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2.5 stars

This month's TBRChallenge theme was Celebrations!, fighting a cold, I reached into my garage sale book boxes and pulled out Summer Games. The 1984 LA Olympics count for celebrations I say! This book had a couple of reoccurring themes that just about drove me batty because of how hammered on they were. Our main male character Cord grew-up around horses and was a rodeo bronco buster before Vietnam called and he constantly is given a “shaman's” voice as he works to get our female main character's horse, Devlin's Waterloo, to trust him. If I had read this on an electronic device, I'd have done a count on how many times it was used, since I only had a paperback, you'll have to take my conservative estimate of one million times. There was also the discussion of coming in from the cold, the whole underlining women warm the hearth and home for the men coming in from cold of protecting and providing, the “queen” and “solider” analogy became a lot in it's repetitiveness.

She was a fool to be interested in a man who was like her father, so involved in his work that he lived his life at the end of an electronic leash. She had left that world behind once. She would never enter it again, no matter the lure.

At it's essence, Summer Games was a romantic suspense where retirement landing you in the soft thighs of a younger woman who also comes with a hot stallion sounds like a good idea and we're all destined to marry our fathers. Raine grew-up with a father that did super secret American government work and she hated how his family always came a distant second, he's never even seen her ride in her equestrian competitions. This has soured her on men of a certain cut of cloth, so when she's, literally, knocked out of her shoes by Cord, he has his work cut out for him. Cord came off a bit...intense. But I've never ran point on security for the Olympics, so who am I too judge? When Raine's looking over the course she'll run during the competition, he thinks she's a “Cuban or Lebanese commando” terrorist setting bombs. Their “meet-cute” has sparks flying and Cord instantly knowing he wants her while Raine only sees her father and tries to put up her walls. I say try because, lol, she be rubbing all up and down this man.

But she was so warm in his arms, and he was so cold inside.

The first half really focused on their romance and the pushing and pulling of their attraction with not wanting to get emotionally involved, Raine not wanting to get involved with a man she'll come second to and Cord knowing he lives too secretive and dangerous of a life. I went back and forth if I thought this was overwritten with remnants of purple prose or if we're losing the recipes. Example: He wanted to take Raine down to the golden grass and make love to her until nothing else was real, no past or future, no rights or wrongs, nothing but sunset sliding into night, a man and woman alone, two lovers turning and twining and blending intimately, two flames burning as one in a world of crimson silence. Purple prose-y, can see the cringe but “nothing but sunset sliding into night” and “burning as one in a world of crimson silence.”. We're using our words!! But maybe we already had made rent and needed to settle down.

He wanted to seduce her in more than a merely physical way. He wanted her to trust him.

The later second half finally gives us a focus on Raine's equestrian trials and you'll learn about dressage, cross country racing, and jumping, which was interesting and I didn't think textbook-ed it to eye-glazing. The suspense part about the notorious “Barracuda” assassin that was hovering on the edges also comes to the forefront, sort of, when Cord's constantly called away to “monitor” and do super secret DIA anti-terrorism stuff. I wish we had gotten more with Raine and her family, we get a few scenes with her father (guy plays the lips zipped spy well, give her more info!) so that more resolution could have been had there.

“And you're an expert on love?” she said, her voice hard and dry. “No,” he said softly. “I'm an expert on dying. On not loving. On being lonely. On looking at castles from the outside. On finding a woman worth having and then watching her bar the gate against me because I'm just a soldier, not a king.”

After all are protected (any violence of this kind is completely off page) and Raine wins her Olympic medal but Cord disappears, she ends up on a ranch in Arizona until her HEA choppers in. The repeated term use of shaman, queen, and soldier was super tiring but the backstory of how Cord grew-up around horses (family of Mesteñeros ) was brilliant because of how it then linked and gave a thread to him helping and connecting with her through her stallion, which was her family for all intents and purposes. The women providing warmth and succor for warrior men theme was meh, Cord wasn't the cardboard cut-out alpha man, he had layers and it didn't feel like a treatise on the ideal, but meh.

“I don't believe it anymore. Tomorrow will come for us. When it does, I want it to be right. I want to know that I didn't take you off-balance and more than a little afraid. I'm good at taking people that way. Too good. It's part of my job. But not you,” said Cord, his voice deep, a river running through moonlight and darkness down to a warm sea. “I want you in a very special way, Raine. I can wait one more day for that. I've already waited a lifetime.”

What stood out the most for me, was the touching and caressing between these two (let me Bat signal – washes her hair scene), they weren't just slot A slot B fucking, which, please, bring back caressing. There were more than one purple prose remnant scenes like this: Shirtless, barefoot, Cord rode the screaming blood-bay whirlwind. The man's muscles bunched and gleamed in the bright moonlight even as the stallion's did, two powerful, supremely conditioned males fighting for dominance. Obviously can read a little goofball out of context but in this story and the contextual moment, it's also put a capital on that W-riting. So while I had fun with some of the scenery chewing going on here, I'm not sure I'd recommend for this to be one to go back and visit, but I'll give it up to the “I can wait one more day, I've already waited a lifetime” to it all.

