It feels a little silly to write a review for a book with over 300,000 ratings and 1500 reviews on Goodreads. It's like trying to come up with an original thought on Hamlet. What can I say that hasn't already been said? Maybe nothing... but let's find out.

I mostly read on the subway now, which could be the most appropriate place to have read Neverwhere. It could only be more appropriate if I was reading it on the London Underground, rather than the NYC subway. But every day, as the subway car departs the lights of the station into the dark tunnels, and through a world only briefly glimpsed, I wonder what's going on in the shadows, in the distant spots of light. Is there a giant albino alligator living somewhere down there? A magical other realm with vampires, rat-speakers, goblin markets, and even stranger things. Neil Gaiman took me into that world, and once again shows how modern fairy tails can be told.

Back in the 90's when I was in high school, I picked up a copy of White Wolf's Changeling. Mostly because I loved the cover, but also because I enjoyed Vampire and Werewolf, and wanted to see how they wove in the Fairy, but it ended up being one of those things where there was just too much going on. Nearly immortal vampires doing their political thing, werewolves doing their thing battling the modern world, and then in the same universe you've got all the fairy and mummy and... too much, and it never fit all together, so I never got to play it. Everyone was way too into their vampires to think about playing fay. And honestly, I didn't really get how to make it work either.

I wish I'd had Neverwhere to show me how it's done. Between Gaiman and de Lint, I really want to start running a modern fairy tale RPG game.

The only complaint I have about the whole thing is the final page... But then Gaiman is more optimistic than I am. I'd have cut the story off just a few lines earlier than he did.