Realistic Pessimist rated Realitäten: 5 stars

Realitäten by Ahmed Sadkhan, Ani Koshka, Awista Gardi, and 27 others
Queere Geschichten werden häufig von Menschen erzählt, die nicht queer sind – Zeit, sie selbst zu erzählen!
In diesem Sammelband …
Realistic Pessimist Locked account
BookLovingRealisticPessimist@bookwyrm.social
Joined 2 years, 5 months ago
Not very creative, not extraordinarily clued-up, but a decent human. Reads books / texts of all sorts in English and German. ❤️ for #dogs, #veganfood, #spreadsheets, #indiefiction
This link opens in a pop-up window
Queere Geschichten werden häufig von Menschen erzählt, die nicht queer sind – Zeit, sie selbst zu erzählen!
In diesem Sammelband …
As many before me have already summarised the plot of this book, I won't repeat that bit and jump right to my thoughts about it.
I don't agree with other readers who compare the relationship between Lydia and Caleb to humankind's destruction of the environment at all.
Rather the opposite: in an environment where there's nothing to hold on to and everything is collapsing, what is thought to be wrong could be the main ressource of stability.
When I started reading Cold New Climate I utterly underestimated it, wondering if it was a bit of a Sex and the City for Generation Z-types. But it soon grew out of this vibe.
Isobel Wohl composed two main characters who were shaped by the losses and their own struggles with the world and themselves to be drawn to each other by each coincidentally suffering another loss at a similar time. For the …
As many before me have already summarised the plot of this book, I won't repeat that bit and jump right to my thoughts about it.
I don't agree with other readers who compare the relationship between Lydia and Caleb to humankind's destruction of the environment at all.
Rather the opposite: in an environment where there's nothing to hold on to and everything is collapsing, what is thought to be wrong could be the main ressource of stability.
When I started reading Cold New Climate I utterly underestimated it, wondering if it was a bit of a Sex and the City for Generation Z-types. But it soon grew out of this vibe.
Isobel Wohl composed two main characters who were shaped by the losses and their own struggles with the world and themselves to be drawn to each other by each coincidentally suffering another loss at a similar time. For the first 2/3s of the book each of their personalities and psychological issues tie them together in a way that seems /is highly unhealthy. However, in a world of Harvey Weinsteins, high expectations of social functionality, environmental crisis and the decline of the ordered world, this fround upon relationship turns out to be a very stable construct to carry the two through decades. And just at a point where Caleb seems more stable and might be denied a life with a loving relationship in a romantic way, Wohl offers him exactly that and opens the door to a new life he could not have had at an earlier stage, a beautiful, kind, bitter-sweet ending for her first novel.
The only criticism I have is that it felt inconsistent to me how Caleb's mental health and medical needs seem to become irrelevant / inconsequential / undetectable from a stage of the plot where I would have expected them to be far more consequential and leaves gaps that can either be filled in a well-meaning way or raise the question how much of it was used for dramatic effect than with actual interest for the lifelong consequences of depression and addiction.
Wie alles von Sibylle Berg und auch der Roman GRM, auf den RCE als Teil zwei einer Trilogie folgt, geht es hier nicht um Optimismus, sondern einen kritischen Ritt durch eine nahe Zukunft, in die der gegenwärtige Zustand der Gesellschaften weltweit gemündet ist, gespickt mit bitterem Humor. Den braucht man auch, um den Blick auf das Verhandelte zu halten. Wieder mal unglaublich treffend und diesmal mit einem gnadenlos Cliffhanger...
Huck and Nadia are enjoying their twenties: working in Big Tech and developing an adventurous sex life. Together they fantasize …
It is a stunning and gut wrenching piece of literature about the horrible effect of homophobia and gender stereotyping. For me it left a bit of a bitter aftertaste that while male characters were granted more layers and depth in their struggles, female characters were almost turned into parodies which could be read as stereotyping in itself...
Nettles is a powerful exploration of memory and violence, excavating the stories we tell ourselves to escape our past.
A monologue/letter to the narrator's adoptive brother while she is trying to write a speech for his wedding.
She reflects about the issues regarding his adoption, her desperate attempts to get pregnant and their relationship as siblings.
There are many elements I like about this book, but for me, it felt like several interesting aspects were rather namedropped than fully discussed, while other aspects like a totally overblown and romanticised view of motherhood, certain gender stereotypes that come with it, and the connection to Christianity without much criticism annoyed me in the end. The home made pressure of over the top motherhood in combination with the idea of 'marrying and having children is what you do' set the scene for the narrators pain, distress and challenges. It felt exhausting to read.