In an unnamed Middle Eastern security state, a young Arab-Indian hacker shield his clients, dissidents, outlaws, Islamists, and other watched groups from surveillance and tries to stay out of trouble. He goes by Alif, the first letter of the Arabic alphabet, and a convenient handle to hide behind. The aristocratic woman Alif loves has jilted him for a prince chosen by her parents, and his computer has just been breached by the State's electronic security force, putting his clients and his own neck on the line. Then it turns out his lover's new fianc is the head of State security, and his henchmen come after Alif, driving him underground. When Alif discovers The Thousand and One Days , the secret book of the jinn, which both he and the Hand suspect may unleash a new level of information technology, the stakes are raised and Alif must struggle for life or …
In an unnamed Middle Eastern security state, a young Arab-Indian hacker shield his clients, dissidents, outlaws, Islamists, and other watched groups from surveillance and tries to stay out of trouble. He goes by Alif, the first letter of the Arabic alphabet, and a convenient handle to hide behind. The aristocratic woman Alif loves has jilted him for a prince chosen by her parents, and his computer has just been breached by the State's electronic security force, putting his clients and his own neck on the line. Then it turns out his lover's new fianc is the head of State security, and his henchmen come after Alif, driving him underground. When Alif discovers The Thousand and One Days , the secret book of the jinn, which both he and the Hand suspect may unleash a new level of information technology, the stakes are raised and Alif must struggle for life or death, aided by forces seen and unseen. With shades of Neal Stephenson, Neil Gaiman, Philip Pullman, and The Thousand and One Nights , Alif the Unseen is a tour de force debuta sophisticated melting pot of ideas, philosophy, religion, technology and spirituality smuggled inside an irresistible page-turner.
I'm a big fan of Ms. Marvel and wanted to give the book a shot. The book is a cyberpunk fantasy adventure novel with encryption and hacking themes in an Islamic/Hinduism context. Typically, most cyberpunk novels are written by men in a western context, making it hard to relate. This book speaks to my Indian background and gives me a charged reading experience full of gusto and feel. I quite like the interdisciplinary linkages to languages, scripts, and artificial intelligence.
A very fast paced book. The plot feels a bit on rails, and the computer stuff was a little... hand-wavy... but the juxtaposition of Alif's modernity with Dina's traditionalism, and the interplay between the old and new in the modern Gulf "City" was really refreshing. There is a nuanced cultural commentary in here, and I wish I had a better understanding of Islamic culture because I felt that some of Alif's character arc was over my head. I would totally read an annotated version of this.
Alif the Unseen is something truly unique -- an urban fantasy spin on djinns and the Arabian Nights from a Muslim author, set in the the modern Middle East/Arab world. It sits on the edge between the genres of urban fantasy and cyberpunk in a delightful way, with computer code invoking imagery of the worlds of djinn and fantastical creatures. Like good speculative fiction, Wilson uses the speculative elements to cast a light on aspects of "real life" in the modern world, namely surveillance and suppression of the populace as the true scourge of the Arab world, oppressive to both the religious and the secular.
In the praise column here is also Wilson's beautiful, nuanced, discussion of religion, belief and faith. She contrasts the beliefs of several characters who do and don't believe in religion and/or djinn to various degrees of literalism. This exploration is fascinating. Many of the ideas, …
Alif the Unseen is something truly unique -- an urban fantasy spin on djinns and the Arabian Nights from a Muslim author, set in the the modern Middle East/Arab world. It sits on the edge between the genres of urban fantasy and cyberpunk in a delightful way, with computer code invoking imagery of the worlds of djinn and fantastical creatures. Like good speculative fiction, Wilson uses the speculative elements to cast a light on aspects of "real life" in the modern world, namely surveillance and suppression of the populace as the true scourge of the Arab world, oppressive to both the religious and the secular.
In the praise column here is also Wilson's beautiful, nuanced, discussion of religion, belief and faith. She contrasts the beliefs of several characters who do and don't believe in religion and/or djinn to various degrees of literalism. This exploration is fascinating. Many of the ideas, such as how to believe in the fantastic are generalizable across religions. It also was fascinating as a discourse on Islam.
Usually, any truly unique book on my shelf gets four stars, and this is truly unique and well-done. However, there is a major drawback that I would feel remise if I didn't address, which is the female characters. I know that Wilson is much believed for her work on the Miss Marvel series, which I had not read. However, there is not a shred of evidence of feminism in this book. The female characters have no agency at all and exist largely to be sexualized/romanticized by the male characters who do have agency. No book needs to be perfect in every respect, but the extent to which female characters exist only for male gaze here is beyond just failing the Bechdel test and borders on disturbing.
