The theory Winner sets out in Brilliant Orange that the Dutch are particularly adept at the manipulation of space because of the way their flat, frequently flooded landscape forces them to manipulate space in everyday life is persuasive (and just as the Viennese coffeehouse writers saw a connection between Sindelar’s genius and their own literary output, it doesn’t seem a huge leap to see a relationship between the precise, glacial brilliance of Dennis Bergkamp and that of, say, Piet Mondriaan)

— Inverting the Pyramid by Jonathan Wilson (53%)