Mainly reading queer and trans literature. Also a bit of SFF. Find me elsewhere: linkstack.lgbt/@jaelyn
Importing my reviews from Storygraph to here was hell, so I'm sorry if some of my reviews ended up on blatantly the wrong book. I'm still trying to find everything that Bookwyrm put in the wrong place.
Between the Hijras under the British Raj, the genocide of two-spirit people by the US, and the persecution of transvesti in Latin America, this book demonstrates that the persecution of groups often now identified as trans massively predates the modern concept of trans women. This book outlines how deeply ingrained trans misogyny is in our society and its connections with aspects of class and race. It's a vital and challenging read in outlining the inherent violence of trans misogyny, how broadly it impacts peoples swept up under medicalised labels, and how the broader gay rights movement abandoned those who started it.
It is the year 1710, and Thomas True has arrived on old London Bridge with …
"It's innocence what kills you when yer different, not guilt"
4 stars
A sort of whodunit set in Georgian London’s gay scene where Gabriel, the guard at Mother Clap's, must track down the rat who is feeding names to the Society for the Reformation of Manners and getting fellow Mollies murdered.
It's a fun thriller with a cute romance and some very hard to digest moments as we explore the underground Molly culture and 18th century London delving as far as a dash of folklore incarnate. It has its moments of queer solidarity, yet also our infighting and betrayal as suspects do what they can to avoid the noose.
Set in the eighteenth century London underworld, this bawdy, genre-bending novel reimagines the life of …
"If I am to die today, please God let it be with the memory of the taste of her on my tongue"
5 stars
Holy fuck. So on the face of it this is a re-imagining of the 18th century outlaw Jack Sheppard via a faux uncovered memoir revealing Jack to be a trans man. The text itself is "discovered" and edited by the author with numerous, very comedic footnotes. What starts out as translating a very long list of period slang for pussy begins to bleed into the narrative with metatextual discussions on gender, publishing, policing and capitalism. If you ever wanted a raunchy queer period drama with commentary that is one part stand-up, one part revolutionary treaties, then this is for you.
The Lotus Empire brings Tasha Suri’s acclaimed Burning Kingdoms trilogy to a heart-stopping close. As …
"I have won an empire, and we will kill your gods"
5 stars
An awesome, epic ending to the trilogy. Who doesn't want to see gay gal take on patriarchal religious nuts to claim an empire and save their people? I only wish I got more time with them actually happy together? Not that I have any issue with them jumping between flirting and battling of course. Frankly, keeping that many knives under your pillow is hot.
Science-fiction, fantasy and horror, inspired by classic pulp magazines, starring LGBTQIA+ heroes and villains.
Featuring …
Gay Pulp Chaos
4 stars
This is a hilarious anthology of queer and camp pulp short stories. I came across this as I was previously writing some pulp trans scifi in a similar vein to some of these, notably the story "Dotch Masher and the Planet 'MM'" but also a few others in here. The styles and genres vary so it can be hit-and-miss depending on your tastes of course but I adored the camp silliness of many of them. It's maybe a bit biased towards cis dudes compared to most of my reading - as you'd expect from the title - but there is still a diversity of characters within. If you're looking for an OTT and slightly horny gay anthology, ripped from the 50s but without the ingrained bigotry of the era, then this is a good call.
Security expert Dora left her anarchist commune over safety concerns. But when her ex-girlfriend Kay …
Cyberpunk Noir on the nature of identity
4 stars
This is a cyberpunk noir novella about a trans woman who returns to her anarchist commune in the decaying remnants of Kansas City. Dora is as unwelcome as her parting shots were when she stormed out years ago, but now she's the only one who can solve the murder of her ex. Caught between two warring pharmaceutical companies, Dora faces shadows of her past.
I thought this was a lot of fun and really had a good noir vibe to Dora's perspective. Given it's quite short, I think there was an opportunity to add a little more to make her a little more well-rounded, flesh out the supporting characters a bit and add more dynamics to the commune (as much as I feel this with every novella, I'm starting to like the simplicity that comes with brevity). I did nevertheless enjoy it and it was paced well for its length. …
This is a cyberpunk noir novella about a trans woman who returns to her anarchist commune in the decaying remnants of Kansas City. Dora is as unwelcome as her parting shots were when she stormed out years ago, but now she's the only one who can solve the murder of her ex. Caught between two warring pharmaceutical companies, Dora faces shadows of her past.
