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I had a lot of strong emotional reactions to things in this book, which is a good thing. No really, a lot.

I think my favorite part of the book is a trope I really enjoy: what is a monster/the humans are the monsters. Don’t get me wrong! The vampire is evil and scary and menacing. But the husbands! Especially Patricia’s and Grace’s husbands.

Grace’s husband: wife beater. ‘Nuff said. But Patricia’s husband, Carter? Oh my $DEITY.

Carter doesn’t beat his wife. He’s not overtly cruel. The vampire says Carter is cheating on Patricia, but I don’t know if that’s true and am not sure if I care. But his gaslighting and medicalizing his wife and children are horrifying. He manipulates his wife into taking Prozac. He tells her children she’s crazy and they don’t have to listen to her, and as a result they treat her with contempt. He puts her in an institution and manufactures a scene to undermine her in front of her children and hurt the children to punish her. Carter is a monster.

(Kitty’s husband seems to be a well-intentioned deadbeat. He’s probably the best of the lot. Maryellen’s husband is mostly okay to her but apparently was fired from his last job for police brutality against a child, so… not great.)

And the nice Southern ladies? What they do to the vampire is both justified and 🤬ed up. Do NOT cross these ladies; they will END you. They. Will. END. You. Their taping up the instructions where the vampire can see them is an extra-sadistic touch.

By contrast, the vampire James Harris appears to be racist and sexist in his choice of victims and if the biting is sexual/sexualized (it is) he’s also a child predator. He makes nice and charms the white husbands into doing his bidding and investing in his money schemes, but uses women and children for his own needs. But this is not reality; he’s a folklore monster and a metaphor (in this case, for the white patriarchy considering women, children, and minorities disposable). I found myself thinking of the Atlanta Child Murders, a lot. But in general, not real.

But Carter? That 🤬 is real. Also, if Carter was a halfway decent psychiatrist he would be genuinely alarmed that his teen son is obsessed with Nazis, ritually abusing his toys, and harming animals. The son gets better when removed from that environment, but… yikes. The son’s Nazi obsession was treated like a cute quirk by his parents, which I found disturbing AF. Carter’s idea of what to do is to suggest they put his son on Ritalin. Ritalin is a legit drug that helps some people and also overprescribed and abused, and there’s no sign that Blue (the son) is ADHD. He concentrates on Nazis just fine. Lots of focus.

Shades of The Stepford Wives. I’m just saying. Carter drugs what he can’t control. Structurally, James Harris the vampire is the villain but I have strong feelings about Carter.

Also this book contains crawl-out-of-your-skin gross and tense/scary bits. So… good? But also a bit much for me. 🤣 Also trigger warning for sexual assault.

The audiobook narrated by Bahni Turpin was AMAZING. She’s SO GOOD. I picked this book up as a Chirp Audio deal.

I read this when I was preparing to query [book:Immortal Gifts|215955948]. This ended up being one of my query comps.

This book is a fun horror/romance mashup with a historical setting. I really enjoyed learning about Mexican history as part of reading this book. Despite really enjoying it, it does include my least favorite romance trope, the one where if the lovers just sat down and talked it out everything would be okay. I mean. I get the reasons why they weren't talking, but also... anyway.

Also the vampires are legitimately scary!

I did use this as a comp, because my book is also kinda mashy and has a strong historical element and a married couple at the center. But also, this is just a good book.

I have a link to content warnings here, if that’s your thing: www.katherinevillyard.com/202...

So, this book. It’s kind of what would happen if you took Interview with the Vampire and crossed it with When the Angels Left the Old Country, perhaps with a dash of The Time Traveler's Wife. Other people mentioned A Discovery of Witches, for the female witch/wiccan character with two moms who is married to a vampire.

Instead of poor depressed Louis, I have an undercover Jewish violinist with a wry sense of humor. His patron, a Bavarian noble second son originally destined for the church, embodies “Immortality is awesome!” Who wants to live forever? The patron, that’s who! The violinist’s mortal wife, that’s who doesn’t!

Death and grief aren’t unusual topics for a vampire book, but if you’ve lost someone it feels like you’re a member of a super sucky club, doing your secret handshakes with your fellow sufferers. It’s a thing I felt keenly while writing. Both of my parents are dead, and my pandemic experience was being alone and isolated with cats… two of whom died suddenly during the pandemic. One of my critique partners died during the writing of this book, too. The opposite of death is immortality, but that won’t save you from the heartache of others’ mortality. The mortal wife being a veterinarian… ties in, thematically.

Don’t be afraid of the vampires. Vampires are our friends! What’s really scary is hate, isolation, and the pain of grief.

Spice level: unsalted mashed potatoes/closed door/fade to black.