I received this book for free, this does not affect my opinion of the book or the content of my review

She is the captain’s wife and just nineteen: Mary Ann.

The Sea Captain's Wife was an account of how Mary Ann Patten became the first recorded woman captain of a merchant ship. Footnotes abounding, the author clearly did through research, which some readers will appreciate and others might find their eyes glazing over at times as I felt some tangents tied-in and others a little spun-off. While we start off at the moment Mary Ann's husband, Joshua, collapses from illness on their sea voyage and she's about to have to take over, the story quickly goes back to give historical context to how these two have ended up where they are.

We are on a dangerous journey. A journey in which wealthy shipowners pit young men against each other with the promise of riches, urging them on to reckless dangers, in the name of another man’s lucre. The year is 1856.

The beginning delves into Mary Ann and Joshua's family trees, you'll get a lot of geographical, economical, and genealogy background to help give a good idea who these two might be and why they made the decisions they did. As Mary Ann and Joshua had ties in Maine and lived in Boston, the Old North Church and other landmarks make numerous appearances, helping to set the reader in the time and place. There's also delving into the US's economical context at the time, highlighting how important shipping was, discussion on how Matthew Maury changed the game, and the way the business was set-up, with backers, companies, and so forth, and how important having good captains were. The describing captains as the “rock stars and professional athletes” of the time, along with salaries put into today's context, along with going through a ship crew's hierarchy and politics helped to lay-out the atmosphere for when the story gets to the moment readers are probably looking for, when Mary Ann becomes captain.

Never before had any woman been acclaimed captain of a merchant clipper.

Around the halfway mark is when all the lead up pays off and we get Joshua becoming too ill and Mary Ann having to navigate Drake's Passage and fend off a mutiny from a disgruntled crew member. I was a little disappointed with what I was, mostly, reading the book for was such a little part of the overall story. Her time in charge was, factually a short time in her overall life story, but I felt somewhat bereft as that was what I went into this for. The journey she faced after, getting back to Boston, caring for Joshua, having a baby, and trying to secure enough funds to live on, all while having her legend grow through newspapers, was engrossing in a sedate way and sad in how the lack of medical advances at the time had her story ending far too soon.

For nonfiction, this had a fair amount of conjecture in it, which is explained/discussed in the author's notes in the end; how documents/records weren't kept for middle-class, everyday people. I agree that these people's stories should still be told but when emotions and thoughts are more readily inferred, I get a little uneasy. This was a good read for looking at a moment in time where sea faring could make or break individuals and the US, you'll get a good look at two American families who Mary Ann and Joshua tied together and how Mary Ann gained the knowledge to be able to captain the clipper Neptune's Car and become the first recorded woman merchant captain.

I Buddy Read this over on BlueSky BR thread.

I need to read some more Medievals again, they're the subgenre that brought me to romance and the time period vibes were pretty good in this.

The ending machinations I wasn't really a fan of because of how it was Mason choosing for Linnet and then of course we got a perfect bow. It was light and fun with pinches of heavy at times. I liked Mason but he had some uneven, Linnet was pretty solid throughout and I liked getting to see her freed from her shell, and they had enjoyable chemistry. Will definitely read this author again!

Look, when the MMC was standing outside the FMC's bedroom door with a silencer on a gun because he was sent to assassinate her but pauses when, as she's pleasuring herself, calls out his name, I Was Sat. Blew through this first part but about halfway through it did start to feel like treading water and I was getting bored as much as I was locked in for the beginning. Will read the next parts but seeing there's 8 more parts to go, I'm a little worried this really gets dragged out.

3.5 stars

I received this book for free, this does not affect my opinion of the book or the content of my review

He was an Etheri sovereign---the very thing all the cautionary tales warned about. I couldn't lose my head just because he'd smiled at me.

Silver and Blood was a romantasy story you're going to want to snuggle in for. This first installment ends on a cliffhanger and was more about establishing the fantasy world and relationships, before the big battles. The fantasy world, where our FMC Riela comes raised from the human side and at late twenties has just shown signs of having mage power and our MMC Garrick who at around chronologically one thousand years old but biologically thirties is an Etheri sovereign from the magical world of Lohka, was created and filled out in a complete way that I want the fantasy side in a romance to be. The gist of the story is that Garrick has been locked out of Lohka for decades by the Blood King, and when he finds Riela wondering around in the forest, he thinks she's a honey pot sent by the Blood King to kill him. Riela, for her part, is vastly clueless, she's grown up thinking that Etheri are fairy tale stories and has no clue why she has some magic and why she can't control it.

“I want everyone to know you're under my protection.” His eyes flashed fully silver.

