Norman Spinrad's 1972 alternate history, gives us both a metafictional what-if novel and a cutting satire of one of the 20th century's most evil regimes . . .
In 1919, a young Austrian artist by the name of Adolf Hitler immigrated to the United States to become an illustrator for the pulp magazines and, eventually, a Hugo Award-winning SF author.
This volume contains his greatest work, Lord of the Swastika: an epic post-apocalyptic tale of genetic 'trueman' Feric Jagger and his quest to purify the bloodline of humanity by ruthlessly slaughtering races of the genetically impure - a quest Norman Spinrad expertly skewers through ironic imagery and over-the-top rhetoric.
Spinrad hoped to expose some unpalatable truths about much of SF and Fantasy literature and its uncomfortable relationship with fascist ideologies - an aim that was not always apparent to neo-fascist readers. In order to make his aims clear to the …
Norman Spinrad's 1972 alternate history, gives us both a metafictional what-if novel and a cutting satire of one of the 20th century's most evil regimes . . .
In 1919, a young Austrian artist by the name of Adolf Hitler immigrated to the United States to become an illustrator for the pulp magazines and, eventually, a Hugo Award-winning SF author.
This volume contains his greatest work, Lord of the Swastika: an epic post-apocalyptic tale of genetic 'trueman' Feric Jagger and his quest to purify the bloodline of humanity by ruthlessly slaughtering races of the genetically impure - a quest Norman Spinrad expertly skewers through ironic imagery and over-the-top rhetoric.
Spinrad hoped to expose some unpalatable truths about much of SF and Fantasy literature and its uncomfortable relationship with fascist ideologies - an aim that was not always apparent to neo-fascist readers. In order to make his aims clear to the hard-of-understanding, Spinrad added an imaginary critical analysis by a fictional literary scholar, Homer Whipple, of New York University.
Congratulations, Mr Spinrad. You can write disgusting fascist dreck.
That it is faked doesn’t mean it’s not disgusting.
So, yeah, important point to make about the stuff Cambell had published, but really, wouldn’t a short story have been enuf to make that point‽
Deeply complicated book that shines a light on the structural racism of much SFF yet still depends on the narrative desire of the very form it parodies.