*Destroyer* is a much more traditional braided novel, moving swiftly amongst the characters and periodically jumping back in time to the era of American slavery, retelling the story of the settlement of the Great Dismal swamp by escaped slaves.

https://pluralistic.net/2023/02/21/the-horror-of-white-magic/#anti-lovecraftian

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III. Scholomance by @naominovik

The wizards of the world live in constant peril from maleficaria – the magic monsters that prey on those born with magic, especially the children. In a state of nature, only one in ten wizard kids reaches adulthood.

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So the wizarding world built the Scholomance, a fully automated magical secondary school that exists in the void – a dimension beyond our world. The Scholomance is also an extremely dangerous place – three quarters of the wizard children who attend will die before graduation – but it is much safer than life on the outside.

https://pluralistic.net/2023/03/29/hobbeswarts/#the-chosen-one

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IV. Tsalmoth by #StevenBrust

Longrunning Brust hero Vlad Taltos has been convinced to recount the story of how he and Cawti came to fall in love, and how they planned their marriage. This is quite an adventure – it plays out against the backdrop of a gang-war within the Jhereg organization, with Vlad in severe mortal peril that he can only avoid by uncovering an intricate criminal caper of crosses, double-crosses, smuggling and sorcery.

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But while Vlad is dodging throwing knives and lethal spells (or not!), what's *really* going on is that he and Cawti are falling deeply, profoundly, irrevocably in love. The romance that plays out among the blades and magic is more magical still, a grand passion that expresses itself through Nick-and-Nora wordplay and Three Musketeers swordplay.

https://pluralistic.net/2023/05/27/mannerpunk/#ask-anyone

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There's Raisa Hopeland, who belongs to a globe-spanning, mystical "family," that's one part mutual aid, one part dance music subculture, and one part sorcerer (some Hopelanders are electromancers, making strange, powerful magic with Tesla coils). Amon is a composer and DJ who specializes in making music for very small groups of people – preferably just one person – that is so perfect for them that they are transformed by hearing it.

https://pluralistic.net/2023/05/30/electromancy/#the-grace

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VI. The World Wasn't Ready For You by #JustinCKey

These are horror stories, though some of are sf too, and more to the point, they're Black horror stories. In his afterword, Key writes about his early fascination with horror, the catharsis he felt in watching nightmares unspool on screen or off the page. And then, he writes, came the dawning recognition that the Black characters in these stories were always there as cannon-fodder, often nameless, usually picked off early.

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"Black horror" isn't merely parables about racism. In the deft hands of these writers – and now, Key – the stories are horror in which Blackness is a fact, sometimes a central one, and that fact is ever a complication, limiting how the characters move through space, interact with authority, and relate to one another.

https://pluralistic.net/2023/09/19/justin-c-key/#clarion-west-2015

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VII. Liberty's Daughter by @naomikritzer

There's so much sf about "competent men" running their families with entrepreneurial zeal, clarity of vision and a firm confident hand. But there's precious little fiction about how much being raised by a Heinlein dad would *suuuck*. But it would, and in *Liberty's Daughter*, we get a peek inside the nightmare.

https://pluralistic.net/2023/11/21/podkaynes-dad-was-a-dick/#age-of-consent

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NONFICTION

I. The Once and Future Sex by #EleanorJaneaga

A history of gender and sex in the medieval age, describing the weird and horny ways of medieval Europeans, which are far gnarlier and more complicated than the story we get from "traditionalists" who want us to believe that their ideas about gender roles reflect a fixed part of human nature, and that modern attitudes are an attempt to rewrite history:

https://pluralistic.net/2023/01/17/ren-faire/#going-medieval

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