A big chunk of the middle of this is Riela and Garrick stuck in his castle, on the human side of the fantasy world along with Garrick's magical wolf Grim, learning to trust each other's motives and having lusty feelings. This was told in dual pov, so you can see the internal struggles of both. I did think there was some slow moving going on in the middle because of Riela's forced obliviously to Garrick's feelings. I know I'm the reader getting both sides but there was some Riela being “completely unaware” that Garrick could ever have feelings for someone like her that got dragged out one, two, twenty-five too many times for the sake of tension, that honestly I couldn't believe/feel between them any longer. You get more of Garrick when the story moves to Lohka for a bit, which helped with his character but I could have stood for more depth from him and less dragged out obliviousness from Riela, but they did deliver on the handful of times they got physical.

There was only one way to protect Riela now, and as much as I might tell myself I didn't want to do it...I did.

As I mentioned, the fantasy side was definitely worth the price of admission with Etheri (think in the fairy family) and their different kingdoms/sovereigns divided into colorful magical houses and the different types of mages and magical beasts. I never felt overwhelmed with the world-building and information which is a testament to the storytelling skill going on here and even though the clues being given throughout about Riela, the clear reveal answers was still exciting to get to. The set-up for the next book, I think, will have more action as the villainous Blood King only discussed here will be getting screen time.

“I am going to kill the Blood King.”

Riela's background doesn't give her support from secondary characters, but Garrick's friends Grim and Bria add a lot (yes I'm clinging to that brief moment as promise for a romance). Riela and Garrick struggled with their trust issues and even though both mess up at times, this had some of those cozy vibes because you do think that they'll be gentle with each other as they work it out. The fantasy world had me enjoying this, Riela needed less repeated obliviously, Garrick maybe a little more depth to his character, but overall, it was a story that drew me in and I'm very ready to see what happens when Riela and Garrick face the Blood King.

“Damn you, Colonel. You're going to get everything that's been coming to you. I promise. God, how I promise.”

I know, I can't believe there isn't an exclamation point in that sentence either.(!)

The theme for this month's TBRChallenge was Change of Plans. In Captive of Fate Alanna is a twenty-nine year old woman who works for a Senator in D.C. She's been pulling sixty hour work weeks when he suddenly springs a trip to Costa Rica on her. She's supposed to go down there and prove that the US's head of a relief effort for earthquake victims, Marine Colonel Matt Breckenridge, is running and making money off a survivor goods black market. Having worked for the senator awhile and been tainted against Matt with all the horrible stories the senator has told her and that Matt is at fault for the senator's son's death in Vietnam, Alanna is gung-ho to get the evidence.

He was honest in a way she had never known a man to be.

Of course, she gets a change of heart (plans) when she meets and spends time with him. Their first meeting initially sets up the friction with Alanna's presence bumping a radio specialist Matt really needed and him being angry at her but that dynamic doesn't rage as hard in this as I was anticipating as Matt softens and pretty obviously likes/falls for her quickly. Alanna for her part tries to keep her distance because she's been listening to the senator for so long but seeing Matt in action in Costa Rica and then realizing the evidence doesn't point to him at all for the black market has her leaning more into her attraction.

He represented the emotional freedom she longed for. Yet, at the same time, he was a threat to her sense of security. He was dangerous.

With the 1983 publishing date of this, you'll get a lot of Matt is so hot because of his masculine masculinity, He's sooooooooo male!, and leaned a bit too much into the fish out of water Alanna with some overemotional helpless female. With the Vietnam War fresh in memories there was a ton of “[...]Politicians versus military. Dove versus hawk.[...]” dialogue and ideology going on, I about fell off the couch when Alanna made a crack about Marines having a reputation for being rapists; 2000s military rom-suspense were, for the most part, ever up to touching that. It was interesting to me how Matt was portrayed, his thoughts on Vietnam (war is hell and all that but with how it was a waste of human life) and how though he was a Marine Recon the author worked hard at portraying him softer, very invested in emotions and wanting out of that kind of life, again I feel like the 2000s subgenre works hard at the messaging of for good of country/way of life and all that. (we're getting some years removed from the Afghanistan War so maybe I need to dip back more into rom-suspense and see if these feelings are being grappled with again)

The last 40% they've left Costa Rica and the story kind of lost it's way for me. They romp around Maine for awhile as love, sex, and marriage are declared, had, and planned for but there's the senator wanting to take Matt down lingering in the background. There's a, sort of, third act breakup for the last 10% and Alanna leans way too hard into helpless female as Matt takes care of business and we eventually get our HEA. Some interesting character aspects to Matt, some disappointing from Alanna, the constant talk of “maleness” was wearing, a story that seemed to lose it's way for a while, kind of an odd late betrayal reveal, and interesting post war authorial thinking in the fabric, all lead to a not bad but probably not memorable book.

I received this book for free, this does not affect my opinion of the book or the content of my review

At a quarter past five in the morning Nils Vik opened his eyes, and the last day of his life began.

