The Familiar

I buddy read this over on StoryGraph but quick wrap-up of thoughts....

Hualit had warned her: the Church owned miracles and their saints performed them, not scullion girls with muddy family names.

Definitely read this in the Fall/Winter months, I think some of it went slower and was harder for me to get into because it was 90degrees and sunny when I was trying to read it. The dread and tension in this demands clouds and howling wind.

Stripped basics: Luzia, a scullion girl, accidentally on purpose reveals her magical abilities and the lady of the house, Valentina, wants to use it as a way to move her up the social ladder. Luzia's aunt Hualit warns her of the dangers of revealing herself but also sees it as a way to gain more favor with her patron, Victor. Victor's our solid villain and along with him is his servant, Santangel. Victor wants Santangel to train Luzia for a tournament that will pit magical people against each other for the honor of serving the king directly, if Luzia wins it will also help Victor gain the king's praise. This is set in late 1500s Spain, oh yeah, Luzia is out here being magical during Spanish Inquisition days. Remember that dread and tension I mentioned?

That's the basics but what makes this so atmospheric and emotional is how the author mixed and used historical fiction, fantasy/paranormal, and romance. Luzia and her aunt was a great contrast between life experience caution and young righteous anger, I wanted Luzia to reveal and become her true self as much as I was with Hualit that it made me fear for her, which I loved how the author intermingled it with Luzia's magical abilities and Jewish heritage. Luzia's magical but there's also something with Santangel and with that pairings dynamic, you get old world-weary, naive pride, and attraction. This has numerous povs but you don't really get Santangel's story until the latter second half, but he brings out and works in theater with Luzia's character beautifully.

From the messaging to the funny and emotional author's talent with turn of phrases, this should be on Halloween season book lists. There were some slow parts and the ending will rollercoaster you around in abrupt change of pace, but oof, well worth it. Valentina's journey actually ended up stealing the show for me but long live immortal happily ever afters.

The premise of The Familiar felt like a great hook--a Jewish converso scullery maid who can perform small miracles, set during the time of the Spanish inquisition. Her mistress discovers her magical secrets, and she's thrust into dangerous visibility and politics.

I enjoyed this book overall, but there were some weak spots for me. Other than the religious persecution, I didn't get a strong sense of place from this book. The beginning of the book was quite enjoyable, but the second and third acts (so to speak) worked less well for me. (Some of this is my own personal bias against anything that whiffs of shonen tournament arc.) Finally, the nature of magical bargains in this book felt so handwavingly convenient that it made the conclusion less satisfying, even as it satisfied the strictures of a fantasy romance novel.

So, I was down to read this as soon as I knew it was historical fiction with Sephardi Jewish elements, like The Pomegranate Gate. It’s an interesting period of history.

(I know that’s Leigh Bardugo’s actual background, by the way. A lot of her recent, non-YA work involves Sephardi characters, like Ninth House.)

I’ve also been reading Bardugo since Six of Crows or thereabouts.

I’m also pretty down to read, well. If you casually peruse my shelves you’ll see “witches and wizards.” I don’t know if that’s what Luzia would call herself, but it’s an interesting magic system—Ladino refranes and music. In other words, is it witchcraft or magically successful Jewish prayer? and is there a difference between those two to the Inquisition?

I’m also intrigued by the romantic subplot with a cursed immortal being. He’s not a vampire, but he’s got the world-weary voice of a man who’s been alive a long time… a VERY long time. My Goodreads shelves are also groaning under the tag “vampires.”

So.

Luzia is a scullion with a talent and ambition. Her aunt is a rich man’s mistress. But we’re in a period of Spain where her Jewish ancestry is a serious liability. Luzia is nominally Catholic, and is shocked when her aunt turns out to be “a Judaizer” even though she has been saying Latin prayers while thinking them in Hebrew, just like her parents taught her, and hiding her Jewish ancestry…

And her aunt’s rich boyfriend thinks he can use her power to gain political advantage.

So, I was down to read this as soon as I knew it was historical fiction with Sephardi Jewish elements, like The Pomegranate Gate. It’s an interesting period of history.

(I know that’s Leigh Bardugo’s actual background, by the way. A lot of her recent, non-YA work involves Sephardi characters, like Ninth House.)

I’ve also been reading Bardugo since Six of Crows or thereabouts.

I’m also pretty down to read, well. If you casually peruse my shelves you’ll see “witches and wizards.” I don’t know if that’s what Luzia would call herself, but it’s an interesting magic system—Ladino refranes and music. In other words, is it witchcraft or magically successful Jewish prayer? and is there a difference between those two to the Inquisition?

I’m also intrigued by the romantic subplot with a cursed immortal being. He’s not a vampire, but he’s got the world-weary voice of a man who’s been alive a long time… a VERY long time. My Goodreads shelves are also groaning under the tag “vampires.”

So.

Luzia is a scullion with a talent and ambition. Her aunt is a rich man’s mistress. But we’re in a period of Spain where her Jewish ancestry is a serious liability. Luzia is nominally Catholic, and is shocked when her aunt turns out to be “a Judaizer” even though she has been saying Latin prayers while thinking them in Hebrew, just like her parents taught her, and hiding her Jewish ancestry…

And her aunt’s rich boyfriend thinks he can use her power to gain political advantage.

The story was fine enough, though it did drag on a bit. I felt no connection to the characters. I never had a sense of urgency, or an inkling that things wouldn't end up working out fine for the MCs. I did enjoy the setting since I have not read any historical fictions that took place in Spain during the Golden Age. Not mad I read it, but glad it was a library loan so I didn't put money into it.