As I have grown older, more stressed, more worried, more cynical, and have read more books; I suppose I have gotten a bit blasé. It is not often that I read a book that stirs me so much that it feels like it sits in my body for days after, and poses questions and tells stories that somehow feel urgent to think about and mull over in my head. I am glad to report that this book showed me it is still possible.

Not all the stories are fantastic. But Chiang has that rare quality to his writing where even the stories that are not good are still good. I didn't care much for "Understand", "Division by Zero" or "Liking What You See". They are great ideas, and Chiang does a formidable job of diving into his own ideas and examining them from all angles. But sometimes, as in these two stories, he seems to be too much into the idea itself and forget a bit about the story, and I find I do not feel much for or care much about the characters and their feelings or motivations. Even so, Ted Chiang at his poorest is still better than a lot of other writers at their best.

And Ted Chiang at his best is... A force of Nature. Apart from "Story of Your Life", the story behing the movie "Arrival", I absolutely adored stories like "The Tower of Babylon", "Seventy-Two Letters", and "Hell is The Absence of God", for very different reasons, as they are stories with very different atmospheres. I am a sucker for the "What if we assume that old fashioned world models are actually literally true and then examine what that would be like" kind of stories. It's not a genre Chiang has invented - one great example is [a:Philip José Farmer|10089|Philip José Farmer|https://images.gr-assets.com/authors/1234714074p2/10089.jpg]'s novelette [b:Sail On! Sail On!|52489268|Sail On! Sail On!|Philip José Farmer|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1564382468l/52489268.SX50_SY75.jpg|72440550] from 1952 - but he has certainly refined it and elevated it to new heights. And unlike most other examples I have seen, these stories do not only play with the idea of what such worlds would be like - the design, the make, of these worlds, and the experiences of the protagonists inside them, also make important and interesting philosophical points; philosophy that spans from cosmology to the human condition, suffering, loss and redemption. This may sound cheesy, but it's just not.

I am a little ashamed that I lived to be 43 years old to know Chiang's stories (apart from watching Arrival), but I'm gonna make up for it now!