Prepare to sob, really, that's all you need to know. I mean, if this doesn't gut punch you with the grief: He simply stared at his eldest daughter. Her clear eyes, her feminine movements, the way she said things, the way she laughed – and all the while, he saw her mother. It was all he had now. To other people it would have been nothing, but for Nils it was almost too much.

All his passengers – they ooze out of the logbooks, arise from his handwriting, grow out of his memory. They line the fjord, they are with him, they present themselves in the hope of being recognised. See us. Touch us. Speak of us.

The Ferryman and His Wife was a shorter story of a Norwegian man who knows it's his last day on earth and he becomes a sort of Charon on his fjord as he ferries ghosts from his past and thinks back on his life.

After Marta, he still flicked off the lamp on the nightstand and said: Goodnight, sweetheart, sleep well. After Marta, he whispered the words from his side of the bed, but from the other there was no longer any reply.

It's all from Nils' point-of-view with such descriptive setting writing that you'll freeze on the fjords with him at times. Readers learn that he still lives in the home that he grew-up in and he's followed in his father's footsteps as a ferryman for the community since he was fourteen.

Everyone needs to be seen – there isn’t a single person on this earth who isn’t longing to be discovered.

His wife has already passed on and he has two grown daughters, are the bare facts we know as he starts his ferry up for the last time. It's all pretty intrapersonal but through his thoughts and feelings you get such a beautiful scope of all the people and moments that make a life.

He can remember no point in his life when he hasn’t loved her, or when he’s doubted that she truly loved him back. Sometimes, when he turned on the radio at home and heard people harping on about being unhappy in love, all the bitter experiences of their lives, he would walk into whichever room Marta was in and just look at her. What are you staring at, Nils Vik? she might ask him then. I’m staring at you, Marta Haugen Vik. Well, you can bloody well stop it – go on, get away with you, Nils Vik.

Nils first passenger is his dog that died twenty-five years ago and their communication and love will be your first sob-fest and from there on readers are treated to vignettes about passengers Nils has had over the years. It's a heartfelt look at how his job integrated him into the community and how everyday people can make such a huge difference.

A cigarette in her hand, and strangely enough it was the cigarette that had shaken Nils the most – not the smoking itself, but that she was sitting there on the edge of the bed with a cigarette, when she usually never smoked. It was as if there were another Marta, one he had no knowledge of, one to whom he had no access. Who was his wife? And who was his best friend?

As he's traveling picking up some ghostly passengers and reminiscing about others, there's always going back to thoughts and feelings about his time with his wife Marta. I loved how his memories showed the highs and lows of a longterm relationship, the way that couples can grow apart and grow together; Nils changing and working a little harder for Marta is subtle but there in a big way.

How could I ever have prepared myself for you? he whispered. How could I ever have prepared for these days, which became these weeks, which became these months, which became these years, which became this life?

This, to me, is the best of literary fiction, it set me in a place I could feel and delivered on the emotions that make you run the gamut, crying, smiling, struggling, questioning, and wanting to understand yourself and others more. The grief, love, connection, and with all the mistakes and doing right of a life well lived was beautifully relayed in this story. Read this, get your book clubs to read this, and then come talk to me about it (sob with me about Luna and let's talk tea about that photographer bestfriend).

I received this book for free, this does not affect my opinion of the book or the content of my review

The Book of Dark Nights was gone.

I devoured The Library of Fates in the beginning as I found the magical realism world where an 18th century book created by a witch for Voltaire acts as a sort of Ouija board and powers a library. The lore created about and around this book was fascinating, you're supposed to write in the book a true confession, shut the book, and then open it to read what the book has written in answer to you. Only the writer can read their confession and the tell you something about your future answer. Told in dual time-line and povs from our two leads, more story about the book's origins and purpose gets revealed as you read on.

To him the touch meant nothing, while for her it roused far too many memories.

As the story goes back and forth between Now (2019) and Then (1995) we get the story, mostly, from Eleanor, a college student and then eventual librarian of The Library of Fates, and Daniel, the professor's son, who introduces them to The Book of Dark Nights, and eventual former flame of Eleanor's. We start off with Daniel's mother having died and Eleanor discovering that The Book of Dark Nights is missing from the library. As the book gives the library it's power and makes Eleanor feel special because she's one of the few who the book “talks” to by directing her to select the exact book a person needs at that time and place in their life, she's devastated and worried. Daniel comes into the picture as he's showing up for the first time back at Harvard, where the library is, in twenty-four years, and realizes his mother's will states that he doesn't get his inheritance if the Book is not in the library by the time of his mother's wake. When it becomes obvious that Eleanor's mentor and Daniel's mother hid the book and left them clues, we have them going on a scavenger hunt for the Book in the current time-line as the Then time-line goes back and shows us how Eleanor and Daniel met in his mother's special Book class and the events that lead up to their separation.