I thought this was a lot of fun and really had a good noir vibe to Dora's perspective. Given it's quite short, I think there was an opportunity to add a little more to make her a little more well-rounded, flesh out the supporting characters a bit and add more dynamics to the commune (as much as I feel this with every novella, I'm starting to like the simplicity that comes with brevity). I did nevertheless enjoy it and it was paced well for its length. Avoiding spoilers here, but I also liked the trans take on a particular old sci-fi trope and how it played into a good discussion about the nature of identity.
London, 1883. The Veil between the living and dead …
You're trapped in there with him
5 stars
In an alternate 1883, The Veil between the living and the dead thinned and purple-eyed mediums speak with the dead under the auspices of the Royal Speaker Society. That is, male purple-eyed mediums; women born with those spiritual eyes are barred from spirit work and are treated as nothing more than breeding stock for the Speakers regardless of their age.
Enter 16yo Silas, to be married off by the end of the year. Despite having those valuable purple eyes, Silas isn't a perfect daughter, or even a daughter. A lifetime of being bullied into masking his autism, his transness and his proficiency in surgery has left him desperate to escape. But when his attempt to flee is uncovered, he is thrown into a brutal asylum for women suffering from a vague "Veil sickness". There, the spirits of women murdered within its walls beg for help, and for Silas to run …
In an alternate 1883, The Veil between the living and the dead thinned and purple-eyed mediums speak with the dead under the auspices of the Royal Speaker Society. That is, male purple-eyed mediums; women born with those spiritual eyes are barred from spirit work and are treated as nothing more than breeding stock for the Speakers regardless of their age.
Enter 16yo Silas, to be married off by the end of the year. Despite having those valuable purple eyes, Silas isn't a perfect daughter, or even a daughter. A lifetime of being bullied into masking his autism, his transness and his proficiency in surgery has left him desperate to escape. But when his attempt to flee is uncovered, he is thrown into a brutal asylum for women suffering from a vague "Veil sickness". There, the spirits of women murdered within its walls beg for help, and for Silas to run before it is too late.
Despite the fantastical elements, all of this tracks very closely to the brutal Victorian practices on surgery and mental health. Despite a lot of horror around beatings and vivisection, I felt most chilled by the constant thread of helplessness. The helplessness that comes from never being believed simply for who you are, of having everyone you could turn to being complicit in your horror, and being constantly weighed down by a lifetime of abuse for who you are.
I felt deeply for Silas and the women imprisoned there and the book expertly conveys Silas' internal doubts and fears. I felt trapped alongside him which perhaps also shows how deeply personal some of these themes can be.
It's been centuries since the robots of Panga gained self-awareness and laid down their tools; …
So much beauty and hope in so few pages
5 stars
Becky Chambers makes me cry again, this time in a hope punk novella about existence and purpose. Long ago, humanity's Factory Age ended when robots suddenly gained consciousness and decided to leave. Humanity respected their agency and choice, allowing them to leave into the wilderness and legend while restructuring human civilization into a sustainable, solarpunk society.
Sibling Dex is a tea monk, going from town to town offering people their ear, their counsel and the perfect cup of tea to soothe their worries. But Dex themself feels an emptiness and pain; they feel guilty for not being happy in a life which - on the face of it - gives them everything it should. This inner conflict they keep from those they help really resonated with me from the very start.
Hoping to find an answer in anything but their routine, Dex goes off track into the wilderness. There, they …
Becky Chambers makes me cry again, this time in a hope punk novella about existence and purpose. Long ago, humanity's Factory Age ended when robots suddenly gained consciousness and decided to leave. Humanity respected their agency and choice, allowing them to leave into the wilderness and legend while restructuring human civilization into a sustainable, solarpunk society.
