User Profile

Fionnáin

fionnain@bookwyrm.social

Joined 3 years, 9 months ago

I arrange things into artworks, including paint, wood, plastic, raspberry pi, people, words, dialogues, arduino, sensors, web tech, light and code.

I use words other people have written to help guide these projects, so I read as often as I can. Most of what I read is literature (fiction) or nonfiction on philosophy, art theory, ethics and technology.

Also on Mastodon.

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Max Porter: Lanny (2019, Faber & Faber, Limited)

A boy, an artist, a mother, a village, a myth

Max Porter has a truly unique and fascinating process of storytelling. His debut Grief is The Thing With Feathers is one of my highlights of recent years, and this follow-up is just as strong, bleak, compelling and engrossing. It centres on a boy called Lanny, who is not really like other boys, and who begins to learn art from a local artist who himself is a misfit character.

The premise remains narrow, yet Porter's incredible ability to bring flat characters to life is astounding. The green man, a mythical figure, oversees the adventure, and becomes central to it in a hypnotic and dreamlike section near the end. Every page drips with poetry, with each character made flesh through the skill and ability of Porter. A brilliant book, and it is exciting to have a writer like this making work today.

Asako Yuzuki, Polly Barton: Butter (2024, HarperCollins Publishers)

Gourmet cook Manako Kajii sits in Tokyo Detention Centre convicted of the serial murders of …

Saturated storytelling

Butter seems to be the hit novel of 2024 in English, although it was published over a decade ago in Japan. Asako Yuzuki's story centres on Rika and her relationships with the world around her, particularly with her friend Reiko and with a convicted serial killer Manako Kajii who she wants an exclusive interview with. It also knits in food and feminism, with a focus on fatty golden butter and the immediate joy is brings to a life.

The book is episodic, and each chapter feels like another story arc from beginning to end. Some are brilliant, engaging and fully alive; some are less so, but every one has something to tell. The treatment of women in society is a central focus, and finding oneself within that is paramount to Rika's (and Reiko's) story. The ending tidies itself up into much too neat of a bow, and some of the …

Sofi Thanhauser: Worn (Hardcover, 2022, Allen Lane)

A finely spun history of clothes and where they come from

Linen, Cotton, Silk, Synthetics, …

The road to woolfest

Sofi Thanhauser's deeply researched book Worn explores the contemporary textile industry and how it generates waste, damages societies, and exploits people. While this might come as no fresh news to most people, what Thanhauser has managed here is to compile a deep research project in one place that gives a clear view of the depth of the problem. From histories to contemporary views, each chapter considers a different textile or industry.

It also ends on a hopeful note, with a section on wool and the possibilities for that material's resurgence. Finishing at the wool festival in the UK, woolfest, the book that begins with the industrialisation of linen ends with the handcrafting practices of wool with a view to how things can be done differently.

Katherine Rundell: The Golden Mole (EBook)

The world is more astonishing, more miraculous and more wonderful than our wildest imaginings. In …

A bestiary of impending extinction

Kathryn Rundell's wonderful book considers the worlds and perspectives of animals, and does so with a gentle and playful hand. Each chapter takes one creature that exists in our world, and considers how that creature is looked at scientifically, historically and metaphorically. Each is brilliantly and deeply researched, and then edited carefully to be both informative and interesting.

But The Golden Mole is far from a scientific bestiary; instead, it considers story and art on an equal footing with science and history, and for this it is a marvel. It is written beautifully, the words carefully chosen with none wasted. Each chapter concludes with a lament for what would be lost should the extraordinary creature it describes be lost from the world. Then the final chapter uses an old parable to consider all that can be lost, and all that can be saved. With this brilliant stroke of the keyboard, …

Peter Wohlleben: The Power of Trees (Hardcover, english language, 2023, Grey stone Books)

Trees and disease

Peter Wohlleben is an ex-forester who writes beautifully about trees. His first book, 'The Hidden Life of Trees', was a magnificent exploration of what it meant to give up his social biases formed in his years of forestry. This book feels like the same story, but told with a less deft hand. It explores tree reactivity and social resilience to disease, and gives some interesting examples of how trees learn together to withstand sudden climactic shifts, for example by conserving water or food, but ultimately it feels like the same book again, with a little less impact.

Deb Chachra: How Infrastructure Works (Hardcover, 2023, Penguin Publishing Group)

A new way of seeing the essential systems hidden inside our walls, under our streets, …

A critical reflection on infrastructure

Deb Chachra's How Infrastructure Works considers infrastructure like water, electricity and internet from many angles, taking a critical feminist approach to services often rendered invisible to us unless they stop working. Beginning from a perspective of infrastructure as a social good and a care role, Chachra introduces an interesting angle that draws from her work as an engineer and her upbringing in Canada as the daughter of Indian immigrants.

Entangled within this are anecdotes about how infrastructures were built, and how they are often socially maintained. The perspective reads almost like social philosophy that takes a well considered perspective pushing against accepted political norms, and it is great for this. The conclusion and some of the chapters drag out a little in the writing, but that doesn't take much from the magnificent argumentation.

Rebecca Solnit: Orwell’s Roses (Paperback, 2021, Granta)

“In the year 1936 a writer planted roses.” So begins Rebecca Solnit’s new book, a …

Those obsessed with productivity and injustice often disparage doing nothing, though by doing nothing we usually mean a lot of subtle actions and observations and cultivation of relationships that are doing many kinds of something. It's a doing something whose value and results are not so easily quantified or commodified, and you could even argue that any or every evasion of quantifiability and commodifiability is a victory against assembly lines, authorities, and over-simplifications.

Orwell’s Roses by  (Page 191)

@saintDerek I can think of a few off the top of by head, but if you have a specific area of interest I can fine-tune the suggestions. Kate Crawford's 'Atlas of AI' is an amazing study on AI (bias and development). Hito Steyerl's 'Duty Free Art' covers a lot of the tech/art overlap. Geert Lovink's writing on social networks (pick any) is always razor sharp. Shoshana Zuboff's 'Surveillance Capitalism' covers a lot of the tech-surveillance bits.

And for shorter reads (articles and papers) the Institute of Network Cultures has loads of resources, all free and open source.

Rebecca Solnit: Orwell’s Roses (Paperback, 2021, Granta)

“In the year 1936 a writer planted roses.” So begins Rebecca Solnit’s new book, a …

To go down into the earth is to travel back in time, and to excavate it is to drag the past into the present, a process mining has done on a scale so colossal it's changed the earth all the way up to the upper atmosphere.

Orwell’s Roses by  (Page 55)

These are Solnit's reflections on Orwell's writing about coal mining in The Road to Wigan Pier, beautifully put.

Helen V. Pritchard, Jane Prophet: Plants by Numbers (Hardcover, 2023, Bloomsbury Publishing Plc) No rating

This open access book takes a queer, feminist, and decolonial technoscience approach to the ecologies …

If the childhood game of “playing house” was instead focused on “playing river,” the main characters would no longer be humans. In the art installation River Construct, the assembled players are plants, worms, bacteria, people, a rabbit, and a solar-powered water pump and timer system. Just as in outdoor rivers, the plants ate sunlight and minerals, animals ate plants, worms and bacteria ate the waste from animals and plants and produced their own waste, which is actually nutritious food for plants, which circulates through the water as nutrients, and so on. Humans are not necessary for the functioning of actual rivers, but in this indoor mini version they were needed as maintenance workers and as admirers.

Plants by Numbers by , (Page 46)

From Chapter 3: As Children of Plants, We Play in Our Machine Gardens by Amy M. Youngs, describing one of their artworks.