Reviews and Comments

Fionnáin

fionnain@bookwyrm.social

Joined 4 years, 1 month ago

I arrange things into artworks, including paint, wood, plastic, raspberry pi, people, words, dialogues, arduino, sensors, web tech, light and code.

I use words other people have written to help guide these projects, so I read as often as I can. Most of what I read is literature (fiction) or nonfiction on philosophy, art theory, ethics and technology.

Also on Mastodon.

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Amartya Kumar Sen: Development as freedom (1999, Knopf)

Development as Freedom is a 1999 book about international development by Indian economist and philosopher …

Economics from the ground up

Amartya Sen's 1999 book presents his dominant economic ideals, mostly focussed on how economic development must be coupled with social schemes and not just an influx of money. The idea seems a little obvious to anyone who reads feminist philosophy, but the evidence presented is written for people in economics who may not always encounter these ideas. It's hard to tell how radical this may have seemed in 1999, because I am not familiar enough with the school of economics.

It is presented as a layperson's book, and for the first third Sen does a good job in grounding how economic theory reached this point. Later on the chapters remain interesting but become a little dry for someone like me who is not an economist. The ideas remain sound, and the comparisons between countries and their social and economic positions, but the writing got a little too domain-specific for me.

Thích Nhất Hạnh: How to eat (2014)

"How to Eat is the second in a Parallax's series of how-to titles by Zen …

Taking a moment to eat

No rating

Thich Nhat Hanh is a gentle voice in mindfulness. This short book gives reflections and meditations, and a few nice illustrations, on the topic of food and eating. They ask us to be mindful of the complexity of our food chain and the human and nonhuman actors that make it possible for us to eat in this modern world. Like all Hanh's writing, it's a beautiful, gentle book.

Han Kang: We Do Not Part (Hardcover, 2015, Hogarth)

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her …

I love Han Kang's writing and was delighted when they won the Nobel Prize. A couple of months ago a colleague gave me a book token for a favour I did them, and I picked this one up with it in a local book shop. Just started reading today.

Anna Chapman Parker: Understorey (Hardcover, 2024, Duckworth)

‘It began as a way of drawing nothing – as near as I could get …

Drawing with lines and words

Anna Chapman Parker is an artist who thinks deeply about incidental moments. This wonderful book charts a year in her life where she draws weeds that she finds on her wanders. It features both her writing and her drawings, and also some other artworks as references.

Parker writes about what she draws beautifully, about her days and her time with her family. She also weaves in observations on art history, writing and culture that show a deep and acute understanding of her craft.

The drawings are wonderful, the anecdotes thoughtful. Although I am not generally a fan of the diary form of writing, this book masters it, moving easily from anecdote to theory to humour, treating each day as unique. The quality of writing helps this. The end result is a joy to read and one I will revisit again and again.

Hans Zinsser: Rats, Lice and History (Hardcover, 1996, Black Dog & Leventhal Publishers, Distributed by Workman Pub. Co.)

The classic chronicle of the impact disease and plagues have had on history and society …

Fascinating as a project, frustrating as a rant

This 1934 book is a history of typhus presented as popular science (and apparently as a biography, although it doesn't really follow any such form).

The first four chapters are pretty much unreadable. One Stanford University scientist in the 1930s grinds an axe about many different scientists and writers for about 80 pages of text. Once he finishes with this rant, it gets more interesting as he begins a historical exploration of the spread of disease, and in particular how disease and war travelled together.

The writing stays on point mostly, except for a few more veiled jabs at other writers and some questionable classist comments that are troubling even for that time (a 'humerous' anecdote about having the police arrest a homeless non-white man so that he could gather lice from him sticks out in my mind). The fascinating two chapters on lice are by far the best of …

Sinéad Gleeson: Constellations (2020, Mariner Books)

Essays on ableism, feminism, and art

This collection of essays by Sinéad Gleeson is deeply honest and opens her up in a way that I admire. Not many people will write about their lives, their grief, their abilities and their personalities with so much openness. Any collection of essays will have stronger and weaker moments, and some of these are wonderful but the prose didn't catch me for many.

Where I felt the writing was strongest was always when Gleeson was describing artworks. In these moments, they had a powerful sentiment and a clear love of the objects and ideas in art. The writing there is the most brilliant, and the most standout unique. In other moments, the more hurtful or difficult, the writing also becomes a little laboured, reflecting the themes but also making it harder to move through. While the book is admirably honest, the moments of joy popped out particularly for me.