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Margaret Atwood: Oryx and Crake (Hardcover, 2003, Nan A. Talese) 4 stars

Margaret Atwood's classic novel The Handmaid's Tale is about the future. Now, in Oryx and …

Review of 'Oryx and Crake' on 'Goodreads'

5 stars

Wow. Oryx and Crake is a masterpiece of literature. I almost didn't read it because of my disappointment in [b:The Blind Assassin|78433|The Blind Assassin|Margaret Atwood|http://ecx.images-amazon.com/images/I/416HQRCQjnL.SL75.jpg|3246409], which I mention not to further disparage but rather because I'm the third person I've spoken to who feels similarly, and I would hate for anyone else to miss out.

Oryx and Crake is phenomenal. Yes, it hits on the major tropes of our time: commercialization, corporate ownership (of ideas, culture, people), isolation via computers and instant gratification and, of course, genetic engineering. And in all of those areas, Atwood draws apt, occasionally chill-worthy parallels. Even without agreeing with all of her conclusions, the skill is evident. But nearly all of those points have been made by roughly a trillion other dystopic fantasy novels and reading it yet another time, even if superlatively done, would not be worth it in and of itself.

Rather, where Atwood shines is the novel's treatment of existential questions: how easy it is to exterminate a species, a language, a culture, an idea. How irrevocable extinguishing something can be. And yet, underneath that, the converse: how honed the survival mechanism is. How a single organism still carrying a philosophy can seed it universally until it is impossible to extricate. These ideas are so fascinating that I spent probably hours with Oryx and Crake propped on my lap thinking about the implications.

The other existential theme is what the nature of humanity really is and what can be sanitized to make a better world versus what are the qualities that are necessary to call a being actually human. Atwood's handling of these themes is unapproached by any other modern novel, making Oryx and Crake a must-read for everyone.