“You protected the Book, Eleanor. You've been protecting it all this time, haven't you? What if I said I think we should destroy it?”

From Eleanor's pov, it's clear there was a lot to her and Daniel's relationship, readers get to see it in the Then sections, but Daniel doesn't seem to remember Eleanor at all in the Now. There's a slow build to that reveal as they search for the Book and secondary characters come into the picture, others from the special Book class and Daniel's father. As I mentioned, the plot about the Book immediately drew me in but when we got towards the ending with reveals and tying the characters and plot together, I couldn't help feel some disappointment, it all felt messy and somewhat underdeveloped. There was a henchman that came out of nowhere, and some secondary character usage that had them staying off-screen too much to suddenly come in and make the impact they were supposed to.

What if, when you confessed, a sliver of your soul stayed in the Book?

The second chance romance stays a thread throughout the story but it didn't encompass enough to be a strong genre element. I thought the dual timelines of furthering the plot while going back and showing how the foundation of it was built worked but I can't help feeling the climax felt like a whiff. I'd definitely recommend for some cool magical realism as The Book of Dark Nights plot will definitely fascinate (witches! Voltaire! confessions!) and textual potential shenanigans that give fun shout-outs to literature of yore, but just be prepared for a little bit of a messy letdown on the wrap-up.

I received this book for free, this does not affect my opinion of the book or the content of my review

I won’t kill my next partner. I won’t.

You're Knife, My Heart had a sci-fi Suicide Squad vibe where recently caught murderer Emery and Dark Forces soldier Cameron are thrown together to survive the Under Trials. Listen, you're just going to have to roll with stuff on this. Emery was a forced to be murderer when her Underground (Mafia-ish) head of the family father forces her to become a hitwoman for the Family at age sixteen (I kind of question this man's leadership skills but c'est la vie). She was trained by someone named Reed, who we only get to know through her reminiscing and I guess was her mentor. She ends up getting caught, some plot comes out about this later, and gets pulled out of jail by a General Nolan who tells her she's going to be sent to a sort of boot camp and if she survives, she'll work for the super secret Dark Forces. When she gets there, she meets Cameron, who readers have already been introduced to, this is told in dual pov, and while she is instantly attracted to him, she senses something very off with him.

My fatal flaw is the desire to fix broken things that don’t want or care to be fixed. I’m drawn to them like vultures are to carcasses.

Cameron has already survived the Under Trials and worked for the Dark Forces on their team Fury for years. He's also been the only one to survive the drugs General Nolan's enhanced soldiers project has been trying out on these criminal soldiers. It takes a while to get Cameron's full background story but it's obvious he must have had an abusive childhood because he's damaged enough to want to keep taking the drugs, even though they're clearly giving him adverse side effects, he just can't stop killing people he's teamed up with on Fury, because his continued survival makes him feel special. He's been sent down to the Under Trials again because he needs to prove he won't kill Emery, his potential new partner, as they try to survive the Trials.

I don’t want to be hidden when she’s around. Her eyes belong only on me.

This was tagged as Dark Romance, Fantasy, and Military Romance, I know it's cringe to use “old” terms but, y'all, this is rom-suspense with some sci-fi. If you've read Anne Stuart or any Bodice Rippers from the '70s and '80s (I'm personally a reading survivor of Part 5 of Sweet Savage Love), you're not going to even flinch at anything in this. Cameron leans soft towards Emery from the moment they meet, insta-attraction, and while they like to talk up, while also disliking it, their killing natures (some Joker and Harley Quinn vibes) their relationship was pretty solid throughout. Emery slaps Cameron a couple times and while there's always talk of Cameron killing her, I can't say I ever felt the danger. Besides a closer to the end murder scene that did read squeamish gory, what I felt the darkest about this story was the constant vibe of Emery staying and wanting to help/fix/redeem the psychologically damaged and physically violent Cameron. I'm a sucker for the Beauty and the Beast trope but that line needs to be walked more careful than I think it was here, messaging is all I'm saying.

Maybe two monsters like us really can find happiness.

The trials and bedroom scenes (more descriptive/steamier than most newer big 5 pub house contemporary) get going around the half-way mark. There's some danger with each of the three trials but with some other points in the plot, rushed through and not really fleshed out. We get some last second reveals and a cliffhanger, which kind of surprised me as I felt Emery and Cameron's story felt completed. If you have a thing for the occasional “love” uttered by your MMC, some enhanced solider sci-fi, and a belief in a couple that stabs together stays together, this could be one for you to give a try.

I received this book for free, this does not affect my opinion of the book or the content of my review

Don’t move too fast. Don’t touch anyone. Ignore the smell of blood.

