‘So what’s this book about, then?’

It’s about the vital message that the stiff lips of decapitated men still shape; the testament of black and spectral dogs written in piss across our bad dreams. It’s about raising the dead to tell us what they know. It is a bridge, a crossing-point, a worn spot in the curtain between our world and the underworld, between the mortar and the myth, fact and fiction, a threadbare gauze no thicker than a page. It’s about the powerful glossolalia of witches and their magical revision of the texts we live in.

None of this is speakable. Instead, deliberate and gecko-eyed evasion: ‘Well, it’s difficult to say until it’s finished.’

I had always been hesitant to read this book because it felt like I would be found wanting in my inability to appreciate a book by a writer I have grown up with. But once you get past the baffling, mind-altering first chapter, Voice of the Fire becomes a gravity-defying leap through time, a roller-coaster pummeling of one's intestines and cranial matter.And scattered among its passages of creeping revelations and slow-burn narratives are moments of pure farce and LOLity. I should have known. It's Alan Fuckin' Moore, after all.

I think, perhaps, too oft on women for my years. The maddening petticoated presence of them, every sweep and swish a brush-stroke on the sweltering canvas of my thoughts. Their sag and swell. Their damp and occult hinges where they open up like wicked, rose-silk Bibles, or their smocks, rime-marbled underneath the arms. Their ins and outs. Their backs. Their forths. Warm underhangs and shrew-skin purses, dewed with bitter gold. Imagined, they burn fierce and sputtering, singing, incandescent in my prick, my centre. I may close the lid upon this snuff-box filled with nymphs, yet in my dreams its clasp is broke and its contents not so quickly shut away.

Once, I believed that when I’d grown into a man and married, I’d be plagued no more by the incessant posturings and partyings of my bordello mind. I would no longer suffer the relentless elbow-cramping visitations of these succubi, that mapped the foam-splashed shorelines of my passion; penned their snail cartographies upon my sheets and clouded my good sense with humid, feverish distractions. So I hoped, but it was not to be. Though wed with an obliging wife whose cosy hole was made a velvet-curtained stage where to play out my lewdest skits, the tide of jiggling shadow-pictures did not ebb, but only boomed the louder in those bed-wrapped, warm-lapped latitudes upon the shores of sleep above the snore of spouse and cot-bug’s measured tick. Denied thus any hope of swift reprieve from satyriasis, I sought to slake my thirst for carnal novelty with whores and serving-maids. When this did little more than whet an appetite already swollen, I drew consolation from the thought that soon I should be old, the imprecations of John Thomas surely grown more faint and hopeless, easily ignored.