Thunderhead

Thunderhead takes readers on another journey into a world where death has been conquered and Scythes maintain population control through gleaning. While not quite reaching the heights of its predecessor, Thunderhead delivers a captivating narrative with shocking twists that will leave readers reeling.

Citra’s unwavering compassion and dedication to justice clash with the brutal realities of gleaning and the treacherous political landscape of the Scythedom, the one segment of society ungoverned by the Thunderhead. Citra does navigate the surprises of this novel with a wisdom beyond her years.

Rowan, now the elusive Scythe Lucifer, embraces his role as a vigilante, targeting corrupt Scythes who abuse their power. His relentless pursuit of justice leads him down a dark path, blurring the lines between good and evil. I wonder if the Thunderhead did have some influence over the Scythedom if it would have created a role like Scythe Lucifer as a means to keep Scythes on track with their own laws.

Greyson Tolliver, a new character, finds himself thrust into the heart of a conspiracy that threatens to unravel the very fabric of society. His unwavering integrity and determination to uncover the truth make him a target for those who seek to maintain the status quo. Greyson's journey of self-discovery and his unwavering pursuit of justice offer a glimmer of hope in a world on the brink of chaos. And, in the end, he may be humanities only hope.

The climactic ending of Thunderhead is nothing short of shocking. The actions of a certain character, Godard, will leave readers speechless and questioning everything they thought they knew about the world and its inhabitants. This bold twist sets the stage for the final installment of the trilogy, leaving readers eagerly anticipating the resolution of this complex and thought-provoking narrative.

That ending! It was also great to get a better insight into the Thunderhead. Admittedly I did laugh at <spoiler>Scythe Beyonce and the really blatant "make America great again" reference--the guy is evil enough without referencing real world figures,</spoiler> but I still enjoyed it overall.

Thunderhead cuts a bloody swathe through your favorite characters while artfully pondering biases and death in a post-mortality dystopian society which still needs people to die. Sure to render your heart deadish.

Just like the first one, this book has a very high body count and no character is safe. I'm not saying your favorite character will die, but be prepared. The antagonist is great in a truly terrible way, I'm impressed by his depravity but also at how the author shields the reader so that we get the MC's reaction to the villain's awfulness, but we're insulated from some of how terrible it is. It's always very clear what happened, and that's it's awful, but because the MCs don't have the same language we do surrounding trauma and death there are in-universe euphemisms and language gaps which make it possible to read and enjoy what could (in the hands of a less caring author) feel like wading through blood to get to the plot. I was genuinely shocked by one of the plot twists, variously stressed out, and I hope the villain gets a comeuppance in the last book of the trilogy because goddamn I hate him, but I loved this book. It's grim and fantastic, pondering moral quandaries and the nature of existence via the quotes beginning each chapter, while also pairing that rumination with action in really great ways. 

Now I'll get to my usual book two check. It does wrap up a character arc left hanging from the first book. Oh boy does it wrap it up, ummmm, yeah, not saying any more about that. I didn't cry, it's fine, I repeat that the villain is hateable and terrible. There is a really cool storyline which starts in this book and wasn't present in the first one. I love the MC at the heart of it, and I'm very excited to see what happens with him in the third book. I think it's accurate to say something major was introduced and resolved within this volume, several things, actually. There might be more to discuss with them in the third book, but if we don't come back to them I'm content with their resolutions. There are so many things to be addressed in the third book, it's a trilogy so I feel pretty good about the balance of resolution and open-endedness in this middle book. It kept some of the POV characters from the first book as well as adding a couple of new ones, their voices are pretty distinct from the recurring narrators (each of whom are very different from each other). It was never confusing when the narrator changed for me, their settings, tone, and motivations are separate enough that it was easy to keep track. And finally, I don't think this would make much sense if you tried to start with this one. It's a futuristic setting with a lot of specific language which was naturally explained in the first book, and trying to start here without that grounding would probably be very frustrating. However, if you vaguely remembered those terms but just didn't remember what happened in the first book (maybe if it had been a while between reading them) you'd probably be fine, the connections with the first book are subtly referenced enough to keep that continuity without feeling like they're rehashing anything. 

I mentioned fatphobia in the first book, so I'm circling back in the second one to examine how it's addressed here. I think the portrayal of fatphobia is intended as one of the subtle (and occasionally not so subtle) ways to show that the society isn't, in fact, perfect. It's coupled here with some petty politics and a little bit of verbal bullying. I think it works, it's pretty mild but it gets the point across. 

I love the narrator for the quotes at the beginning of each chapter, getting their perspective was great and it added to the story and the world-building in a different way that the quotes from the first book did. 

The Thunderhead has started to worry about the fate of the human race. Population growth might just be a problem once again, but it also does not agree with the new order Scythes. Of course, bound by its own rules, it cannot interfere with the scythedom, but it can manipulate certain humans enough to set its plan in motion.

So what's been happening since the end of Scythe? Rowan has been serving his own brand of justice as Scythe Lucifer, gleaning the lives of corrupt Scythes. Citra is now Scythe Anastasia and has her own way of doing things. She gives each person she gleans a month to get their lives in order before they die. This has ruffled feathers but is not against the rules. Oh and someone is out to kill her and Scythe Curie, permanently.

So. Much. Drama. I might say there was too much going on but it all fits together in this complex world. There is plenty of focus on corrupt politics, as we can expect from books written in the past couple of years. A certain Scythe comes back from the past (I did not see that coming) and is good at telling people what they want to hear, which does not always translate to running an organisation well.

Instead of extracts from Scythe journals, there are passages from the Thunderhead's point of view between chapters. Its personality comes through and you get the sense of everything it is doing to keep the world going. It shouldn't have favourites, but it clearly does. I did feel frustrated at times by its insistence on following the rules. It would be so easy for it to fix things!

Poor Grayson. He is a new character, raised by the Thunderhead after his parents got bored of him. Grayson loves the Thunderhead, so he can't think of anything worse than being shut out. With its metaphoric hands tied, the Thunderhead has no choice but to use his loyal ward to do what it can't.

The only reason I didn't give it five stars was that I found the unsavory sub-culture a little contrived. Most things in this world are well thought through and reflect on society. The unsavories just felt like they were created as a plot device so Grayson could go undercover. They supposedly exist because some people just need to cause trouble and the Thunderhead wants everyone to be happy. The unsavories came across as children playing at being bad, knowing there's no severe consequences.

However I did laugh at the part where they keep a dysfunctional Washington DC to keep the moaners happy. People do love to moan!

What an ending! It has made me speculate when the next book will be set. Will the scythedom have changed dramatically or will it be a quick continuation? I cannot wait!