A young adult mash of historical fantasy, romance, and magic, with a cover that will surely grab those among us that haven't gotten past our ship phases and still have sea shanty songs on our feeds. Break Wide the Sea takes place in a fantasy world where finfolk (mermaid and fae mix) exist and are close to going to war with the humans who hunt Livyati (magical whales). It's a historical fantasy 1800s whaling world where told all from her point-of-view, eighteen year old Annie is now the head of her family's whaling company. Her parent's died when she was younger, finfolk attacked them when they were out whaling and only she, and two other boys August, and Silas, survived. This was nine years ago and bonds the three together, oh yes, we have a love triangle, but it's a weak one. Annie's family was cursed eons ago, she's turning into a Siren, her turning brought on by Heartbreak but holds it off by getting comfort from her fiancé August. When they were attacked by the finfolk it was revealed that Silas was half-human, half-finfolk, but Annie can't reveal him as he also knows she's cursed. Six years ago, Silas sent Annie a shell that holds a memory showing her August plans on killing her eventually and taking over the company. Annie's trying to fend off a curse, take care of her two younger siblings, and figure out who she can trust.

“Dissolve the company,” he whispers. “End whaling forever.”

I think this will be more for historical fantasy readers, the whaling world and finfolk elements captured my attention the most, but maybe that's the sea shanties ringing in my ears. The romance felt fairly weak to me, it's YA so there was kissing and groping, with a completely off-screen bedroom scene later on but more importantly, there wasn't much emotion to feel between Annie and August. For plot purposes, it's clear it wants to remain a mystery to put tension between Annie, August, and Silas, if Annie can trust August or Silas, but, it's all pretty obvious. Annie's pov felt wishy-washy a lot of the time and that made for drawn out melodrama because as it's all from her, the reader can't escape.

Something malevolent is happening on the Heralder. My family’s ship, I think with a surge of possessive anger.

A lot of the story takes place on the sea, which I enjoyed and the messaging is pretty clear on this, humans have to respect and work with nature or feel it's wrath. I almost felt like Annie's younger sister Lydia stole the show from her, she was a stronger character and I wish we could have felt that decisiveness from Annie. Silas intrigued, as he's mostly a mystery to Annie, he remained for most of the story the same to me as the reader. I'm not usually a fan of love triangles but as the relationship didn't feel strong to me between Annie and August (you'll swim with the whales to deeper depths), well, I was just waiting for her to open her eyes more to Silas.

A monstrous queen wants me for unknown purposes.

As Annie fights to figure out who to trust, August claiming to help her build up her whaling business or Silas who claims August wants to kill her and tells her he can bring her to the finfolk to cure her curse, it all builds to a now you're going learn ending when the finfolk and their Queen show up. This does end on a cliffhanger, we see what happens to the characters but they are set on new journeys as the building war between the finfolk and whalers isn't over, and a new one has begun between Annie, August, and Silas.

I received this book for free, this does not affect my opinion of the book or the content of my review

The Kincaids had their own world, a world of sideways realities where they hunted down dangers in the thick of the trees.

Son of the Morning was a sex-on-a-stick insta-lust paranormal romance. The main star of the show was Galilee Kincaid, trying to establish some independence from the fierce Kincaid women, she moves of their land and tries to live a “normal” life. However, there's something even the favored Kincaids sense is wrong/different about Galilee, but their matriarch Darling Kincaid isn't talking and Galilee does her best to stifle any powers she may feel trying to bubble up. It's when she meets Lucifer Helel, there's no mistaking here, she knows he's the literal Devil, that Galilee gets put on a crash course of fate, truth, and embracing your power.

She wanted to be seized, and he had so many teeth.

This started off with some enticing magic and fantasy elements. The beginning gave us time to learn the characters, the Kincaid women, led by Darling Kincaid and Galilee's cousin Celestial, along with Galilee's friends, Bonbon and Oriaku, were deeply fascinating secondary characters in their own right and I missed them when they disappeared for a bit in the middle. There were also Lucifer's princes that gave enough that I wanted to spend more time with them all, we get the most out of Leviathan and while he has his own mini-arc in this, I still think the cover layout promise of more the merrier should have been delivered earlier in the book so we could have gotten more of it. Basically, extremely strong secondary characters that are going to have you begging this to be a series.

“It might be an end, but a whisper in me wonders if it could also be a beginning.”

Our main stars, Galilee and Lucifer had that insta-lust that never quite delivers on the depth of relationship I'm looking for but it was hot. Galilee was at turns strong, vulnerable, lost, and fierce, basically what you'd look for from a character trying to learn her origins, finding out she's mixed up in millennia old beef between Heaven and Hell, and having the Devil get off from her burning touch. For being the literal Devil, Lucifer didn't pop off the pages as much as I would have liked, but in service to Galilee his character worked.

The Devil had betrayed her, and an angel was whispering in her ear.

The mystery of who Galilee really is, who's the villain pov, why is the Hellgate suddenly letting demons out, and the lurking around the edges war between Heaven and Hell will intrigue but it did wrap up a bit abruptly for me. I missed how some of the strong secondary characters disappeared for long stretches, but if you're looking for some angels and devils warring, this would be a sexy little number to pick up.

