WhiskeyintheJar reviewed The Bane Witch by Ava Morgyn
Leaned too heavy on violence against women/girls
3 stars
2.7 stars
I received this book for free, this does not affect my opinion of the book or the content of my review
“Things are not always as they seem, Piers. Remember that. A very little poison can do a world of good. It’s all about how you apply it.”
The Bane Witch was the story of a woman growing into her powers and learning to use them for the greater good. When Piers was little, she remembers her mother's fear when there was some incident with a man who died. Taken to doctors over and over until they diagnosis her with the eating disorder Pica, she feels compelled to eat poisonous plants, specifically pokeweed, Piers is then drugged to the point of not feeling anything to try and control the pica. When her stepfather, who she never liked, dies and then her mother commits suicide, she's all alone, except …
2.7 stars
I received this book for free, this does not affect my opinion of the book or the content of my review
“Things are not always as they seem, Piers. Remember that. A very little poison can do a world of good. It’s all about how you apply it.”
The Bane Witch was the story of a woman growing into her powers and learning to use them for the greater good. When Piers was little, she remembers her mother's fear when there was some incident with a man who died. Taken to doctors over and over until they diagnosis her with the eating disorder Pica, she feels compelled to eat poisonous plants, specifically pokeweed, Piers is then drugged to the point of not feeling anything to try and control the pica. When her stepfather, who she never liked, dies and then her mother commits suicide, she's all alone, except for a vague memory of a great-aunt who came to visit them once, before her mother chased her away. Determined to make a life on her own, she becomes an interior designer and marries a man named Henry. In little, almost unnoticeable ways, Henry begins to control her, then comes the violence. Off medication now, Piers' senses are showing her that Henry will not only kill her but other women in the future. Thinking the only solution is to fake her own death, she does just that and takes off to find the mysterious great-aunt.
She smiles in the soft light. “We don’t fear men in this house,” she tells me. “Men fear us.”
This story, pretty non-stop, discusses and shows violence against women and girls. Told, mostly from Piers' pov, there's her thinking about and recounting the violence Henry has committed against her (physical and sexual), her fighting against an attempted rape, thoughts and scenes from a serial killer, and stories recounted to her from the venery (a coven of familial witches) about why they killed their marks. So while this story is about a group of women who have magical powers to use their “allure” to draw abusive men to them and then use their poison eating magic abilities to kill them, the author sure leaned into recounting, describing, and go over and over what evil acts these men commit. This is probably a mileage will vary, and while I understand fictionally serving the story, the tone and way these awful acts kept getting descriptively written out, over and over, started to give me the feeling of desensitized true crime and faintly, horror movie torture porn creeping in. It was a lot for this genre of story and I wish we could have focused more on the victims or venery members.
The hunt is beginning, and my prey is out there, hunting me in return.
Some of this was Gone Girl-ish with Piers faking her suicide and we get a pov from one of the detectives that is working her, initially, missing persons case. It was brilliant how Piers planned everything out and getting to see the detective work through the clues. The other half is Piers learning about being a bane witch. Her great-aunt Myrtle works to train her after the venery of thirteen females, all related to Piers, mostly want to kill her off because they don't trust she won't get them exposed somehow, but with the matriarch behind her, Piers gets six weeks to prove she can successfully become one of them. Her magic has picked a serial killer that has been operating in the area and there's some thriller mystery as the two circle each other. There's a little romance thread with the sheriff and Piers, and while we get some emotional background on the sheriff, he's not completely a flushed out character. They spend some time together, have two quick kissing to door slammed bedroom scenes, and then it's “I love you” time that I didn't really feel.
“[...] You either live as a bane witch, or you die as one. There is no in-between.”
This had a tendency to meander and rehash enough that I do think the pace suffered at times, Piers could get ad nauseam back and forth over her bane witch powers, accepting and using them. The ending gave us final clashes and Piers coming into her own, along with a death that was brushed away pretty quick taking away it's emotional impact. The repeated bringing up and descriptive violence against women and girls wasn't a good feeling experience for me though, it's always tougher for me in fiction to strike that right chord, and it caused me to miss some celebrating in what the bane witches were doing. However, this did have a solid ending of where Piers was going to go in life and I liked that ending for her.