Loena reviewed Azadi: Freedom. Fascism. Fiction. by Arundhati Roy
None
5 stars
It is difficult to find words that describe the feelings caused from the reading of Roy's texts. Azadi presents a collection of essays mainly describing the political and social struggles currently occurring in India and the role of literature in these times. The situation she blatantly denounces is daunting. It is the story of India today, but also of all countries at one time or another, all continents, all occasions where people have focused on their differences and forgotten their commonalities. Will we ever learn to co-exist, to cherish the diversity and heterogeneity intrinsic to being human?
As distressing as the reading of this book is, I also find myself filled with admiration for this woman's strength, courage, and ability to write in the language of the soul.
"I have begun to wonder why fascism - although it is by no means the same everywhere - is so recognizable across …
It is difficult to find words that describe the feelings caused from the reading of Roy's texts. Azadi presents a collection of essays mainly describing the political and social struggles currently occurring in India and the role of literature in these times. The situation she blatantly denounces is daunting. It is the story of India today, but also of all countries at one time or another, all continents, all occasions where people have focused on their differences and forgotten their commonalities. Will we ever learn to co-exist, to cherish the diversity and heterogeneity intrinsic to being human?
As distressing as the reading of this book is, I also find myself filled with admiration for this woman's strength, courage, and ability to write in the language of the soul.
"I have begun to wonder why fascism - although it is by no means the same everywhere - is so recognizable across histories and cultures. It's not just the fascists that are recognizable - the strong man, the ideological army, the squalid dreams of Aryan superiority, the dehumanization and ghettoization of the 'internal enemy', the massive and utterly ruthless propaganda machine, the false-flag attacks and assassinations, the fawning businessmen and film stars, the attacks on universities, the fear of intellectuals, the spectre of detention camps, and the hate-fuelled zombie population that chants the Eastern equivalent of 'Heil! Heil! Heil!' It's also the rest of us - the exhausted, quarrelling opposition, the vain, nit-picking left, the equivocating liberals who spent years building the road that has led to the situation we find ourselves in, and are now behaving like shocked, righteous rabbits who never imagined that rabbits were an important ingredient of the rabbit stew that was always on the menu. And, of course, the wolves who ignored the decent folks' counsel of moderation and sloped off into the wilderness to howl unceasingly, futilely - and, if they were female, then 'shrilly' and 'hysterically' - at the terrifying, misshapen moon. All of us are recognizable.
So, at the end of it all, is fascism a kind of feeling - in the way anger, fear, and love are feelings - that manifests itself in recognizable ways across cultures? Does a country fall into fascism the way a person falls in love? Or, more accurately, in hate?"