
Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution by R. F. Kuang
The city of dreaming spires.
It is the centre of all knowledge and progress in the world.
And at its …
(he/him)
Curious microbiologist outside of academia working to make it possible to launch biotechnology projects from unlikely spaces (hopefully community driven!). Reading sci-fi since I was little (probably started with Monica Hughes) and I try to mix it up with some non-fiction too.
Find me on my main Fediverse account -> scholar.social/@danwchan
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The city of dreaming spires.
It is the centre of all knowledge and progress in the world.
And at its …
An embittered dog walker obsessed with a social media influencer inadvertently puts a curse a young man—and must adventure into …
The city of dreaming spires.
It is the centre of all knowledge and progress in the world.
And at its …
Started reading it slowly at first, enjoying the expressive little vignettes that offered glimpses into Kate's life and the decision to move to the oil sands. But as the moments accumulated I began to read faster wondering where all these scenes would lead to. By the end there wasn't so much of a climax but a realization that life has no climax—that every moment is a chance for bravery and tragedy; that with intention memories can be digested into lessons not just for ourselves but for others as well. I think the comment by Alison Bechdel on the dust cover says it well:
“In Ducks, Kate Beaton doesn’t tell us how capitalism extracts, exploits, commodifies, and alienates. Nor does she show us. She recreates life in an oil sands mining operation in granular detail and allows us to make the connections ourselves―as she had to when she showed up to …
Started reading it slowly at first, enjoying the expressive little vignettes that offered glimpses into Kate's life and the decision to move to the oil sands. But as the moments accumulated I began to read faster wondering where all these scenes would lead to. By the end there wasn't so much of a climax but a realization that life has no climax—that every moment is a chance for bravery and tragedy; that with intention memories can be digested into lessons not just for ourselves but for others as well. I think the comment by Alison Bechdel on the dust cover says it well:
“In Ducks, Kate Beaton doesn’t tell us how capitalism extracts, exploits, commodifies, and alienates. Nor does she show us. She recreates life in an oil sands mining operation in granular detail and allows us to make the connections ourselves―as she had to when she showed up to work there at age twenty-one. The effect is devastating. Despite the brutal toll Beaton suffered personally, she has woven from her experience a vast and complex tapestry that captures the humanity of people doing a kind of “dirty work” in which we are all complicit, and it shimmers with grace.”―Alison Bechdel
When I think about the story that comes together in these pages I cannot help but feel the unbelievable tragedy they describe. And yet I would recommend it to any fan of the medium of graphic novels/webscomics.
For the left and the right, major multinational companies are held up as the ultimate expressions of free-market capitalism. Their …
An amazing book that I will need to track down a physical copy of so that I can go back to seek wisdom from it's pages. It's voice feels familiar yet it challenges the reader to see and interrogate their ties to place that we bring to our work. It explains a framework of research that foregrounds maintaining good relations and argues for the values of local and ungeneralizeable knowledge in anti-colonial scientific work. How that might apply to the readers context is a challenge left to the reader but I'm left feeling supporting in engaging with that work and I know the door to reflect on these ideas is always open between the covers.
This globe-spanning tale of espionage explores the adventures of a journalist investigating the mystery of a commercial flight where everyone …
Content warning Given how many twists there are perhaps this is minor but nevertheless you have been warned
I both love and hate the art style. It's expressive and dreamy, but sometimes hard to parse. The powers are very interesting but I don't know if I get a lot of lasting understanding about characters save for Henry and Meru. The story ends with a funny sort of (forced) moral about the importance of dyads... which I'm not sure I am convinced of. Found out about this via SU&SD's review of the board game and maybe I'll like that game better?