DaveNash3 reviewed Moviegoer by Walker Percy
Review of 'Moviegoer' on 'Storygraph'
4 stars
An enjoyable and genuinely funny read. Not much of a weighty plot.
mass market paperback, 212 pages
English language
Published March 12, 1988 by Ivy Books.
The Moviegoer is the debut novel by Walker Percy, first published in the United States by Alfred A. Knopf in 1961. It won the U.S. National Book Award. Time included the novel in its "Time 100 Best English-language Novels from 1923 to 2005". In 1998, the Modern Library ranked The Moviegoer sixtieth on its list of the hundred best English-language novels of the twentieth century. It is published in the UK by Methuen.The novel is heavily influenced by the existentialist themes of authors like Søren Kierkegaard, whom Percy read extensively. Unlike many dark didactic existentialist novels (including Percy's later work), The Moviegoer has a light poetic tone. It was Percy's first, most famous, and most widely praised novel, and established him as one of the major voices in Southern literature. The novel also draws on elements of Dante by paralleling the themes of Binx Bolling's life to that of the …
The Moviegoer is the debut novel by Walker Percy, first published in the United States by Alfred A. Knopf in 1961. It won the U.S. National Book Award. Time included the novel in its "Time 100 Best English-language Novels from 1923 to 2005". In 1998, the Modern Library ranked The Moviegoer sixtieth on its list of the hundred best English-language novels of the twentieth century. It is published in the UK by Methuen.The novel is heavily influenced by the existentialist themes of authors like Søren Kierkegaard, whom Percy read extensively. Unlike many dark didactic existentialist novels (including Percy's later work), The Moviegoer has a light poetic tone. It was Percy's first, most famous, and most widely praised novel, and established him as one of the major voices in Southern literature. The novel also draws on elements of Dante by paralleling the themes of Binx Bolling's life to that of the narrator of the Divine Comedy. In addition to its existentialist character, the novella is also deeply phenomenological.
An enjoyable and genuinely funny read. Not much of a weighty plot.
I got the feeling at the end that the everydayness has taken over. This might be the story leading up to the triumph of the everydayness, which, to put a positive spin on it, is what keeps you from feeling like Kate. In the mean time, you can go to movies, which provide a more temporary relief.
I have no really strong feelings about this book.