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Han Kang: The Vegetarian (Hardcover, 2016, Hogarth) 4 stars

Translation of Ch'aesikchuĆ­ija (Published 2007 by Ch'angbi)

Review of 'The Vegetarian' on 'Storygraph'

4 stars

I picked a great read for my first Korean novella. The Vegetarian won last year's international Man Booker award, and was better the last Man Booker I read, Disgrace.

The prose here loses nothing in translation. I don't think I've read anything like it. If you took away the Benji part of The Sound and The Fury you might have an analog.

The book has three parts, narrated by a different person and centers around the decent of Yeong-hye an ordinary Korean wife who refuses to eat meat and is eventually institutionalized. The first part is told by who husband, who is the least crazy, but also a jerk. The second part Yeong-hye's brother in law who is an artist that lusts after her and is a little crazy. The last part is by her sister, In-hye, the closest to losing it like her sister.

The Sound and the Fury goes in the opposite direction from opaque to clear headed narrators and ends with resolution. The Vegetarian doesn't have a true resolution and leaves more questions open then open. However, both use the decline of a family to make allegorical the decline of a country.
There is certainly more eroticism in The Vegetarian, despite Faulkner's muddy underwear obsession.

The Sound and The Fury is probably a bad comparison, but I do think Han Kang is on the same level as Faulkner, with much clearer prose. That's backed up with the Man Booker, I'm looking forward to her publishing more in English. Han Kang takes on issues of Art, Sexuality, Patriarchy, Violence, Sanity, and Nationalism, just to name a few. The ending suggests there are no clear cut answer to the questions that trouble us most, the questions at the heart of our nature.