, the Obin are portrayed as affectless, seemingly like philosophical vulcans, still able to think, communicate, and navigate their environment, but without emotions. Which means, by many definitions of consciousness, they still have a form of it with the device off, just without sentience in the classical sense. The Consu appear to have given them sapience without sentience. The reasons for this eventually become a plot point.
The Consu themselves are arrogant, with a philosophy that cherishes conflict as a virtue. To them, species can only approach “perfection” through violent conflict. They see the current peace between the various alien races as bad for the souls of those races. They live this philosophy, usually handicapping themselves in fights with other species to ensure a more equal contest, and engaging in ritualistic but violent conflict between their own factions.
All of which factor into the central conflict of this story.
As with the other Scalzi’s books, this one is entertaining. It’s a good adventure story. I enjoyed and recommend it.
That said, without getting into spoilers, I’m not wild about the ending. I found the resolution…unsatisfying. I might have been more onboard, but didn’t feel like the groundwork had been sufficiently laid, at least not enough for me. I wouldn’t avoid reading it for that reason since I still enjoyed the story, and you may well be fine with the ending.
Have you read it? Or any of the other Old Man’s War books? If so, what do you think about them? Or of the notion of “consciousness” Scalzi uses with the Obin?
#bookReview #bookReviews #Fiction #sciFi #ScienceFiction #SciFi #SpaceOpera
Rari reviews "Inhuman" by R.M. Olson, The Dark Between the Stars book 1:
"This is my first book from this author and I really loved it... an action packed book with never a dull moment, but it also provokes very deep questions. Medical and adventure sci fi, with a blend of cosmic horror. You will love this book."
https://www.queerscifi.com/review-inhuman-r-m-olson/
#SciFi #ScienceFiction #BookReview #LGBTQBookstodon @LGBTQBookstodon @diversebooks #bookstodon @bookstodon #books #Horror #SpaceOpera #Bisexual #Gay #Lesbian
Rari reviews "The Water Paradox" by R.M. Olson, The Dark Between the Stars book 2:
"Not gonna lie, this one was even more interesting than Inhuman. I finished it in hours. This book hit me hard in the feels... If you love sci fi with an element of mystery, adventure, and horror, you will love this book and this series."
https://www.queerscifi.com/review-the-water-paradox-r-m-olson/
#SciFi #ScienceFiction #BookReview #LGBTQBookstodon @LGBTQBookstodon @diversebooks #bookstodon @bookstodon #books #Horror #SpaceOpera
Finished reading Adrian Tchaikovsky's "Eyes Of The Void: The Final Architecture: Book Two."
https://amzn.to/4nnI2W9
ππ
Like the first book, this was a wild, epic, and unique #SciFi #SpaceOpera story. Next: something different and then the last book.
#books #reading #ScienceFiction
What is DAT? How does it help the Sol survive ridiculous diasters? Find out here: https://open.substack.com/pub/mpaxauthor/p/worldbuilding-spotlight-disaster?r=40xifa&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true
#books #sciencefiction #rescue #spaceopera #readers #worldbuilding
Do you likeβ¦
πΏ Archaeological adventures
π» Technological thrillers
π₯ Spiced up with an epic story
π Ending in a full-on space opera?
Iβve got you covered.
π www.mariusztrynka.com
#Books #SciFi #SpaceOpera #Adventure #Thriller #MariuszTrynka #GeneticMemory
Embers of the Forge (The Voidborn Saga #1) by Timothy M. Valkenaar
Release Date September 16, 2025
#ScienceFiction #SpaceOpera
Exodus: The Archimedes Engine, and a different take on mind uploading
I recently finished reading Peter F. Hamilton’s book: Exodus: The Archimedes Engine. It takes place in a far future where humanity has fled the solar system in relativistic ark ships, looking for new homes. One group of arks discover a bounty of habitable worlds in the Centauri Cluster about 16,000 light years from Earth. Someone named Asteria sends out a “Green Worlds” signal to all the other arks out there.
There’s no FTL in this universe, so the early settlers in the cluster then have over twenty thousand years of history before the other arks begin arriving. The early settlers spread throughout the cluster, and through genetic engineering take on a range of transhuman forms and philosophies. Collectively these species are known as Celestials. They also breed a number of other species for various subservient roles, which are collectively β¦
Exodus: The Archimedes Engine, and a different take on mind uploading
I recently finished reading Peter F. Hamilton’s book: Exodus: The Archimedes Engine. It takes place in a far future where humanity has fled the solar system in relativistic ark ships, looking for new homes. One group of arks discover a bounty of habitable worlds in the Centauri Cluster about 16,000 light years from Earth. Someone named Asteria sends out a “Green Worlds” signal to all the other arks out there.