Sibling Dex is a tea monk, going from town to town offering people their ear, their counsel and the perfect cup of tea to soothe their worries. But Dex themself feels an emptiness and pain; they feel guilty for not being happy in a life which - on the face of it - gives them everything it should. This inner conflict they keep from those they help really resonated with me from the very start.
Hoping to find an answer in anything but their routine, Dex goes off track into the wilderness. There, they bump into the first robot to meet a human in centuries, Mosscap. Through its wide-eyed excitement at learning about humanity again, seeks an answer to a query the robots have about humans: what do people need? In such a short space, Chambers beautifully cuts through to our inner conflict and need for purpose and how to simply find joy in simply existing.
This is the story of Jeanette, adopted and brought up by her mother as one …
Review of 'Oranges Are Not the Only Fruit ' on 'Storygraph'
5 stars
A beautiful but often traumatic navigation of coming out as queer in a fiercely Pentecostal family in Lancashire. Jeanette is brought up to be a missionary but when she falls for a girl the religious fervour of her family come own in the form of exorcisms and exile.
I’d also recommend ‘Why be Happy When You Could be Normal?’, which is Winterson’s autobiographical account of the time Oranges was based on.
Seventeen-year-old Ellery is a non-believer in a region where people swear the supernatural is real. …
Review of 'Otherworldly' from 'Storygraph'
4 stars
A small region is stuck in a perpetual winter. Offerings from locals to the goddess to bring spring have gone unanswered. Ellery, no longer believing in the gods, leaves his family's frozen farm to work in a city diner to help support his family trying to scrape by with greenhouses to grow crops.
When Ellery meets Knox, a runaway familiar from the Other World, his understanding of the world and the perpetual winter is thrown upside down. Ellery helps protects Knox from the shades who seek to drag him back in exchange for finding out the truth about the winter. But as Ellery helps Knox experience more of human life, they both begin to feel more than they bargained for.
This is a very cute YA romance with an enby protagonist, an adorably OTT sapphic couple and contemporary magic with goddesses and underworlds to boot. The characters are lovely even …
A small region is stuck in a perpetual winter. Offerings from locals to the goddess to bring spring have gone unanswered. Ellery, no longer believing in the gods, leaves his family's frozen farm to work in a city diner to help support his family trying to scrape by with greenhouses to grow crops.
When Ellery meets Knox, a runaway familiar from the Other World, his understanding of the world and the perpetual winter is thrown upside down. Ellery helps protects Knox from the shades who seek to drag him back in exchange for finding out the truth about the winter. But as Ellery helps Knox experience more of human life, they both begin to feel more than they bargained for.
This is a very cute YA romance with an enby protagonist, an adorably OTT sapphic couple and contemporary magic with goddesses and underworlds to boot. The characters are lovely even if Ellery has that teenage insufferability sometimes (just stop antagonising demigods for once, please).
In the ancient kingdom of Dumnonia, there is old magic to be found in the …
Review of 'Sistersong' from 'Storygraph'
5 stars
Set in ancient Briton as the Saxons advanced across the island, the kingdom of Dumnonia has begun to abandon the old gods and their magic to favour a Christian missionary and the promise of alliances and trade deals which would follow. As the king's ties to the land's magic fade, so do the kingdom's prospects and defences.
The king's three daughters possess some latent magic still, as forbidden as it is to acknowledge it. But enter Myrdhin, a magician/witch who works to restore the kingdom's connection to it's magic through the children before the Saxon's overrun them. As well as reconnecting the children to the land, they help the eldest daughter, Keyne, be see as he truly is: as the king's son and heir.
The story twists between the perspectives of the king's three children as the kingdom teeters on the edge of invasion, and the rifts that emerge between …
Set in ancient Briton as the Saxons advanced across the island, the kingdom of Dumnonia has begun to abandon the old gods and their magic to favour a Christian missionary and the promise of alliances and trade deals which would follow. As the king's ties to the land's magic fade, so do the kingdom's prospects and defences.
The king's three daughters possess some latent magic still, as forbidden as it is to acknowledge it. But enter Myrdhin, a magician/witch who works to restore the kingdom's connection to it's magic through the children before the Saxon's overrun them. As well as reconnecting the children to the land, they help the eldest daughter, Keyne, be see as he truly is: as the king's son and heir.
