What initially starts off as an imperfect blend of Tart's The Secret History and a low fantasy setting akin to Clarke's Jonathan Strange & Mr. Norrell slowly shifts to its actual subject: colonialism. Seen through the lens, not of white saviours nor the faraway colonial subjects, but of it's unique product: people of both worlds, forcefully transplanted, with all the twisted allegiances that come with it. The last third act of the book explodes into a study about struggle and violence, the interwoven working of class and empire, in a way that is seldomly seen in (Western) fiction literature and for this fact alone this book deserves praise and commendation.