Nu Nu Yi begins the story by threading through a handoff of perspectives between those at the Taungbyon festival: from a pickpocket, to a wealthy woman asking for good fortune, to the spirit wives themselves, all tied to this event. Toward the latter half of the story, we are set through a drama focusing on Daisy Bond in particular into the end of the festival period. As a whole it's not too long of a read and does well to propel you to another world that pulls the curtains back behind a festival, showing what people are really thinking when it comes to spirits, love, wealth, and power.

The Taungbyon festival is not something that my family participated in, yet it's one of my main connections to queer trans history in Myanmar. Natkadaws are spirit wives, composed of effeminate gay men, trans women, others elsewhere and in between, and those who are not a part of that at all—but are looking to profit off the festival. It is difficult to read this book with the way it captures the queerphobia and transphobia that has it mark on the majority of people in society. I see how my family might struggle to imagine I might be anything like them. If not for their role as spirit wives, their identities would not hold them to any standard of acknowledgement, though given it is driven by the colonizers discretion, this didn't necessarily leave them any better off. I wonder what those festivals might be like now with the most recent coup and pandemic; it would be hard to get any of my family to tell me.