Once he started talking about "transvestitism" and suggesting it was all about "genital anxiety" and "being a true man" or whatever the fuck, I was done. I was already getting there because of his rugged individualist bootstrap theology. Hard pass.
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Marcus reviewed Existential psychotherapy by Irvin D. Yalom
Marcus rated Mysterious Skin: 5 stars
Mysterious Skin by Scott Heim
At the age of eight Brian Lackey is found bleeding under the crawl space of his house, having endured something …
Review of "The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1)" on 'Goodreads'
2 stars
This is such a mixed bag. There's a lot to like here, and there's a lot that TRIED to work, but didn't really land for me, and there's a lot that just flat out didn't work. I'm going to be dissecting this book pretty heavily, so spoilers abound.
I guess let's start with what I like: The main 3 characters are very well written. They have a good chemistry with each other, snappy dialogue and comebacks that were entertaining to read. I remember at the start of this book that the depth and honesty with which they tackled Monty's vices was really engaging. Felicity and Percy also stand out as great characters and compliments to each other; Felicity being the fierce and assertive woman, while Percy is more of a quiet and calm dominance in the way he holds himself.
Percy being black felt like it had consequences and was …
This is such a mixed bag. There's a lot to like here, and there's a lot that TRIED to work, but didn't really land for me, and there's a lot that just flat out didn't work. I'm going to be dissecting this book pretty heavily, so spoilers abound.
I guess let's start with what I like: The main 3 characters are very well written. They have a good chemistry with each other, snappy dialogue and comebacks that were entertaining to read. I remember at the start of this book that the depth and honesty with which they tackled Monty's vices was really engaging. Felicity and Percy also stand out as great characters and compliments to each other; Felicity being the fierce and assertive woman, while Percy is more of a quiet and calm dominance in the way he holds himself.
Percy being black felt like it had consequences and was aware of itself. It didn't, by contrast, feel like Bridgerton where these black characters are just flaunting around in high society and no one says anything about it. Especially good were the moments with the French authorities and Scipio. It feels well researched and respectfully written as opposed to a writer doing the bare minimum with a token character and a vague, white-washed understanding of their issues. Though, referring to her section in the author's note as "race relations" is kinda yikes to me.
Side characters like Helena and Daunte on the other hand are not given the same treatment on their characters, their arcs, or their plot lines. Daunte in particular feels like he's just doing an imitation of Fear from Inside Out, with no real depth or diversity to his personality. Helena is a bit better, but compared to Felicity, her motivations seem flimsy and on pretense for the sole purpose of creating a "mystery."
That is one of the big problems for me, this book went the direction of a fantasy, Tomb Raider type romp and it didn't need to be that way at all. A simple period drama would have done wonders for the authenticity of these characters and given them reasons to explore themselves beyond "magic." In particularly this is offensive to Percy's disability and his epilepsy. While she handles it well with Percy accepting and not having an interest in "curing" his disability, the entire fantasy element is set up so Monty has a motivation to unlearn his ableism. Considering he ends up becoming disabled himself, I don't know, something about it reeks of ableism though it's clear she had some awareness of the conversations within the disabled community.
Many story beats and tropes she tries to hit often land askew from what she was going for to the detriment of character consistency. One of the biggest examples is the "gayness conversation" that every coming of age story seems to be determined to do. A gay and a straight character have to sit down and be like "why are you gay?" to which the MESSAGE is "why is it wrong to love someone blah blah blah". That in itself is a tired trope for me, a gay male, to read, but it would have been fine if she picked the right character to have that conversation. Of all the people in Monty's life he could have sat down with, Felicity is the one who seemingly "doesn't understand." Felicity up until that point has shown to be ahead of her time in both issues of feminism and medical practice. She's smart and would be very well aware of the history of homosexuality, or at least be indifferent to it.
Another example is Monty's ability to punch. At least three times this arc and solid measure of his growth as a character is seen, from the first punch during the robbery, to the practice fight with Scipio. It's deliberately set up that this punch is the sign that Monty has finally changed, he's put his foot down and decided that enough is enough. And when it comes time to hit this mark (pun intended) with The Duke, it's completely lost in the shuffle of everything else that's happening while vying for the heart, and it just kinda killed the momentum for me. We didn't have time to savor this victory and feel really proud of Monty.
I might add more later as I've just finished it, but the book had the potential to do really well. All the ingredients were there to make a satisfying read. It just didn't hit those marks for me.
Marcus reviewed The Song of Achilles by Madeline Miller
Marcus reviewed To Be Taught, If Fortunate by Becky Chambers
Review of 'To Be Taught, If Fortunate' on 'Goodreads'
3 stars
Not a bad read. The writing was often too nebulous for me to have any concrete immersion, but I did enjoy the character moments. The notes and tone of isolation and coping with that is resonate during this pandemic we're going through.
Marcus reviewed The Fascinators by Andrew Eliopulos
Marcus reviewed Stepping Off the Relationship Escalator by Amy Gahran
Review of 'Stepping Off the Relationship Escalator' on 'Goodreads'
4 stars
Read most of it but the ending chapters dragged on and retread information in earlier chapters for me. I will say that this book has shifted my views on relationships and pointed out things that used to be dealbreakers (like having kids) don't have to be dealbreakers, because social standards have dictated one person is supposed to be our everything.
That goes against our very nature as a social species. Our survival depends on community strengths and weaknesses. Why should our relationships (sexual and nonsexual) be any different?
Marcus rated Healing the Fragmented Selves of Trauma Survivors: 4 stars
Healing the Fragmented Selves of Trauma Survivors by Janina Fisher
Healing the Fragmented Selves of Trauma Survivors integrates a neurobiologically informed understanding of trauma, dissociation, and attachment with a practical …
Marcus reviewed Polysecure by Jessica Fern
Review of 'Polysecure' on 'Goodreads'
5 stars
A great continuation from Amir Levine's Attached book. Has great applications to polyamory in a way that's thoughtful and supportive of connection rather than pathologizing.
Marcus reviewed Unlimited Intimacy by Tim Dean
Review of 'Unlimited Intimacy' on 'Goodreads'
3 stars
This book would have been way better if it focused on interviews and gathering qualitative data rather than relying on an outdated theory of psychology to interpret behavior. And often times the writing is pretentiously written to provide a sense of academic gatekeeping to keep out the "uneducated."
Yet, with all this, I found my views on barebacking have shifted a little. Talking about this particular subculture and how community exists here is oddly inspiring. It made me reflect on my own fears and stigma.
Marcus reviewed The Line of Beauty by Alan Hollinghurst
Marcus rated The Secret History: 1 star
The Secret History by Donna Tartt
The Secret History is the first novel by the American author Donna Tartt, published by Alfred A. Knopf in September …
Marcus reviewed Recursion by Blake Crouch
Review of 'Recursion' on 'Goodreads'
2 stars
DNF. Just when you think the story has a decent foothold and you know where it's going, it suddenly turns into Terminator, with the scientist character suddenly aware of knowing how to use a shotgun and be a generic Sarah Conner. The cop who should be trained in firearms and dangerous situations is useless and shot within the first few minutes of the scuffle.
Then when you think, "Okay, good. Now it's over and I can just pretend this ending spot didn't happen." there's more, and the "twist" lands with a wet, soggy thud.
So, I'm gonnna pass.