Jonathan Hartley rated The King Must Die: 5 stars

The King Must Die by Mary Renault
Historical fiction. Theseus, a prince of ancient Athens, is taken as a slave to the island of Crete, where he's …
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Historical fiction. Theseus, a prince of ancient Athens, is taken as a slave to the island of Crete, where he's …

Release date: July 10, 2001 The Bull from the Sea reconstructs the legend of Theseus, the valiant youth who slew …

The man he knew as “Control” is dead, and the young Turks who forced him out now run the Circus. …

Reamde is a speculative fiction novel by Neal Stephenson, published in 2011. The story, set in the present day, centers …

Neal Stephenson, J. Frederick George: The Cobweb (Paperback, 2005, Spectra)
From his triumphant debut with Snow Crash to the stunning success of his latest novel, Quicksilver, Neal Stephenson has quickly …

When a catastrophic event renders the earth a ticking time bomb, it triggers a feverish race against the inevitable. An …

Humanity has colonized the solar system—Mars, the Moon, the Asteroid Belt and beyond—but the stars are still out of our …

Combining complex science with skillfully executed prose, these edgy, award-winning tales explore the shifting border between the known and the …
Deeply memorable for the sequence during which eldritch magic unravels the minds of the protagonists, rendering the heart of their journey into the unknown as a series of discontinuous snapshots. Hinting at the events they battled through, but unable to face them directly, we see the fractured impressions and memories of those who survived to tell the tale. As recurringly the case with Moore, an attempt to explore the boundaries what comics as a medium are capable of.
Reminds me of the discontinuous jump cuts used to great effect (albeit with much reduced scope) in the videogame "Thirty flights of loving".
Deeply memorable for the sequence during which eldritch magic unravels the minds of the protagonists, rendering the heart of their journey into the unknown as a series of discontinuous snapshots. Hinting at the events they battled through, but unable to face them directly, we see the fractured impressions and memories of those who survived to tell the tale. As recurringly the case with Moore, an attempt to explore the boundaries what comics as a medium are capable of.
Reminds me of the discontinuous jump cuts used to great effect (albeit with much reduced scope) in the videogame "Thirty flights of loving".

It's been two months since a myriad of alien objects clenched about the Earth, screaming as they burned. The heavens …