User Profile

Fionnáin

fionnain@bookwyrm.social

Joined 3 years, 7 months ago

I arrange things into artworks, including paint, wood, plastic, raspberry pi, people, words, dialogues, arduino, sensors, web tech, light and code.

I use words other people have written to help guide these projects, so I read as often as I can. Most of what I read is literature (fiction) or nonfiction on philosophy, art theory, ethics and technology.

Also on Mastodon.

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Fionnáin's books

Currently Reading (View all 12)

Rebecca Solnit: Orwell’s Roses (Paperback, 2021, Granta) 5 stars

“In the year 1936 a writer planted roses.” So begins Rebecca Solnit’s new book, a …

To go down into the earth is to travel back in time, and to excavate it is to drag the past into the present, a process mining has done on a scale so colossal it's changed the earth all the way up to the upper atmosphere.

Orwell’s Roses by  (Page 55)

These are Solnit's reflections on Orwell's writing about coal mining in The Road to Wigan Pier, beautifully put.

Helen V. Pritchard, Jane Prophet: Plants by Numbers (Hardcover, 2023, Bloomsbury Publishing Plc) No rating

This open access book takes a queer, feminist, and decolonial technoscience approach to the ecologies …

If the childhood game of “playing house” was instead focused on “playing river,” the main characters would no longer be humans. In the art installation River Construct, the assembled players are plants, worms, bacteria, people, a rabbit, and a solar-powered water pump and timer system. Just as in outdoor rivers, the plants ate sunlight and minerals, animals ate plants, worms and bacteria ate the waste from animals and plants and produced their own waste, which is actually nutritious food for plants, which circulates through the water as nutrients, and so on. Humans are not necessary for the functioning of actual rivers, but in this indoor mini version they were needed as maintenance workers and as admirers.

Plants by Numbers by , (Page 46)

From Chapter 3: As Children of Plants, We Play in Our Machine Gardens by Amy M. Youngs, describing one of their artworks.

Sofia Samatar: White Mosque (2022, C. Hurst and Company (Publishers) Limited) 4 stars

A rich history of wanderers, exiles and intruders. A haunting personal journey through Central Asia. …

I think of all the women who lay in the street at Ak Metchet, who climbed on the cars, who carried their children onto the cars. Such women generally leave few records. Their letters, if preserved, are considered to have little meaning outside the family. These women leave behind quilts, embroidery, recipes, planting schedules. Perhaps a knack for languages. The shape of an elbow or a nose. Their legacy consists of objects and children. To seek these women, who treated their bodies so recklessly, is to be stuck with the body.

White Mosque by  (Page 194)

The reference to the cars at the start of this quite is to another part of the book about when the Soviet authorities came to take the Mennonite men away to execution or forced labour camps for refusing military service. The women piled in and insisted they come too. The executions were cancelled and they were all eventually exiled in a part of desert in Uzbekistan.

quoted On revolution by Hannah Arendt (Penguin twentieth-century classics)

Hannah Arendt: On revolution (Paperback, 1977, Penguin Books) 4 stars

About the American, French and Russian revolutions.

What the men of the Russian Revolution had learned from the French Revolution — and this learning constituted almost their entire preparation — was history and not action. They had acquired the skill to play whatever part the great drama of history was going to assign them, and if no other role was available but that of the villain, they were more than willing to accept that part rather than remain outside the play.

On revolution by  (Penguin twentieth-century classics) (Page 58)

So much in this seems so relevant to today's politics.