Paperback, 297 pages
English language
Published Oct. 1, 2003 by Washington Square Press.
"No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out."
Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed …
"No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out."
Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form.
In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past." She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one.
"There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history," writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.
What a great story. I thoroughly enjoyed reading the story of Mineko Iwasaki's life. I don't have much to really say about this because I rarely have much to say about things I enjoy; I recommend it highly, though.
First off, unlike most of the other reviewers, I've actually never read [b:Memoirs of a Geisha|930|Memoirs of a Geisha|Arthur Golden|http://photo.goodreads.com/books/1157749066s/930.jpg|1558965]. I picked this up because I've always been curious about geishas and I have a love of memoirs.
I found Mineko's writing immediately engaging -- I think her skill as a geisha really comes out in the way she writes. Her words are precise, but captivating and she really captures the emotional tone of a scene.
Mineko's life is fascinating and otherworldly. She presents snippets of her life, leaving the reader to fill in details: a scene from her infancy, a scene from her toddlerhood, vignettes along the way to her being whisked into the secluded world of geisha-hood.
The book toes the line between a description of specifically Mineko's life and exposition of the life of a geisha. Unfortunately, by compromising in to the middle ground, it does an …
First off, unlike most of the other reviewers, I've actually never read [b:Memoirs of a Geisha|930|Memoirs of a Geisha|Arthur Golden|http://photo.goodreads.com/books/1157749066s/930.jpg|1558965]. I picked this up because I've always been curious about geishas and I have a love of memoirs.
I found Mineko's writing immediately engaging -- I think her skill as a geisha really comes out in the way she writes. Her words are precise, but captivating and she really captures the emotional tone of a scene.
Mineko's life is fascinating and otherworldly. She presents snippets of her life, leaving the reader to fill in details: a scene from her infancy, a scene from her toddlerhood, vignettes along the way to her being whisked into the secluded world of geisha-hood.
The book toes the line between a description of specifically Mineko's life and exposition of the life of a geisha. Unfortunately, by compromising in to the middle ground, it does an adequate job to both sides, but is stellar on neither. I learned a lot of the terminology, economy and practical matters that go into being a geisha; however, while Mineko states several times that she has a passion about the lack of education that geishas get, this passion is not demonstrated at all in the book and the emotions that the geishas have are obscured. Similarly, Mineko's decision to retire as a geisha and become an art dealer happens over the course of a mere handful of pages and seems to have no basis in the rest of the book.
Mineko also is very clearly a spoiled girl and woman, who is very used to being catered to. While she occasionally shows insight to that, there are also huge portions of the novel where she seems to have no insight, which left me wondering whether the injustices that she complains of were true, or figments of her unrealistic expectations.
