Buffalo Is the New Buffalo

Alex Cabe reviewed Buffalo Is the New Buffalo by Chelsea Vowel

Uneven collection that often overexplained itself.

3 stars

Uneven collection that often overexplained itself.

The author really doesn't believe in "show don't tell" and footnoted and explained every little thing, especially in "Buffalo Bird". One egregious example: Text from story - "like a child hiding during a telling of the Rolling Head story" footnote: "The is a particularly terrifying sacred story that Cree and Métis people tell during the winter months." Yes, Chelsea, I gathered that from context!

Favorites were "Michif Man" and "Maggie Sue" (the latter I seem to like more than most reviewers). These had the most compelling characters and did the most conceptually.

Seeing some praise for "Unsettled", which I find surprising, I thought the worldbuilding there made little sense.

Wavered between 2 and 3, but it brought enough new and interesting ideas to the table for 3. Just wish the author let the reader figure it out a little more.

Eduardo Santiago reviewed Buffalo Is the New Buffalo by Chelsea Vowel

Review of 'Buffalo Is the New Buffalo' on 'Goodreads'

5 stars

Superb! Vowel describes her work as “Métis-futurist”; I find it difficult to pigeonhole because each story is so different in style and form. One common thread is Indigenous strength and agency in the face of crushing, often brutal, settler colonialism; another common factor is grace. Oh, and intelligence: Vowel is hella smart, but she writes in a way that brings the reader to her.

Some of the stories demand effort from the reader. Primary difficulty: language. Vowel liberally sprinkles Cree throughout, usually without translating, and often in contexts where the reader can get only a vague idea of the tone. I found this especially challenging because words like ‘kimiywêyihtên’ and ‘okanawêyihcikêwak’ do not register in my old brain. Secondary difficulty: the scholarly footnotes. They do add value in a few places, but their use in the first story is waaaaay excessive: “[20] (Vincent 2013) This is an accurate depiction of …

Superb! Vowel describes her work as “Métis-futurist”; I find it difficult to pigeonhole because each story is so different in style and form. One common thread is Indigenous strength and agency in the face of crushing, often brutal, settler colonialism; another common factor is grace. Oh, and intelligence: Vowel is hella smart, but she writes in a way that brings the reader to her.

Some of the stories demand effort from the reader. Primary difficulty: language. Vowel liberally sprinkles Cree throughout, usually without translating, and often in contexts where the reader can get only a vague idea of the tone. I found this especially challenging because words like ‘kimiywêyihtên’ and ‘okanawêyihcikêwak’ do not register in my old brain. Secondary difficulty: the scholarly footnotes. They do add value in a few places, but their use in the first story is waaaaay excessive: “[20] (Vincent 2013) This is an accurate depiction of where the moon would have been close to dawn in May in the northern hemisphere”?! Okay, she’s done her research, but please let the reader trust you, and get absorbed in the story, without breaking their reading flow.

Gripes over. And, the first story is by far the worst in that sense; I recommend reading it without the footnotes. It’s a worthwhile and lovely story -- and the following ones are even better.

kab

rated it

July 4, 2022

interlibraryprone

rated it

May 21

Buffalo Is the New Buffalo

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