Coding Freedom: The Ethics and Aesthetics of Hacking

The Ethics and Aesthetics of Hacking

Paperback, 254 pages

English language

Published Aug. 13, 2012 by Princeton University Press.

ISBN:
978-0-691-14461-0
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4 stars (7 reviews)

Who are computer hackers? What is free software? And what does the emergence of a community dedicated to the production of free and open source software--and to hacking as a technical, aesthetic, and moral project--reveal about the values of contemporary liberalism? Exploring the rise and political significance of the free and open source software (F/OSS) movement in the United States and Europe, Coding Freedom details the ethics behind hackers' devotion to F/OSS, the social codes that guide its production, and the political struggles through which hackers question the scope and direction of copyright and patent law. In telling the story of the F/OSS movement, the book unfolds a broader narrative involving computing, the politics of access, and intellectual property.

E. Gabriella Coleman tracks the ways in which hackers collaborate and examines passionate manifestos, hacker humor, free software project governance, and festive hacker conferences. Looking at the ways that hackers sustain …

4 editions

Review of 'Coding Freedom: The Ethics and Aesthetics of Hacking' on 'Goodreads'

4 stars

A USA-based anthropological look at the software hacker subculture of 10-15 years ago. Focussing on F/OSS projects, identifying and documenting social interactions, and challenges like licencing. Talks about the narrow politics (and protests) of such groups, and briefly looks at the effect they have had in the greater culture. The in-depth look at the Debian project was my favourite section.

Review of 'Coding Freedom: The Ethics and Aesthetics of Hacking' on 'Goodreads'

4 stars

Although this book is a PhD dissertation and contains some anthropology technical jargon, Coleman's tone is casual, making it surprisingly accessible.

I learned a lot about the F/OSS movement and being surrounded by developers all day (and pretending to be one myself) I think she perfectly captured the culture. Through this book I also learned more about my own political stance, coming to open source from a political background rather than from pure development.

The particular dichotomies she describes (between meritocratism and communal action; and between free speech and intellectual property law) are thought-provoking and spurred me to find out more. Although I had used Ubuntu, I had no experience or knowledge of Debian and began to investigate. To put it another way, this book has influenced how I do my personal computing (eg. being aware of and making more ethical choices, where possible).

I would recommend this book to …

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