The Woods was a 2006 supernatural thriller about a girl discovering that the boarding school she's trapped in is run by evil witches. Art School Confidential was a 2006 comedy-thriller about an art student trying to get the girl of his dreams to notice him and y'know what, she finally does when he's accidentally framed for murder!

In terms of tonality, A Lesson In Vengeance definitely leans toward The Woods because it takes itself very seriously 99.9% of the time. But there's something inherently darkly funny about how both Ellis and poor Jerome get what they desire, at great cost. One gets as close as they can get to the centre of their obsession and the other finally gets his girl. Both lose their freedoms, one permanently, one maybe not so much.

Where A Lesson In Vengeance mirrors The Woods is its inability to take itself less seriously. Felicity has little in the way of a real friend or a functioning support system. The book is written from Felicity's point of view, so we're always swimming in her thoughts. I found her neurotic behaviour fascinating, because she's struggling to break free from her mother's control but at the same time, her mind is somewhat malleable. She feels an irresistible pull towards Ellis and does whatever she wants her and the girls to do. She lets her psychiatrist shape her memory, mold the circumstances of Alex's death into something it is not. But Felicity often tries, even if she may ultimately fail, to not become like her mother and to reject her influence and her alleged concern.

In her mother's case, the influence is alcohol which has led the very wealthy Mrs. Morrow to destroy many priceless pieces of art and forego her parental responsibilities. For Felicity's case, the influence is something dark that whispers to her. It may or may not have inadvertently led to Alex's death. But it certainly led to Ellis's. And that second event seems to have emptied Felicity of all inertia and some degree of humanity.

At the epilogue, some time has passed since the events of the book. Felicity has a new girlfriend and a new life in London. She seems both committed and haunted at the same time. Committed to the dark whispering that suggests her relationship has an expiry date and feeling no guilt that she will break her girlfriend's heart. Haunted, because when she sees Ellis's posthumous literary masterpiece, dedicated to her, out in the book store, she cannot even bring herself to look at it.

Maybe at the end, A Lesson In Vengeance isn't about the witches of Dalloway and the curse, but about how ruin can sprout from tragedy and then spread like a disease, infecting those closest to them with a nihilism that eats away at their humanity and their ability to see human suffering. All in all, A Lesson In Vengeance has some quality thrills and is a more than enjoyable, if not entirely convincing romp featuring two characters with tragic pasts who feel compelled to do horrible things to each other.

Notes - I keep thinking of this as a movie, because movies don't have to make as much sense and because actors are magic. Shout out to Piper Laurie, who played Carrie's mum like she was in a dark comedy, because she found the script so operatic and over-the-top. Casting Felicity is going to be a challenge because she is kind of a calm ocean with chaos roiling underneath. - I'm also wondering if there was a better way to reveal who Ellis really is and how damaged she is, outside of that conversation with her sibling. I'm thinking of the scrabble scene in Rosemary's Baby, which was so beautifully dramatic and darkly funny. (Obligatory fuck you to Roman Polanski, obviously.)