VIII. Your Face Belongs to Us by @kashhill

A tell-all history of Clearview AI, the creepy facial recognition company whose origins are mired in far-right politics, off-the-books police misconduct, sales to authoritarian states and sleazy one-percenter one-upmanship. Facial recognition is now so easy to build that – Hill says – we're unlikely to abolish it, despite all the many horrifying ways that FR could fuck up our societies.

https://pluralistic.net/2023/09/20/steal-your-face/#hoan-ton-that

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IX. Blood In the Machine by @brianmerchant

The definitive history of the Luddites, and the clearest analysis of the automator's playbook, where "entrepreneurs'" lawless extraction from workers is called "innovation" and "inevitable." Luddism has been steadily creeping into pro-labor technological criticism, as workers and technology critics reclaim the term and its history, which is a rich and powerful tale of greed versus solidarity, slavery versus freedom.

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Luddites are not – and have never been – anti-technology. Rather, they are pro-human, and see production as a means to an end: broadly shared prosperity. The automation project says it's about replacing humans with machines, but over and over again – in machine learning, in "contactless" delivery, in on-demand workforces – the goal is to turn humans into machines.

https://pluralistic.net/2023/09/26/enochs-hammer/#thats-fronkonsteen

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X. Technofeudalism by #YanisVaroufakis

Varoufakis makes an excellent case that capitalism died a decade ago, turning into a new form of feudalism: technofeudalism. A feudal society is one organized around people who own things, charging others to use them to produce goods and services. In a feudal society, the most important form of income isn't profit, it's rent.

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Varoufakis likens shopping on Amazon to visiting a bustling city center filled with shops run by independent capitalists. However, all of those capitalists are subservient to a feudal lord: Jeff Bezos, who takes 51 cents out of every dollar they bring in, and furthermore gets to decide which products they can sell and how those products must be displayed.

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XI. Underground Empire by @henryfarrell and #AbrahamNewman

Two political scientists tell the story of how global networks were built through accidents of history, mostly by American corporations and/or the American state. The web was built by accident, but the spider at its center was always the USA. At various junctures since the Cold War, American presidents, spies and military leaders have noticed this web and tugged it. A tariff here, a sanction there, then an embargo.

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The NSA turns the internet into a surveillance grid and a weapon of war. The SWIFT system is turned into a way to project American political goals around the world – first by blocking transactions for things the US government disfavors, then to cut off access for people who do business with people who do things that the US wants stopped.

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Political science, done right, has the power to reframe your whole understanding of events around you. Farrell and Newman set out a compelling thesis, defend it well, and tell a fascinating tale.

https://pluralistic.net/2023/10/10/weaponized-interdependence/#the-other-swifties

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XII. How Infrastructure Works by @debcha

A hopeful, lyrical – even beautiful – hymn to the systems of mutual aid we embed in our material world, from sewers to roads to the power grid. It's a book that will make you see the world in a different way – forever. It's a bold engineering vision, fusing Chachra's material science background, her work as an educator, her activism as an anti-colonialist feminist. The way she lays it out is just…breathtaking.

https://pluralistic.net/2023/10/17/care-work/#charismatic-megaprojects

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GRAPHIC NOVELS

I. Shubiek Lubiek by #DeenaMohamed

An intricate alternate history in which wishes are real, and must be refined from a kind of raw wish-stuff that has to be dug out of the earth. Naturally, this has been an important element of geopolitics and colonization, especially since the wish-stuff is concentrated in the global south, particularly Egypt, the setting for our tale.

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