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The Necromancer is a very long winded book, lacks character development and repeats itself over and over.
The betrayal of Josh isn't very surprising, the introduction of Aoife and her death in the same book, is just a waste of potential and character.
The going back in time thing, to sink Danu Talis is a bit weird, because if the twins are going to have a fight, which will sink the city, how come that no elder remembers them? None of the new introduced elders in the previous books, have recognized the twins, yet they will somehow cause the fall of their ancient capital city?
The interactions between the characters are getting a bit repetitive, and I'd hoped more interactions between Perenelle & Nicholas, since they're a couple, and Perenelle just escaped from a prison full of monsters.
Besides these plot holes and events, I liked the book. It has an interesting turn of evens, and I also like the elder / Greek Titan Prometheus.
4/5.

The Sorceress, book 3 in the series 'The Secrets of The Immortal Nicolas Flamel'
After the events of The Magician, the protagonists set out in London, to be persecuted by Dr. Dee.
The story took some interesting turns, and we slowly get to know more about the Archons and their successors, the Elders.
The author is very consistent, no weird turns are taken, and the plot goes exactly as I expected; just new mythical beings are introduced, Dee keeps hunting the twins, and Machiavelli obviously does something very cunning and smart, and last but not least, the story ends with a bit of a 'cliffhanger', where Dee finds Clarent, and will most likely do something malicious with it.
However, due to the non-surprising story, it's becoming a bit repetitive, which is slightly annoying.
I'd hoped for something interesting, for example, the twins being captured, but them escaping from captivity; just a slight victory for Dee and the Dark Elders would be nice to see.
Therefore, 4/5.

The alchemyst is an interesting novel, where various mythical beings and characters make an appearance.
Michael Scott mixes different mythologies, folklore and legends, and merged them into this book.
I think the setting is very fun to read, and the plot is well structured as well.

However, I do wonder, why do the twins never fight? They're siblings, siblings are supposed to fight.
And why is Josh sometimes the weird kid, who can't do anything, and who's useless, while at other moments, Sophie praises him as 'a computer legend' or something like that. Kinda weird, ngl.
I think Morrigan had A LOT more potential as a villainness, yet the book was mainly made Dr. Dee the villain, while Morrigan was more written like a sidecharacter or some kind of minion of Dr. Dee, while Dr. Dee was actually Morrigan's servant.
And the different POVs kind of confused me sometimes, because the narrator just goes from one character to the other, which is just weird / unusual. Most of the time, the chapters have the name of the character who's POV will appear in that chapter. (Like Game of thrones, or The Expanse)

But besides these things, the story was entertaining, and I've learned some things about mythology.
I'd give it a 4/5
5/5.

My heart and I have conversed a bit, and we agree on one thing: This book is peculiar, yet inspiring and annoying.
The Alchemist tells a remarkable story of a boy who is "an adventurer, looking for a treasure".
It's inspriring, the idea of having a "personal legend", and being encouraged by omens who will lead you to your own treasure.
The various characters whom the boy met, were well written, and had an interesting background story.
I genuinely recommend this book to anyone. It sets the framework for personal success, for good leadership, and for having faith in the omens.
However, it's a bit superstitious as well; the idea of omens, sent by some all mighty deity / God, doesn't fit in my lane of atheism, and I have difficulty believing such things.
Phrases like "when you really want something, the whole universe conspires in helping you to achieve it", are a bit too much for me, since I'm not into these kind of overly dramatic and superstitious ideas.
Despite this, it's up to the reader to interpret the story, and to interpret the various events that take place, and even without the superstitious elements, it still makes for a very good story. And it still has some genuinely good life advice for anyone.

"Kerosene", he said, because the silence had lengthened, "is nothing but perfume to me."

Guy Montag, firefighter whose job it is to burn all books and other forms of literature.He meets a peculiar girl, Clarisse, who has a peculiar view of the world.The quotes in this book are very remarkable, like

Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them, at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.

And when the war's over, some day, some year, the books can be written again, the people will be called in, one by one, to recite what they know and we'll set it up in type until another Dark Age, when we might have to do the whole damn thing over again. But that's the wonderful thing about man; he never gets so discouraged or disgusted that gives up doing it all over again, because he knows very well it is important and worth the doing.'

I personally think these quotes are very inspiring, as they tell that books are just containers for knowledge, and man will never give up searching and looking for knowledge, as it is worth everything. The dystopian atmosphere is very well built, and despite the small amount of pages, Ray Bradbury has yet managed to create an inspiring and frightening world. 5/5.

The Complete Persepolis is the autobiography of a girl growing up in Iran, during the Iranian revolution, 1979. Unlike other novels I've read, it's a graphic novel; this means it mostly exists out of illustrations and has some narration and/or speech bubbles. For the reader, this means there's little room for their own imagination and fantasy, as the scene is already drawn.

The illustrations are made by differences between black and white contrast, creating figures and objects. This limits the illustrator's options in colour, as the only two "colours" available are black and white. I think the illustrator has done a great job of portraying the life experiences of Marjane, by using contrast only.

Throughout Marjane's life and thus throughout this autobiography, various topics come to order. This includes the strict Islamic Sharia laws, the identity struggle between Western and the more conservative and Islamic life of Marjane, and some more sensitive topics, such as child soldiers, rape, torture, and (mass) murder are discussed in this novel. It's fascinating to see how a child processes and handles the possession of knowing these R-rated topics. Occasionally there are some swearing words, which surprised me . I didn't expect swear words to appear in this novel, but since there are some other adult topics being discussed, I guess I shouldn't be surprised at adult vocabulary being used.
The book follows a chronological order, meaning the protagonist is a child in the beginning, and an adult at the end. This also makes it a "coming of age" novel, where the main character grows up and comes of age. Normally I'm not into these kind of books, however Satrapi's life is exceptional, and she has experienced things no child should've experienced. Therefore I feel like this novel has a convoluted story with complicated characters and therefore an interesting read.
The novel heavily discusses the topics about the Islam, the revolution itself, the stereotypes about Iran, integration into the Western culture, and last but not least, the identity crisis.
Satrapi has written this book because she wanted to let people know that humans are the same. No matter what culture, what background, what origins someone has, they are still human and make human mistakes. I think she has successfully gotten this message across to the reader, as I (and other readers) have seen and read how Marjane and her (childhood) friends behave the same as any other people in the West. They play, they laugh, they fight, they do anything people do in the Western culture, and more. This contradicts the popular stereotypes about Iran, where people think Iran is "a terrible place to live in".

Additionally, the book discusses identity. When Marjane moves to Austria, to live with her parents' friend, she gets to know the Western culture and lifestyle. This causes her to slowly integrate into the Western society. During her stay in Austria, she discovers the ideas about Iran people have, and starts to feel ashamed of her origin. She starts telling people she's actually from France, and she tells her first boyfriend she's from France as well. By doing this, she renounces her identity. This leads to an interesting series of events, where she feels like she doesn't belong anywhere.

In my opinion, anyone who wants to know more about the Islam, Iran, identity, Iranian revolution, or Marjane Satrapi as a person, should read this book. It contains a lot of information and details about the daily life before and after the revolution in Iran, and it shows that people in Iran are just like the people in the West. To conclude, I would give this a 5/5, as I found it very interesting to read.