Le Ton Beau De Marot

In Praise of the Music of Language

632 pages

English language

Published May 11, 1998 by Basic Books.

ISBN:
978-0-465-08645-0
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4 stars (4 reviews)

Lost in an art—the art of translation. Thus, in an elegant anagram (translation = lost in an art), Pulitzer Prize-winning author and pioneering cognitive scientist Douglas Hofstadter hints at what led him to pen a deep personal homage to the witty sixteenth-century French poet Clément Marot.”Le ton beau de Marot” literally means ”The sweet tone of Marot”, but to a French ear it suggests ”Le tombeau de Marot”—that is, ”The tomb of Marot”. That double entendre foreshadows the linguistic exuberance of this book, which was sparked a decade ago when Hofstadter, under the spell of an exquisite French miniature by Marot, got hooked on the challenge of recreating both its sweet message and its tight rhymes in English—jumping through two tough hoops at once.In the next few years, he not only did many of his own translations of Marot's poem, but also enlisted friends, students, colleagues, family, noted poets, and …

3 editions

Review of 'Le Ton Beau De Marot' on Goodreads

5 stars

As "Godel Escher Bach" is to computation, "Le Ton beau de Marot" is to language. This is a large book - 600 pages, interleaved with 80 translations of the same short poem each with commentary - and a joy for anyone interested in language, translation, AI, or Hofstadter. For a shorter, more focused read you could try to limit yourself to the story of his life-long obsession with languages (chapters 2, 3, 6, 15), his profession and vocation in cognitive science and artificial intelligence (chapters 4, 11, 15, 16), or his love and collection of literature and their translations (chapters 5, 7-9, 14, 17), or even just read the variations on Clement Marot's "Ma Mignonne". In part this book is a rebuttal of John Searle's "Chinese Room" thought-experiment (focused in chapter 4), and in part about Hofstadter coming to terms with the sudden death of his wife Carol. This is …

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