My kind of story, about outsiders bonding over music, set in the time of my childhood, soaked in the stuff that science fiction promises of how things could be better if only. While I wasn’t bothered by its focus on gender, I did feel like Miller did a bit of time travel there by importing the language and issues of 2020 into the mid 1980s. Or perhaps this is an alternative Earth, where those issues emerged earlier? However, I’m surprised Miller was able to publish this, given the use of lyrics to both Iggy Pop and David Bowie songs.