Corea es para las nuevas generaciones lo que Japón supuso para la nuestra, una cultura lejana y exótica que provoca fascinación. Y, al igual que sucede con Japón, la trastienda de esa sociedad oculta muchas miserias. Kang retrata sin ambages una sociedad machista y ultracapitalista donde los individuos no son más que meros engranajes desechables cuya única finalidad es mantener en marcha una enfermiza maquinaria.
One of my favorite short stories which I read in college was Melville's "Bartleby, the Scrivner." But Bartleby's got nothing on Yeong-hye. Her decision to become a vegetarian sends her family into a tailspin, as Han explores how an effort to renounce violence and reject the world's demands provokes a more and more violent reaction from those around her. Aspects of the story are absurd, but are told in a straight, just-the-facts-ma'am style that heightens the sense of how stark (yet simple) Yeong-hye's actions are. She determines, for her own reasons, to live as she wants, and the novel illustrates how challenging it is to take such a stance.
Un libro que no parece ser lo que se presenta. Tiene tres elementos bastante delimitados con respecto al ser humanos: un elemento superficial, otro más carnal y el último, más mental. A Freud le hubiese gustado.
First read: Finished this in two sittings, which is a record for me. This literally had me in a chokehold… So so emotional and thought provoking (and difficult to read). Definitely read the trigger warnings before reading
Second read: Holy shit I forgot how insane this book is
First read: Finished this in two sittings, which is a record for me. This literally had me in a chokehold… So so emotional and thought provoking (and difficult to read). Definitely read the trigger warnings before reading
Second read: Holy shit I forgot how insane this book is
die ersten zwei teile des buches waren für mich eine klare 4/5, aber dann kam der dritte und letzte teil (flaming trees) und das war für mich einfach soul crushing heart breaking gut wrenching, like i felt the pain and emptiness of this woman as it was my own - ich weine eigentlich selten wegen büchern, aber this one had me sobbing. for rememberance hier (out of context) ein paar textstellen, die mich besonders gebrochen haben, einfach nur für mich selbst
[it was a fact. she had never lived. even as a child, as far back as she could remember, she had done nothing but endure. she had believed in her own inherent goodness, her humanity, and lived accordingly, never causing anyone harm. her devotion to doing things the right way had been unflagging, all her success had depended on it, and she would have gone on like that indefinitely. …
die ersten zwei teile des buches waren für mich eine klare 4/5, aber dann kam der dritte und letzte teil (flaming trees) und das war für mich einfach soul crushing heart breaking gut wrenching, like i felt the pain and emptiness of this woman as it was my own - ich weine eigentlich selten wegen büchern, aber this one had me sobbing. for rememberance hier (out of context) ein paar textstellen, die mich besonders gebrochen haben, einfach nur für mich selbst
[it was a fact. she had never lived. even as a child, as far back as she could remember, she had done nothing but endure. she had believed in her own inherent goodness, her humanity, and lived accordingly, never causing anyone harm. her devotion to doing things the right way had been unflagging, all her success had depended on it, and she would have gone on like that indefinitely. she didn't understand why, but faced with those decaying buildings and straggling grasses, she was nothing but a child who had never lived.]
['was that it, mum? was this what made you laugh?']
['you see, it was just a dream.' but was that really true? right then, in the ambulance, she wasn't sure. had it really been just a dream, a mere coincidence? because that had been the morning when she turned her back on the sun as it rose over the silent trees and retraced her steps back down the mountain, wearing her faded purple T-shirt.]
[it's your body, you can treat it however you please. the only area where you're free to do just as you like. and even that doesn't turn out how you wanted.]
This was a difficult book to finish. I wanted to finish it, for about a week, but the last 50 or so pages are emotionally harrowing. Hard work.
Stylistically beautiful. Terse and without any extraneous detail, it reads a bit like a ascetic philosophical exploration of decisions in society.
A lot of other reviews (and the blurb above) focus on the book's setting in Korea -- traditionally meat-heavy diet, traditionally rigid patriachal family structure etc. I didn't find this -- apart from the names of people (which are few) and the descriptions of food, there is very little to locate this book in space or time beyond being somewhat modern.
This was weird and much different than I expected. And it took me much longer to read than anticipated; not sure what was up with that.
I believe the frontmatter of the book indicated this was originally three novelettes that have been stuffed together, and I'd say that's fairly obvious even if they do all flow together fairly well. This book is about Yeong-Hye, a woman who decided to be a vegetarian one day based on a strange dream she had, but it's told from the perspective of her husband, her brother-in-law, and her sister, with the POV switching for each novelette. Each one sees Yeong-Hye in a different light, each one has different opinions about her vegetarianism, and each one seems to give up on her by the end.
The thoughts and actions of Yeong-Hye are left obscure throughout the book, and the tension around her strange actions and …
This was weird and much different than I expected. And it took me much longer to read than anticipated; not sure what was up with that.
