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sidra

sidra@bookwyrm.social

Joined 2 years, 6 months ago

I read sometimes.

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Review of 'When We Dead Awaken' on 'Storygraph'

IRENE. We see the irretrievable only when—
Breaks off.
PROFESSOR RUBEK. (Looks inquiringly at her.) When—?
IRENE. When we dead awaken.
PROFESSOR RUBEK. (Shakes his head mournfully.) What do we really see then?
IRENE. We see that we have never lived.
She goes towards the slope and descends.

Andrea Gibson's dynamic and energetic first book, Pole Dancing to Gospel Hymns, challenges us …

Review of 'Pole Dancing to Gospel Hymns' on 'Storygraph'

Our sky is so perfectly blue it’s repulsive.
Somebody tell me where god lives
‘cause if god is truth, god doesn’t live here.
Our lies have seared the sun too hot to live by.

Hanif Abdurraqib: The Crown Ain't Worth Much (2016, Button Poetry)

The Crown Ain't Worth Much, Hanif Abdurraqib's first full-length collection, is a sharp and vulnerable …

Review of "The Crown Ain't Worth Much" on 'Storygraph'

and we are only 19 and not yet saddled with the burdens of our parents except for in the middle of some nights, when the loneliness slides itself along our necks like a crucifix and we gasp for anything familiar,


isn’t it funny how art most imitates life when a black body is being drained of it? how easily we can imitate that which is never coming back again to claim its space?

Mahmoud Darwish: Almond Blossoms (2009, Interlink Books)

Review of 'Almond blossoms and beyond' on 'Storygraph'

If the world does not break into song now,
on this morning,
it will never sing.

If a writer were to compose a successful piece
describing an almond blossom, the fog would rise
from the hills, and people, all the people, would say:
This is it.
These are the words of our national anthem.

The dream must guide the dreamers
like inspiration-and with a sigh-
Take my hand, impossible thing!
And he disappeared, as legends do.
He did not win to die, nor lose to live.

I knew the end of the journey from the first step,
he says to himself.
I have not withdrawn from the world,
nor have I gotten closer to the world.

There is no reason why poetry
should not falter in telling its story and beware of
an amazing flaw in the image.

But lust for life, even with no satisfying proofs,
is stronger than …

Anne Carson: Short Talks (Paperback, 1992, Brick Books)

Review of 'Short Talks' on 'Storygraph'

Introduction to the book: "I will do anything to avoid boredom. It is the task of a lifetime. You can never know enough, never work enough, never use the infinitives and participles oddly enough, never impede the movement harshly enough, never leave the mind quickly enough."

sold.

Maggie Nelson, Maggie Nelson: Bluets (Paperback, 2009, Wave Books)

Suppose I were to begin by saying that I had fallen in love with a …

Review of 'Bluets' on 'Storygraph'

Didn't really enjoy this one. It is intriguing, reading a book written only about a colour. But at the same time I feel as if the author was trying too hard. The writing style was good, though. It's a new way I've explored of expressing oneself. But the thoughts, opinions, comments (? Idk, honestly) did not really seem to connect (at least to me) and were way too random and seem to come one after the other without any purpose whatsoever.

reviewed The blood of Adonis by Adūnīs (Pitt poetry series)

Adūnīs: The blood of Adonis (1971, University of Pittsburgh Press)

Review of 'The blood of Adonis' on 'Storygraph'

This book is beyond rating, honestly.
Leaving certain excerpts here:

But still tomorrow builds into my face such island fortresses of silence that words find not a door to enter by.


And when I go, I close the door of the earth behind me.


The sun showed me its journal.
The white ink of my tears chaptered my history on those black pages.


I hear the voice of time in poems,


Refusal is my melody.
Words are my life,
and life is my disease.


and in my veins,
such love, such yearning ...


And I, rejection's master,
turn from my window,
shivering, to write my soul.