Ocaña reviewed El gato que amaba los libros by Sosuke Natsukawa
Bueeeeeeno
2 stars
No recuerdo cómo llegó este libro hasta mí. Bueeeno, sencillote. Na más
Hardcover, 208 pages
Published Dec. 7, 2021 by HarperVia.
Grandpa used to say it all the time: books have tremendous power. But what is that power really?
Natsuki Books was a tiny second-hand bookshop on the edge of town. Inside, towering shelves reached the ceiling, every one crammed full of wonderful books. Rintaro Natsuki loved this space that his grandfather had created. He spent many happy hours there, reading whatever he liked. It was the perfect refuge for a boy who tended to be something of a recluse.
After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people who have imprisoned, mistreated and betrayed them. Finally, there is one last …
Grandpa used to say it all the time: books have tremendous power. But what is that power really?
Natsuki Books was a tiny second-hand bookshop on the edge of town. Inside, towering shelves reached the ceiling, every one crammed full of wonderful books. Rintaro Natsuki loved this space that his grandfather had created. He spent many happy hours there, reading whatever he liked. It was the perfect refuge for a boy who tended to be something of a recluse.
After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people who have imprisoned, mistreated and betrayed them. Finally, there is one last rescue that Rintaro must attempt alone . . .
The Cat Who Saved Books is a heart-warming story about finding courage, caring for others – and the tremendous power of books. Sosuke Natsukawa's international bestseller, translated from Japanese by Louise Heal Kawai, is a story for those for whom books are so much more than words on paper.
No recuerdo cómo llegó este libro hasta mí. Bueeeno, sencillote. Na más
A cat and a little bookstore - what's not to like? The story evoked a lot of visual imagery for me. It was easy to imagine, for example, a stop motion version of the story playing out while reading it. The main character is awkward indecisive, but earnest and well-meaning. He may come across as judgemental because of his love of specific types of books and how they should be treated, but he doesn't do so to be spiteful and superior - it's just what he believes. A pleasant, light read with some deeper thoughts about today's world and literature.
I'm wondering if the translation missed something? idk.
Rintaro ha perdido a su abuelo, quien se encargó de él desde la muerte de sus padres. Ahora está a cargo de la Librería Natsuki, una librería de segunda mano en que ha disfrutado de muchas lecturas y que le ha servido de refugio ante el mundo. Siempre ha sido un hikikomori (término japonés usado para referirse a personas que han decidido apartarse de la vida social y vivir en condiciones de aislamiento), y ahora debe decidir que hará con su vida; cerrará la librería para irse con su tía, o continuará ahí manteniendo el legado de su abuelo.
A su lado estará un gran gato atigrado que se le aparece en los momentos precisos para guiarlo por tres laberintos con el fin de que resuelva ciertos dilemas que tienen que ver con el uso que se da a los libros, determinando su compromiso con la librería del abuelo. Pero …
Rintaro ha perdido a su abuelo, quien se encargó de él desde la muerte de sus padres. Ahora está a cargo de la Librería Natsuki, una librería de segunda mano en que ha disfrutado de muchas lecturas y que le ha servido de refugio ante el mundo. Siempre ha sido un hikikomori (término japonés usado para referirse a personas que han decidido apartarse de la vida social y vivir en condiciones de aislamiento), y ahora debe decidir que hará con su vida; cerrará la librería para irse con su tía, o continuará ahí manteniendo el legado de su abuelo.
A su lado estará un gran gato atigrado que se le aparece en los momentos precisos para guiarlo por tres laberintos con el fin de que resuelva ciertos dilemas que tienen que ver con el uso que se da a los libros, determinando su compromiso con la librería del abuelo. Pero también está su compañera Sayo, que por su lado le ayudará a definir si el joven está listo para ser más sociable y aceptar salir de sus libros, compartir un poco más con los demás y con ello difundir el legado real de su abuelo.
En fin, que se trata de una novela corta algo fantástica, cuestiona varios tópicos como los propósitos del mundo editorial, el poder de los libros, ¿se puede siempre aprender algo nuevo de los libros?, ¿se debe leer despacio y saboreando o es válida la lectura rápida? ¿Los libros que no se leen caen en el olvido? Así por el estilo son las inquietudes que se le presentan a Rintaro, incitándole al análisis que un joven adolescente puede plantearse y así buscar el equilibrio en su vida.
Es un libro sencillo, dirigido a niños o jovenes con inquietudes literarias.
Content warning Kitabın konusuyla ilgili spoi bulunmaktadır.
Kitapları Kurtaran Kedi, biz neden kitap okuruz sorusunun cevabını fantastik bir dünya üzerinden ele alarak anlatıyor. Kitapları gösteriş için okumak, kitap okumayı vakit kaybı olarak görüp özet peşinde koşmak ve yayınevlerinin zarar elde etmemek için kolay anlaşılabilir kitapları satmasını eleştiren bu kitap, kitap okurken eğlenmeyi bize öğretiyor.
At times I felt this was verging on book snobbery. If people want to collect books as objects, speed read or publish books that make money (so that more books can be published!), that's all good. Making a kid read A Thousand Years of Solitude when they are struggling with it seems like a way to kill off a love of reading if you ask me. Towards the end it all felt like very mixed messaging. Should books evolve to survive or should we be just clinging on to the books of the past? I guess it would be a good book club discussion!
I must confess, I was a little disappointed in this book. I had somewhere read or heard an enthusiastic review, so my expectations were high, but it did not live up to them. The form was a rather fairly-tail like series of episodes which were essentially commentary on the publishing world. That meant the book had a certain simplicity and was easy to read, but it did lack depth. Ironically, one of the passages in the book complained that modern books are too easy to read and lack depth. Was this supposed to be ironic? I was not very convinced by some of the complaints against the publishing industry. For instance, that there is a preponderance of summaries and abbreviated texts these days. Maybe that is a feature of Japan today, but for me that sounded like the popularity of Reader's Digest books and magazines in the 1970s, which I …
I must confess, I was a little disappointed in this book. I had somewhere read or heard an enthusiastic review, so my expectations were high, but it did not live up to them. The form was a rather fairly-tail like series of episodes which were essentially commentary on the publishing world. That meant the book had a certain simplicity and was easy to read, but it did lack depth. Ironically, one of the passages in the book complained that modern books are too easy to read and lack depth. Was this supposed to be ironic? I was not very convinced by some of the complaints against the publishing industry. For instance, that there is a preponderance of summaries and abbreviated texts these days. Maybe that is a feature of Japan today, but for me that sounded like the popularity of Reader's Digest books and magazines in the 1970s, which I am not sure even exists any more (apparently it still does, but I haven't seen one for years). Likewise, speed reading is a phenomenon that I thought was from a few years back.
Another complaint is that the publishers focus on what people like to read rather than books that would be good for them, more difficult books. Firstly, I am not enthusiastic about that sort of elitism, reading is reading, and secondly that is also not something that I actually observe. Yes, there is a huge variety of popular books published, more than ever before I believe, but there are also plenty of more challenging books available as well.
The first issue was one I had some sympathy with. The person they met had the feeling that there were so many new books that it was a struggle to keep up with all you wanted to read, and that because of that they would rather read a new book than re-read an old one. The answer was to do more re-reading, but the author didn't go into any depth about the issue, so wasn't really much help. Should I perhaps have re-read another book instead of reading The Cat Who Saved Books?