While I missed out on the gorgeous Night Shade Books print volumes, the e-book edition is a worthy substitute for those unwilling to pay the high secondhand market prices.

This first volume includes the novel "Boats of the 'Glen Carrig'," followed by a host of short stories broken into the following thematically-related sections: the Sargasso Sea Stories, the Exploits of Captain Gault, the Adventures of Captain Jat, and the Stories of Cargunka.

"Boats of the 'Glen Carrig'" is a rather gripping survival horror story that follows the crew of a pair of lifeboats, sailors adrift after the sinking of the titular 'Glen Carrig.' Hodgson wastes no time getting into the action; the shipwreck itself is covered in basically a single perfunctory paragraph, and events start getting strange and deadly very quickly.

"The Boats of the 'Glen Carrig'" is similar to his other novels, "The House on the Borderland" and "The Night Land," in that they're basically a linear narrative following the protagonist through a number of bizarre episodes. They read more like travelogues than carefully plotted novels, but the events are interesting enough that this isn't much of a complaint.

The story is written in an intentionally archaic style, with no quoted dialogue and few named characters, but it's fast-paced and packed with engrossing imagery. Stylistically it's a much more approachable read than "The Night Land," which--while challenging--I also enjoyed considerably.

The Sargasso Sea stories share a very similar tone with "The Boats of the 'Glen Carrig'." From the "Tideless Sea Part 1" and "Tideless Sea Part 2: More News from the Homebird" are genuinely chilling. They're desolate and unnerving, like the very best of Hodgson's work. Unfortunately, the rest of the Sargasso Sea stories aren't quite as stellar, with Hodgson recycling basically the same core premise (a ship encounters a strangely-fortified derelict craft enmeshed in Sargasso weeds, and terror ensues).

While vastly different in tone from his supernatural fiction, the Captain Gault stories were an unexpected highlight in this volume. Captain Gault is a smuggler, and these humorous tales are all "howdunit" mysteries about him sneaking contraband past customs. Read consecutively (rather than periodically encountered in anthology magazines as they would have been originally), the formula they follow becomes a little apparent, but they're clever, punchy, and offer enough diversity to keep the reader engaged.

The Adventures of Captain Jat were intriguing, if perhaps not fully realized. There are only two stories in the cycle--perhaps a poor reception led to Hodgson abandoning the character--but both are interesting. Jat is an alcoholic, abusive sea captain with a taste for women and treasure, and the exquisitely named Pibby Tawles is his put-upon cabin boy and the only companion he trusts on his gold-seeking adventures. Though almost entirely unlikeable, Hodgson adds an interesting twist to the character of Jat by showing him act gruffly tender towards his young accomplice at surprising moments. Pibby, too, isn't simply a victim. He's equipped with a fair amount of sneaky cunning, often profiting at his master's expense. The dynamic between the characters is interesting and the stories themselves are fun supernaturally-tinged adventure. It reminds me a bit of Indiana Jones, if Indy was a boozer that beat on Short Round. It's unfortunate Hodgson didn't write any more stories featuring these two.

The two Stories of Cargunka are probably the weakest in the volume. D.C.O. Cargunka is a wealthy pub-owner that purchases ships and accompanies them on profit-seeking expeditions. While self-aggrandizing romanticist Cargunka himself is a fun character, the stories seemed overlong and plots weren't quite as appealing as the Gault or Jat stories. "The Bells of the Laughing Sally" has some nice ghostly moments, but except for some humorous dialogue, "The Adventure With the Claim Jumpers" is a mostly forgettable heist yarn.

While there are a few limp stories (inevitable in a collection of this size), Hodgson nevertheless maintained an incredibly high standard of quality throughout his brief but prolific career. I maintain that he's one of the more underrated figures in early 20th century horror fiction, and this collection also reveals how adept he was in other genres as well. Wholeheartedly recommended.