Badger AF reviewed Dear life by Alice Munro
Review of 'Dear life' on 'Goodreads'
4 stars
I enjoyed this collection of short stories, but they did not quite hit the high notes of much of her previous work.
319 pages
English language
Published Nov. 8, 2012 by McClelland & Stewart.
With her peerless ability to give us the essence of a life in often brief but spacious and timeless stories, Alice Munro illumines the moment a life is shaped -- the moment a dream, or sex, or perhaps a simple twist of fate turns a person out of his or her accustomed path and into another way of being. Suffused with Munro's clarity of vision and her unparalleled gift for storytelling, these stories (set in the world Munro has made her own: the countryside and towns around Lake Huron) about departures and beginnings, accidents, dangers, and homecomings both virtual and real, paint a vivid and lasting portrait of how strange, dangerous, and extraordinary the ordinary life can be.
I enjoyed this collection of short stories, but they did not quite hit the high notes of much of her previous work.
From what I remember, Jonathan Frantzen is a fan of Alice Munro. If you don't have enough time to read a novel, read a story by Alice Munro -- that's his advice as I understood it. And that's what I did and enjoyed. A story reads in three hours, ideal for a slow afternoon in the park at the weekend.
There is probably a deep analysis, or even several, to each story. I'm not going to try to analyse the stories here in this review now. What I like, what I admire, is how Munro manages to take me out of the role of reader. The stories touch me.
I read "Dear Life" and "Too Much Happiness" in parallel. Some stories I have read several times: "Train", "Dimensions", "In Sight of the Lake" (inside?).
These books will certainly stay on my shelf and I will pull them out from time …
From what I remember, Jonathan Frantzen is a fan of Alice Munro. If you don't have enough time to read a novel, read a story by Alice Munro -- that's his advice as I understood it. And that's what I did and enjoyed. A story reads in three hours, ideal for a slow afternoon in the park at the weekend.
There is probably a deep analysis, or even several, to each story. I'm not going to try to analyse the stories here in this review now. What I like, what I admire, is how Munro manages to take me out of the role of reader. The stories touch me.
I read "Dear Life" and "Too Much Happiness" in parallel. Some stories I have read several times: "Train", "Dimensions", "In Sight of the Lake" (inside?).
These books will certainly stay on my shelf and I will pull them out from time to time.
1) "Once in a while I skipped lunch, even though it was part of my salary. I went in to Amundsen, where I ate in a coffee shop. The coffee was Postum and the best bet for a sandwich was tinned salmon, if they had any. The chicken salad had to be looked over well for bits of skin and gristle. Nevertheless I felt more at ease there, as if nobody would know who I was.
About that I was probably mistaken.
The coffee shop didn't have a ladies' room, so you had to go next door to the hotel, then past the open door of the beer parlour, always dark and noisy and letting out a smell of beer and whisky, a blast of cigarette and cigar smoke fit to knock you down. Nevertheless I felt easy enough there. The loggers, the men from the sawmill, would never yelp …
1) "Once in a while I skipped lunch, even though it was part of my salary. I went in to Amundsen, where I ate in a coffee shop. The coffee was Postum and the best bet for a sandwich was tinned salmon, if they had any. The chicken salad had to be looked over well for bits of skin and gristle. Nevertheless I felt more at ease there, as if nobody would know who I was.
About that I was probably mistaken.
The coffee shop didn't have a ladies' room, so you had to go next door to the hotel, then past the open door of the beer parlour, always dark and noisy and letting out a smell of beer and whisky, a blast of cigarette and cigar smoke fit to knock you down. Nevertheless I felt easy enough there. The loggers, the men from the sawmill, would never yelp at you the way the soldiers and the airmen in Toronto did. They were deep down in a world of men, bawling out their own stories, not here to look for women. Possibly more eager in fact to get away from that company now or forever."
-Amundsen
2) "And that was what had happened. Isabel had failed to wake up that morning and had been moved to another floor, where it seemed they stashed the people who had no chance of improving—even less chance than those in the previous room—but were refusing to die.
'You might as well go home,' they told him. They said that they would get in touch if there was any change.
That made sense. For one thing, he had used up all his time in the relatives' housing. And he had more than used up his time away from the police force in Maverley. All signs said that the right thing to do was to go back there.