The story twists between the perspectives of the king's three children as the kingdom teeters on the edge of invasion, and the rifts that emerge between them over a stranger and their pasts. I really enjoyed all their stories but obviously Keyne is who grabbed my attention in a really thoughtful portrayal of their struggles to be taken seriously by their family and the men in power. Their bonding with Myrdhin, who's pretty genderbending themself, was a great conduit to explore our ancient ties to the earth vs a faith that demands we look away from it to the heavens.
With her career as a Los Angeles event planner imploding after a tabloid blowup, Morgan …
Review of 'In the Event of Love ' from 'Storygraph'
4 stars
Morgan Ross is that high-flying career lady character who is a big-time event planner only to have a little career snafu when she accidentally kisses her client's fiance. Oops, now that 'New York Promotion™' is on the line and your clients are deserting you.
Hey, why not take up that job in your hometown you were derisive about a few seconds ago? Some small easy win and you're back in the game. I mean, the town is only full of heartbreak and regret, right? Totally solid plan. Though maybe it isn't the best entrance to crash your car into your former girlfriend's sign at the entrance to her tree farm. That's right, she's a hot, toned plaid-clad lumberjack called Nicole Coenen. No wait, my imagination got away with me there. She's called Rachel Reed and it turns out she's actually the client! Sort of.(But go on, insert Nicole in there …
Morgan Ross is that high-flying career lady character who is a big-time event planner only to have a little career snafu when she accidentally kisses her client's fiance. Oops, now that 'New York Promotion™' is on the line and your clients are deserting you.
Hey, why not take up that job in your hometown you were derisive about a few seconds ago? Some small easy win and you're back in the game. I mean, the town is only full of heartbreak and regret, right? Totally solid plan. Though maybe it isn't the best entrance to crash your car into your former girlfriend's sign at the entrance to her tree farm. That's right, she's a hot, toned plaid-clad lumberjack called Nicole Coenen. No wait, my imagination got away with me there. She's called Rachel Reed and it turns out she's actually the client! Sort of.(But go on, insert Nicole in there and imagine she says okey-dokey every other word)
Save her tree farm from the evil capitalistic corporation that sucked the soul out of the neighbouring town already. Also, the corporation is run by your dad's former lover who turned down his proposal and broke your life a little. Ooo, revenge motivation.
Defend the authentic small-town getaway which is incongruously progressive lest we get the idea rural areas are homophobic or racist in any way. We've got small local businesses to save with a magical fundraiser in a barn and maybe win back someone's heart! But will Morgan find a way to screw this up before a last-minute dash and a public declaration of love? You betcha, 'cause this is a Christmas romcom.
Life is tough when you're an eldritch abomination.
Trillin isn't technically a person. She's a …
Review of 'How to Get a Girlfriend (When You're a Terrifying Monster)' on 'Storygraph'
4 stars
Short little cosy fantasy novellas (100 pages each) about a witch who falls in love with a fragment of the Endless Void. Trillin may be unable to control where her tentacles and extra eyes appear, and Sian's witchy colleagues may want to burn Trillin out of their plane of existence, but it's a match made in extradimensional terror between these two girls who just want some quiet time together. It may not be groundbreaking or epic but it's a cute, easy read for anyone who thinks Lovecraft needed more sapphic romance and what I can only describe as a demonic tribble companion.
A very unusual vampire story. A young Black woman escapes being enslaved and ends up …
Review of 'The Gilda Stories' from 'Storygraph'
5 stars
In 1850 a runaway slave seeks refuge at a brothel run by a vampire who gives her eternal life. The book proceeds in a series of vignettes over 200 years as she travels around the US, taking what blood she leaves and only killing when necessary. She also tries to leave something in the minds of those she drinks, in return for her “share†of the blood.
The stories follow her tenuous connections to humanity, fellow vampires and her existence as a black lesbian in America throughout its history. I certainly enjoyed the fresh take on the vampire trope by applying a feminist, queer and racial lens to her experiences while the vignettes give a little slice-of-life vibe to her experiences at different points in history.