So, does the institution always need to be only the host? If you have an institution where the members of it are also its voices [-->] and performers, could that lead to solidarities between artists and institutional workers? What happens when there's not a clear division between those positions? Would an artist we invite into the organisation then work together as a peer with the organisation?

— Infrastructuring : Four Conversations on Cultural by Susannah Haslam (Page 49 - 50)