Instead, he stayed in the city. He got a job with the hospital maintenance crew, cleaning and clearing and mopping. He found a furnished apartment, with just essentials in it, not far away."
-Leaving Maverley
3) "Jackson himself was the son of a plumber. He had never been in a stable in his life or herded cows or stooked grain. Or found himself as now stumping along a railway track that seemed to have reverted from its normal purpose of carrying people and freight to become a province of wild apple trees and thorny berry bushes and trailing grapevines and crows—he knew that bird at least—scolding from perches you could not see. And right now a garter snake slithering between the rails, perfectly confident he won't be quick enough to tramp on and murder it. He does know enough to figure that it's harmless, but the confidence riles him."
-Train
4) "He said that he had been called away, without indicating why or where to. He emptied his bank account and packed the few things belonging to him. In the evening, late in the evening, he got on the train.
He slept off and on during the night and in one of those snatches he saw the little Mennonite boys go by in their cart. He heard their small voices singing.
In the morning he got off in Kapuskasing. He could smell the mills, and was encouraged by the cooler air. Work there, sure to be work in a lumbering town."
-Train
5) "Where the shops finally did peter out there were some cabins. Empty, boards nailed across their windows, waiting to be demolished. Where people used to stay on humbler holidays, before the motels. And then I remembered that I too had stayed there. Yes, in one of those places when they were reduced—maybe it was the off-season—reduced to taking in afternoon sinners and I had been one of them. I was still a student teacher and I would not even have remembered that it was in this town if it wasn't for something about those now boarded-up cabins. The man a teacher, older. A wife at home, undoubtedly children. Lives to be tampered with. She mustn't know, it would break her heart. I didn't care in the least. Let it break."
-Dolly
6) "I lived when I was young at the end of a long road, or a road that seemed long to me. Back behind me, as I walked home from primary school, and then from high school, was the real town with its activity and its sidewalks and its streetlights for after dark. Marking the end of town were two bridges over the Maitland River: one narrow iron bridge, where cars sometimes got into trouble over which one should pull off and wait for the other, and a wooden walkway which occasionally had a plank missing, so that you could look right down into the bright, hurrying water. I liked that, but somebody always came and replaced the plank eventually.
Then there was a slight hollow, a couple of rickety houses that got flooded every spring, but that people—different people—always came and lived in anyway. And then another bridge, over the mill race, which was narrow but deep enough to drown you. After that, the road divided, one part of it going south up a hill and over the river again to become a genuine highway, and the other jogging around the old fairgrounds to turn west.
That westward road was mine.
[...]
Our house would not have been one of the very first houses in that early settlement, because it was covered with brick, and they were all just wood, but it had probably gone up not long afterwards. It turned its back on the village; it faced west across slightly downsloping fields to the hidden curve where the river made what was called the Big Bend. Beyond the river was a patch of dark evergreen trees, probably cedar but too far away to tell. And even farther away, on another hillside, was another house, quite small at that distance, facing ours, that we would never visit or know and that was to me like a dwarf's house in a story. But we knew the name of the man who lived there, or had lived there at one time, for he might have died by now. Roly Grain, his name was, and he does not have any further part in what I'm writing now, in spite of his troll's name, because this is not a story, only life."
-Dear Life
7) "I did not go home for my mother's last illness or for her funeral. I had two small children and nobody in Vancouver to leave them with. We could barely have afforded the trip, and my husband had a contempt for formal behaviour, but why blame it on him? I felt the same. We say of some things that they can't be forgiven, or that we will never forgive ourselves. But we do—we do it all the time."
-Dear Life
You can't say 'meh' about someone who writes as sparingly beautiful as Munro, but Dear Life is nearly devoid of moments. (I was stuck thinking "moments of ....?" and had to just stop at "moments.") There just isn't much there beyond Munro stringing along nicely constructed paragraphs. What I hope is that these are glimpses of characters and stories, continuations of plots she's already covered, for those steeped in her literature, like the bonus DVD of her career. Maybe it's a little love letter to Canada, but if it is, well, um, it sounds like a lovely quaint place. (And I'll just leave it at that.)
TOB judges, if this is up against a novel that knocks it out of the park, don't award extra credit for having a powerhouse name on the dust jacket.