Writings on Music, 1965-2000

254 pages

English language

Published Sept. 30, 2004 by Oxford University Press, USA.

ISBN:
978-0-19-515115-2
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In the mid-1960s, Steve Reich radically renewed the musical landscape with a back-to-basics sound that came to be called Minimalism. These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout hiscareer, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect the steady evolution of an original musical mind. Writings on Music documents the creative journey of this thoughtful, groundbreaking composer. These 64 short pieces include Reich's 1968 essay "Music as a Gradual Process," widely considered one of the most influential pieces of music theory in the second half of the 20th century. Subsequentessays, articles, and interviews treat Reich's early work with tape and phase shifting, showing its development into more recent work with speech melody and instrumental music...

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Given that this is one of my all-time favorite composers, I was hoping that this book would give some insight into Reich's compositional process, or at least some thrilling technical details on performance process or something. However, this book is really, really padded (it includes liner notes from his ECM "New Series" records as chapters in the book), and the pieces that do make it into the book seem poorly chosen. Hopefully there will someday be a more definitive work on Reich, who is certainly one of the greatest/most influential composers of the last 50 years.

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