This Is How You Lose the Time War

English language

Published April 16, 2020

ISBN:
978-1-5344-3099-0
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5 stars (7 reviews)

This Is How You Lose the Time War is a 2019 science fiction epistolary novel by Amal El-Mohtar and Max Gladstone. It was first published by Simon and Schuster. It won the BSFA Award for Best Shorter Fiction, the Nebula Award for Best Novella of 2019 and the 2020 Hugo Award for Best Novella.

2 editions

Great read, savored it to the last drop, took it as slow as I could

5 stars

Once into the flow of the correspondence, I knew I wanted to take it slow, only read on my commute, which is ideal given that the chapters are short and I could change trains or transports and divide the chapter into action and letter. I really loved the tone, story, the arch it builds, everything... This is certainly one I will revisit.. it's so imaginative and at the same time relatable.

Either too short, or too long.

No rating

I can't decide if this would have worked better (for me) as a short story, or a full length book. If it was longer, it could have expanded on it's ideas. If it had been shorter, it wouldn't have felt so repetetive.

There is some good ideas here, but they deserve better than being hand waved away. How do Red and Blue target their letters to each other across strands of time? If there are certain contested junctures in time, shouldn't they be swarmed with agents, and multiple aspects of the same agents? If the protagonists are just cogs in two massive opposing machines battling for supremacy over all time - why does it seems like they are the only two operators in the field?

I'm not saying this is a bad book, there is a lot good writing here. But it didn't work for me. Two highly subjective stars. …

Weird and beautiful but not always up to its own ambition

4 stars

The letters that make up about half of this book are gorgeously written, and I love the story they tell. The basic idea of the time war is clever, and the descriptions of placetimes the characters find themselves in evocative, sometimes reminiscent of Calvino's Invisible Cities. I devoured this book in a few days.

And yet... something about it felt a little thin or hollow behind its fireworks. I think it was a good artistic choice to leave all technical details out, but I couldn't help but get hung up on the time paradoxes. Not that it's the authors' responsibility to necessarily avoid or solve them, but for me personally they intruded on the suspension of disbelief.

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4 stars