There’s no FTL in this universe, so the early settlers in the cluster then have over twenty thousand years of history before the other arks begin arriving. The early settlers spread throughout the cluster, and through genetic engineering take on a range of transhuman forms and philosophies. Collectively these species are known as Celestials. They also breed a number of other species for various subservient roles, which are collectively known as Changelings.
There are titanic wars during the early millenia, known as the Remnant Era. This leads to a large number of ruined worlds, many of which continue to harbor ancient ruins and the remnants of advanced weaponry. After the Remnant Era, a particularly powerful group of Celestials known as the Elohim construct a network between all the stars in the cluster, known as the Gates of Heaven. The gates do not allow FTL travel, but they do rapidly accelerate craft to 99.9% of lightspeed, with another gate at the destination rapidly decelerating that craft, which facilitates relativistic travel around the cluster.
By the time they do start arriving, the humans on the other arks are seen as inferior throwbacks. Most Celestials want nothing to do with them. Many of these later groups are forced to settle on Remnant worlds, although one matriarchal society, known as the Crown Dominion, allows them to settle on a couple of planets in their capital system. But the Crown Dominion sees the humans as little more than an economic asset. By the standards of human history, their standard of living is high, but they are not allowed access to Celestial technologies, at least other than whatever Remnant artifacts they can find.
The Crown Dominion Celestials are interesting. They are somewhat human shaped, but much taller and thinner. They’re immortal, but that immortality comes about through maintaining a mindline.
Their children, called “spawn”, reach physical maturity rapidly. Parents have the ability to share skills and memories with their spawn, called “gifts” in the story. Eventually the parent, when near death, or just tired of their current body, chooses one of their spawn, and transfers all their remaining skills and memory into that body, essentially making it their new body. However, once the child is more than about fifteen years old, their mind becomes resistant to taking on a different persona. They then become a “new life”, basically the start of a new mindline.
A human from one of the arks asks why they don’t just grow clone bodies and download their minds into the clone. The reply is that that would require a technological civilization. The mindline transfer is entirely biological, happening through nerve connections when bodies are physically touching each other, the result of genetic engineering, and so purportedly could be maintained even if the Crown Dominion civilization were to be thrown back into the stone ages.
However, to ensure their mindline is preserved, everyone constantly maintains an inventory of young spawn, and keeps at least one close by in case of an accident. And it makes the Crown Dominion value social stability above all else. The result is a static society which is becoming stagnant. This mindline related stagnation is observed in the novel by at least one member of another Celestial species, indicating that the mindline is not a universal trait among the Celestials. (The book doesn’t reveal whether the other Celestials are immortal though other means or have just decided to be mortal.)
The mechanism also has a vulnerability, one that becomes apparent in the book.
Hamilton does seem to push this idea a bit into implausible territory when, at one point in the story, a dying Celestial is able to implant a limited version of himself into the brain of a regular human. I can see sharing skills and memories between brains genetically engineered for it. But we know enough about natural brains to know that information can’t simply be transferred into them, at least not rapidly.
Still, it’s an interesting take on the idea of immortality through mind copying. In some ways it reminds me of the method used in the Avatar movies. It seems to nicely step around concerns about whether consciousness could exist in a different substrate, albeit with a biological framework one human character considers “hellish weird”.
At the beginning of the novel, the year is 42,350 AD. The main protagonist, Finn, comes from a relatively privileged aristocratic background, but yearns for the freedom to travel. Somewhat naive, he wants to become a Traveler, a class of humans who travel around the cluster, exploring and finding Remnant artifacts, as well as making other trade deals.
He finds his opportunity when he meets Ellie and Josias Apone. Josias is the owner of an ark which has just arrived. However, as Finn tries to capitalize on that opportunity, he finds himself drawn into a political plot, which takes place against the backdrop of ever rising tensions between the humans and Celestials, and the return of an ancient enemy.
There’s a lot going on in this long book. (Hamilton is known for putting out thousand page doorstoppers; this one is 904 pages.) I thoroughly enjoyed it. It captured me in a way few books do anymore. It’s the first in a series, so be warned that it does end on a cliffhanger. It also takes place in a setting used for a game that Hamilton helped design the world for, although he stresses in interviews that he had complete freedom on the story.
I’ve tried a few of Hamilton’s earlier novels over the decades, but found his long descriptions off putting, and so had largely written off his books, even though their descriptions are enticing. But the description of this book was too good to ignore. I have a weakness for posthuman space opera without FTL. I was steeled for a slog, but was pleasantly surprised to discover that his writing seems to have tightened considerably. He still tends to go into more detailed descriptions than I care for, but it’s well within my tolerance now. Which is leading me to take another look at his more recent work.
Anyway, if epic space opera is your cup of tea, you’ll want to check this one out.
Have you read it? If so what did what you think? I’d welcome any recommendations for similar stories.
#bookReview #bookReviews #sciFi #ScienceFiction #SciFi #SpaceOpera