3.5 stars

I received this book for free, this does not affect my opinion of the book or the content of my review

“I hope and pray none of you see it, but if you do, don’t look at its face. Turn away and you may, perhaps, be spared."

All of Us Murderers was a fun romp of a Gothic mystery and romance. As any Gothic worth it's salt, this starts with our lead Zeb arriving to Dartmoor at the looming, dark, and cold stone, Gothic mansion Lackaday House. His cousin has written and begged Zeb to visit for them to get to know each other. When Zeb arrives he's greeted by a night-gowned young woman dramatically running out of the house and his former lover Gideon. Zeb clearly has ADHD (he uses the original fidget spinner, a rosary) and with that not being understood or respected in Edwardian times, he struggles with keeping jobs. When he worked with Gideon, it had Gideon covering for him at times and trying to keep their romance a secret, it was the first time for Gideon being in a relationship with a man. They ended up getting seen and they both got fired, with Gideon blaming it on Zeb.

Wynn looked around the table. “It is very simple. One of you shall marry Jessamine, and have my fortune with her.”

Along with Gideon, Zeb's brother, his wife, and two other cousins are houseguests. Wynn tells them all that he's changed his inheritor from Zeb's brother to whomever will marry Jessamine, a distant cousin and the previously night-gowned fleeing woman. It's a plot set-up that has family members turning on each other for money and a setting that brings in the spooky, hauntings, legends, myths, and similarities to moments from their grandfather's published Gothic books. The first half focused more on the Gothic mystery, it's a little foggy mystery with introducing all the characters and working out, remembering who's who and the relationship dynamics between them all.

He was a serious man, but Zeb knew, none better, how much his eyes could warm and crinkle at the edges, how his face could light up with amusement or desire or love—

The second half brought in the romance more and we got Zeb and Gideon working out their past relationship issues with a clearer understanding of who they are individually and how that means they will work together. I enjoyed how neither character was perfect, in how they previously reacted but visibly grew into their selves more and worked and learned how their chemistry puzzle pieces fit together; they developed their relationship. There were bedroom scenes to bring in the heat before the latter second half brought the mystery back in and delivered reveals and answers.

“It was razed to the ground because of the corruption of the monks.” “Well, that was the point of the Reformation.” “I mean, it was a place of great cruelty,” Jessamine said. “Cruelty and secrets, presided over by evil men, until the people of Dartmoor tore it down because no such acts of darkness should be concealed in a house of God.” “Gosh,” Zeb said, nonplussed by the sharp left turn into melodrama. “Odd site to pick for a house, then.”

There were numerous nods to other Gothic works (The Yellow Wallpaper, etc.) and the foggy atmosphere you want from the genre was there. I did think some of the twists and turns got a little convoluted towards the end but even if the vengeance, justice, and retribution ride got a bit bumpy, it was still fun. Gothics are always great at getting Satan to take a back seat to the true horror, family dynamics, and this story definitely delivered on that vibe.

Definitely reads like a found footage movie, epistolary story with video scenes, diary entries, interviews, and text messages.

A husband who claims to have had a ghostly encounter when he was a kid grows up forever searching for proof of ghosts and ends up dragging along the college scientific PhD woman he fell in love with when they get an opportunity to do a reality tv show hunting for ghosts. The wife plays the skeptic and works to debunk what the husband and his crew find, an actress added to the show to liven things up, a tech guy who was a former police officer who claims to have meet a demon, and the camera guy just taking a job.

They're coming to the end of the season and looking for a way to end on a high note and ensure they get a second season, with the wife wanting to bounce because she's sick of dealing with pseudoscience. Their last job is the Foundation House, a place where in the sixties two professors conducted experiments on a group of people trying to further the Human Potential Movement but as the wife reads through the papers left by the profs, realizes they were doing unethical experimentation.

The first half starts off a little slow with getting to know the characters and their intra/interpersonal drama and then the house starts to wake up and eventually reveals a well with a door at the bottom that has the group doing an Alice in Wonderland and traveling, what the wife comes to realize is a Mandala loop.

It all starts to get a bit out there, a little bit of a The Cabin in the Woods down the rabbit hole, and I ended up feeling like this was more SciFi (think movie The Abyss like) and less horror. I also struggled a bit with the flow of the story that was probably a personal issue with the epistolary style and not novel form.

You'll get a fantastical major ending that also stutters epilogue final endings, the last epilogue I felt delivered the best chill, and a story that will work to expand your mind while delivering some creeps.

3.7 stars

I received this book for free, this does not affect my opinion of the book or the content of my review

“I don't care if you tag along, but I'm warning you. You might not be able to tag back out.” Tori buckled her seat belt.