I believe the frontmatter of the book indicated this was originally three novelettes that have been stuffed together, and I'd say that's fairly obvious even if they do all flow together fairly well. This book is about Yeong-Hye, a woman who decided to be a vegetarian one day based on a strange dream she had, but it's told from the perspective of her husband, her brother-in-law, and her sister, with the POV switching for each novelette. Each one sees Yeong-Hye in a different light, each one has different opinions about her vegetarianism, and each one seems to give up on her by the end.
The thoughts and actions of Yeong-Hye are left obscure throughout the book, and the tension around her strange actions and statements seems to push this almost into thriller territory. We don't know why she's doing this, but it's having huge effects on her health and her relationships and she just doesn't seem to care. As things get worse and worse, we wonder more and more how much she really understands what she's doing.
Bodily autonomy is a huge theme in this book, with Yeong-Hye's autonomy violated more and more perversely as time goes on, but there's a lot of ambiguity around the morality of it. Is she being healthy? Is she capable of consent? Should she be allowed to starve herself even to the point of death? Is she capable of making these decisions for herself? The people around her vary in exactly how selfish their actions are, but the way that the violations get more intense alongside the question of whether Yeong-Hye can make these decisions for herself is really well done.
This book almost viscerally rips into its themes in a way that makes them stick with you for a bit. On the surface it seems like a fairly straightforward story, but Han Kang did a fantastic job of showing us what lies inside.
This was a raw and wrenching, quick read, with stark, excellent writing. It made me very curious about South Korea. I hope someone writes a good introduction to it in future updates, because for once I would not skip a preface. However, even without a background, there is something relatable for anyone who refuses to comply with the expectations of others for This novel is not so much about vegetarianism, though it makes for a convenient starting point. A seemingly small act of rebellion, committed by a previously docile wife, becomes a familial crises born solely by the youngest females. It is a lonely book, as the Vegetarian cannot rest in her self and create her own roots(she has some issues with trees) outside of the projections of herself pushed on her from others. The writing is clear and lovely though, so while I am sure I missed a lot, …
This was a raw and wrenching, quick read, with stark, excellent writing. It made me very curious about South Korea. I hope someone writes a good introduction to it in future updates, because for once I would not skip a preface. However, even without a background, there is something relatable for anyone who refuses to comply with the expectations of others for This novel is not so much about vegetarianism, though it makes for a convenient starting point. A seemingly small act of rebellion, committed by a previously docile wife, becomes a familial crises born solely by the youngest females. It is a lonely book, as the Vegetarian cannot rest in her self and create her own roots(she has some issues with trees) outside of the projections of herself pushed on her from others. The writing is clear and lovely though, so while I am sure I missed a lot, I certainly enjoyed it.
I picked a great read for my first Korean novella. The Vegetarian won last year's international Man Booker award, and was better the last Man Booker I read, Disgrace.
The prose here loses nothing in translation. I don't think I've read anything like it. If you took away the Benji part of The Sound and The Fury you might have an analog.
The book has three parts, narrated by a different person and centers around the decent of Yeong-hye an ordinary Korean wife who refuses to eat meat and is eventually institutionalized. The first part is told by who husband, who is the least crazy, but also a jerk. The second part Yeong-hye's brother in law who is an artist that lusts after her and is a little crazy. The last part is by her sister, In-hye, the closest to losing it like her sister.
The Sound and the Fury …
I picked a great read for my first Korean novella. The Vegetarian won last year's international Man Booker award, and was better the last Man Booker I read, Disgrace.
The prose here loses nothing in translation. I don't think I've read anything like it. If you took away the Benji part of The Sound and The Fury you might have an analog.
The book has three parts, narrated by a different person and centers around the decent of Yeong-hye an ordinary Korean wife who refuses to eat meat and is eventually institutionalized. The first part is told by who husband, who is the least crazy, but also a jerk. The second part Yeong-hye's brother in law who is an artist that lusts after her and is a little crazy. The last part is by her sister, In-hye, the closest to losing it like her sister.
The Sound and the Fury goes in the opposite direction from opaque to clear headed narrators and ends with resolution. The Vegetarian doesn't have a true resolution and leaves more questions open then open. However, both use the decline of a family to make allegorical the decline of a country. There is certainly more eroticism in The Vegetarian, despite Faulkner's muddy underwear obsession.
The Sound and The Fury is probably a bad comparison, but I do think Han Kang is on the same level as Faulkner, with much clearer prose. That's backed up with the Man Booker, I'm looking forward to her publishing more in English. Han Kang takes on issues of Art, Sexuality, Patriarchy, Violence, Sanity, and Nationalism, just to name a few. The ending suggests there are no clear cut answer to the questions that trouble us most, the questions at the heart of our nature.
Probablemente The Vegetarian ha sido una de las novelas más raras que he leído en toda mi vida, pero me ha gustado y a la vez me ha aterrorizado muchísimo (sobre todo al pensar que cosas que pasan en la novela y que me han parecido horribles las tenemos muy asumidas en nuestra sociedad).
Me han gustado sobre todo la primera y la segunda parte (esta un poco menos) y de la tercera aún no tengo una opinión clara porque no he entendido el final, la verdad. Menudo libro...