Reviews and Comments

Urban Camera

urban_camera@bookwyrm.social

Joined 5 months, 1 week ago

Occasional Real World commentary on: mastodon.scot/@uc. Otherwise simply a literary work in progress from a writer, traveller, historian, lover of literature, photographer, collector.

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Homer, Emily Wilson: The Odyssey (2017, Norton)

Marvellous

I rarely review, preferring to just read and enjoy. This work, however, revitalised my interest in the of the older texts from our distant history. The clear translation, precise wording and almost lyrical presentation was a joy to behold, to read, to savour.

Michael Robotham: Die Totgeglaubte (Paperback, German language, 2024, Goldmann) No rating

Psychothriller

The Last Quarter

No rating

This is the fourth book connecting Dr. Cyrus Haven and Evie Cormac, from the start of their relationship, through many hours of working to relieve Evie of her problems, to the final denouement in Scotland. The reader is carefully brought through a series of well explained, cleverly written and plausible events to the final opening of memories - good and bad - within Evie, her life and her origins. Over four books, Robotham manages to create characters where none is the main figure, each has their own worth within the storyline, each forms an impression on the reader which remains, which is active.

An excellent series, of which Die Totgeglaubte (Storm Child) is possibly the final episode. It is worthwhile reading all four chronologically, regardless of which language is chosen.

Chester B. Himes: If He Hollers, Let Him Go (2024, Penguin Books, Limited) No rating

Not For The Faint Hearted.

No rating

This was the first book Chester Himes had published, and it came out at a time of his life when thin gs were not as good as they could have been, and he might even have found himself in a similar situation to his main character, Robert Johnson. Fort anyone who does not know of the massive animosity between Black and White, the Jim Crow laws, the after effects of segregation, of slavery, this work is both an eye-opener, and something of a struggle to follow. It covers social truths from the point of view of a young Black man, caught in the grip of a highly racist society with a clearness, from his own standpoint, which grates, which surprises, which frustrates.

For younger readers not caught up in the sensibilities of what should and should not be said - the language is that of the Forties, with the constant …