From the moment Tori sees her boss killed in a hit and run and she tries to chase after the driver, she finds herself thrown into a world of monsters and the hunters that chase them. With some tv show Supernatural, a lot of mythology (mostly Greek), and real historical events and figures, The First Liar takes you on a ride full of mystery, emotions, and battles. Told mostly from our twenty-something software engineer bored with her day job in Atlanta, Tori mourns the loss of her brother while feeling she's meant for something greater. When she meets up with a younger guy, Vincent, who gets his own povs more in the second half, she gets brought into a world that only a few knew about.

There was so much more to Greek mythology than its heroes and villains.

The story works to keep the players true identities hidden as long as possible, Vincent's “parents” Roy and Brooks, who rescued Vincent when he was a boy and taught him how to fight, are two men who always seem to know more than they're telling. Tori learns from them that around fifty years ago, someone or something seems to have awoken mythological beings and they're now running amok. Roy, Brooks, and Vincent have been fighting them and trying to piece together a puzzle of what their main plan seems to be. Orion, Narcissus, Asterius, are seen the most but there are numerous other mythological characters you'll recognize throughout.

“After all this is over.”

The first half's pace is slower as, along with Tori, the reader gets some introduction to a world that exists in the shadows. This is also set in the future (I think I worked out the year to be 2046) and climate change with political upheaval has taken it's toll on the United States. Tori's feeling like she's stuck in life, grief over brother, societal issues, along with Vincent's unresolved trauma from his childhood, will have you feeling for the characters. There's a little romance with Tori getting drawn to Roy and a character that comes in later, Grace, slowly penetrates Vincent's wall around himself. You'll get to feel like you'll know Tori, Vincent, and Grace but Roy and Brooks remained a little too distance for me; it serves the plot but I just personally wanted to know them more.

So she couldn't let this be a happy ending. Or a sad one. It had to be a new beginning.

The second half really brings in answers and action, almost too fast and furious the last fifteen percent as battle after battle is raged. I really enjoyed the melding of real historical events (Atlanta building fires), mythology themes and characters, and supernatural elements; made for an interesting and fun story. There's an ending but it felt more like a closing chapter with room for our group to definitely go and fight more battles, it is alluded to there are more on the horizon. Interesting, chaotic at times, characters that will intrigue you, and a story that was emotional and fun. If looking for something different, definitely give this one a go, especially during the spooky fall season.

3.3 stars

I received this book for free, this does not affect my opinion of the book or the content of my review

She was in love with her best friend. And everyone knew but him.

The Baby Dragon Bakery was an extremely soft and cozy smalltown read with some fantasy elements. I jumped into the series here and had no problems, there is a big supporting cast, with the couple from the first and obvious future couples but they add to the smalltown setting and make you feel at home more than lost. This second in the series stared Lavinia and Theo, two midtwenties who have been friends since childhood. Getting point-of-views from each, readers can see that both have started to develop romantic feelings for the other but are scared to tell in case that ruins their friendship.

And that was how Lavinia found herself enlisting the help of her best friend (who she had feelings for) to help her get with someone else (to get over aforementioned feelings). Which wouldn’t be complicated. Or messy. And that wasn’t a bad idea. Not at all.

Readers get to see them going through those quarter life growing pains, Lavinia is in her second year of veterinary school while working part-time and living at home while Theo is starting to think he wants to use his business degree and make baking his hobby again, instead of his job. They're figuring themselves out while still dealing with some childhood issues. Theo's parents were extremely cold, leading him to never feel good enough and his angst keeping him apart from Lavinia, he thinks she's too good for him and while Lavinia had loving parents that has lead to her putting pressure on herself to copy the formula of their love. Lavinia is the same age her parents were when they fell in love, so she's determined it must happen now. Not knowing Theo's feelings or wanting to ruin their friendship, this causes her to date someone else, which works because it forces Theo to expose his feelings.

He stroked her cheekbone with the curve of his thumb, his pulse quickening.

As I mentioned, this had cozy, soft vibes, Theo's issues with his parents and how it makes him feel is the lowest it gets in the smalltown of Starshine Valley. It started to feel a bit dragged out with Theo not feeling good enough and Lavinia purposefully, what it felt like anyway, not seeing that Theo did in fact have romantic feelings for her. We do get a little flashback to an emotional moment in their childhood friendship for some depth building blocks in their relationship but this was mostly kept in the sweet friendship romance vibe, with a quick dash of spice opendoor scene (bonus Ghost movie like moment!).

If he had her, he didn’t need anything else.

The fantasy elements are almost purely the baby dragons that appear here and there in scenes, not the stars but add a dash if looking for that element. After feeling like they were dragging their feet, their declarations of love felt kind of rushed to lead to a clunky feeling ending where we rehash Theo's not feeling good enough issues once more and then suddenly plop down the happily ever after. This was a cozy and sweet new adult (the characters had big thirties is old vibes) that had a fantasy smalltown setting that was a delight to spend some time in and the little tease between two characters who seem lined up to become enemies-to-lovers will have me checking out the next in the series.